The world has changed forever. Across America, technology has been eclipsed by magic, and people are changing into the embodiments of their darkest desires and deepest fears. In this new time, former lawyer Cal Griffin has united a small group of outcasts to battle the chaos.

Ever since she was a tiny child, Sabriel has lived outside the walls of the Old Kingdom, away from the random power of Free Magic, and away from the Dead who won't stay dead. But now her father, the Mage Abhorsen, is missing, and to find him Sabriel must cross back into that world.

The dream chooses the dreamer, not the other way around - and Lazlo Strange, war orphan and junior librarian, has always feared that his dream chose poorly. Since he was five years old, he's been obsessed with the mythic lost city of Weep, but it would take someone bolder than he to cross half the world in search of it. Then a stunning opportunity presents itself in the person of a hero called the Godslayer and a band of legendary warriors, and he has to seize his chance or lose his dream forever.

The Red Queen is old but the kings of the Broken Empire dread her like no other. For all her reign, she has fought the long war, contested in secret, against the powers that stand behind nations, for higher stakes than land or gold. Her greatest weapon is The Silent Sister - unseen by most and unspoken of by all. The Red Queen's grandson, Prince Jalan Kendeth - drinker, gambler, seducer of women - is one who can see The Silent Sister.

Imajica is an epic beyond compare: vast in conception, obsessively detailed in execution, and apocalyptic in its resolution. At its heart lies the sensualist and master art forger Gentle, whose life unravels when he encounters Judith Odell, whose power to influence the destinies of men is vaster than she knows, and Pie "oh" pah, an alien assassin who comes from a hidden dimension.

Clive Barker has made his mark on modern fiction by exposing all that is surreal and magical in the ordinary world - and exploring the profound and overwhelming terror that results. With its volatile mix of the fantastical and the contemporary, the everyday and the otherworldly, Weaveworld is an epic work of dark fantasy and horror - a tour de force from one of today's most forceful and imaginative artists.

Since the death of the Druid Allanon, the Four Lands have changed profoundly, with magic strictly forbidden in the Southland, now under totalitarian rule. Yet Par still has some power of the Wishsong. A message from Allanon arrives: venture to the dread Hadeshorn, along with the other Scions of Shannara. For in the future, all life in the Four Lands will be destroyed. To prevent this terrible fate, Allanon commands Par to recover the long-lost Sword of Shannara, a task that is next to impossible.

Surrounded by secrecy, it is home to the wildest dreams and darkest nightmares. Incredible amounts of money have been lavished on it. The best minds of two generations have labored to build it. And somehow, bit by bit, it is claiming the Earth's most valuable resource - its children.

The last thing FBI agent Will Brody remembers is the explosion - a thousand shards of glass surfing a lethal shock wave. He wakes without a scratch. The building is in ruins. His team is gone. Outside, Chicago is dark. Cars lie abandoned. No planes cross the sky. He's relieved to spot other people - until he sees they're carrying machetes.

To the world, I'm a just a Conjurer. To my closest friends, I'm a FireSoul - a dangerous Magica with forbidden powers and a dragon's soul. The downside? If anyone discovers what I am, I'm dead. So I lay low, kicking butt with my weapons, not my magic. Things get ugly when I witness the murder of a powerful vampire ally and become the key suspect. Soon, I'm hunted by the sexiest, strongest supernatural I've ever met. Ares is an unheard of vampire hybrid, and it's hard to say if he wants to kiss me or kill me. I've got three days to catch the real killer.

In this short story collection of courage, adventure, and magic, heroes—ordinary people who do the right thing—bravely step forward. But running toward danger might cost them everything.

She was once a princess of Faerie, the seventh daughter of King Oberon. But 16-year-old Anita Palmer has no memory of the Faerie Realm; her true Faerie princess identity; her love, Edric; or her quest to save Faerie from a deadly plague that ravaged it. With the help of an unexpected ally, Anita must figure out a way to reawaken Tania, her Faerie self - but how? Now Anita - or is she Tania - doesn't know who, or what, to trust, including her own memories. With no time to spare, Anita must act. A thrilling final battle is soon to be waged that will affect not only her destiny but the fate of both Faerie and the Mortal World.

Not bound as a book. Free. Like Unfettered before it, the contributing writers of Unbound were allowed to submit the tales they wished fans of genre to hear - without the constraints of a shackling theme. The result is magical. Twenty-three all-original stories are sure to captivate you - some will move you to tears while others will keep you listening long into the night. The power of Unbound lies in its variety of tales and the voices behind them. If you are a fan of discovering new writers or hearing the works of beloved authors, Unbound is for you.

The Cthulhu Mythos is one of the 20th century's most singularly recognizable literary creations. Initially created by H. P. Lovecraft and a group of his amorphous contemporaries (the so-called "Lovecraft Circle"), The Cthulhu Mythos story cycle has taken on a convoluted, cyclopean life of its own. Some of the most prodigious writers of the 20th century, and some of the most astounding writers of the 21st century have planted their seeds in this fertile soil. The Book of Cthulhu harvests the weirdest and most corpulent crop of these modern mythos tales.

From Brett J. Talley, the master of Lovecraftian terror, comes thirteen tales of the dark forces that lurk just beyond man's understanding. Read them if you must but do not forget: there are some things mankind was never meant to know.