Jaded Hollywood producer Bobby Gould has spent a career reaping what others sow, until the night he's forced to choose between his loyal friend's sure-fire hit and a beautiful girl's art-house project. During a wicked evening of seduction and manipulation, Bobby discovers that the power he exerts is more elusive than it seems.

During a winter storm a busload of weary travelers are forced to shack up at a roadside diner until morning. Inge was renowned for his in-depth character studies, Bus Stop is no exception and offers a warm play about the intersecting lives of eight ordinary people.

What does it mean to be pretty? Do you really need someone to validate your appearance? Neil LaBute tackles our obsession with physical beauty head-on in a work nominated for multiple Tony and Drama Desk Awards. Our production, directed by the playwright, includes original Broadway cast member Thomas Sadoski, whose acclaimed performance also earned aTony nomination. Includes a backstage conversation with Neil LaBute and the cast. An L.A. Theatre Works full-cast production.

This Pulitzer Prize-winner is a deeply touching and funny play about three eccentric sisters from a small Southern town rocked by scandal when Babe, the youngest, shoots her husband. Humor and pathos abound as the sisters unite with an intense young lawyer to save Babe from a murder charge, and overcome their family’s painful past. A BBC co-production.

Austin is a distinguished Bostonian with a WASP pedigree, an unbeatable squash game, and a frightening secret. After he meets up with his old flame Ruth, they begin a comic and painful voyage of self-discovery.

In the sequel to Reasons to Be Pretty, Greg, Steph, Carly, and Kent return a little older, but not necessarily wiser. And don’t worry if you haven’t met them before - there’s more than enough humor and humanity to usher you into the second act of their lives. Includes a backstage conversation with Neil LaBute and the cast. An L.A. Theatre Works full-cast production featuring Jenna Fischer, Thomas Sadoski, Gia Crovatin, and Josh Stamberg. Written and directed by Neil LaBute. Recorded by L.A. Theatre Works before a live audience.

Jonathan Waxman is a hugely successful artist. He's been profiled in Vanity Fair and receives exorbitant prices for his works, sight unseen. But a visit with his original muse and lover causes him to reevaluate the success that now controls him.

This poignant and poetic 2003 Pulitzer Prize-winning play captures 1929 Florida at a time when cigars are still rolled by hand and "lectors" are employed to educate and entertain the workers. The arrival of a new lector is a cause for celebration. But when he reads aloud from Anna Karenina, he unwittingly becomes a catalyst in the lives of his avid listeners, for whom Tolstoy, the tropics, and The American Dream prove a volatile combination.

An L.A. Theatre Works full-cast production. In this riveting political drama, Sara, along with her German husband Kurt, returns to the opulent Washington, DC, mansion of her mother, Fanny, after years away in Europe. With Hitler and Mussolini assuming full power, Kurt finds himself blackmailed for his anti-Fascist activities as the conflict in Europe crosses the hearth of this tranquil home.

Orson Bean and Alley Mills star in the story of a man who becomes the town hero after he boasts of murdering his father. Riots greeted the first performance of this 1907 comic masterpiece of the Irish Literary Renaissance. L.A. Theatre Works reprises the Pacific Resident Theatre's acclaimed production.

This timeless comedy of manners is considered one of Molière's most probing and mature works. While it's still an exemplar of 17th century farce, Molière went beyond his usual comic inventiveness to create a world of rich, complex characters, especially in the cynical title character Alceste, played here by the Tony Award-winning actor Brian Bedford.

When a small town relies on tourists flocking to its baths, will a report of dangerously polluted waters be enough to shut them down? Henrik Ibsen weighs the cost of public health versus a town's livelihood and skewers the complicity of the masses in his classic and still timely play.

Eugene O’Neill’s tale of Ephraim Cabot, greedy and hard like the stone walls that surround his farm, the family patriarch brings home his new young bride, Abbie. His grown sons dissaprove; one leaves but the other stays to fight for the family fortune. What follows is a tragedy of epic proportions.

In a Fifth Avenue apartment high above Central Park, a weathy art dealer and his wife are trying to interest a moneyed friend in a $2 million investment when an unexpected young guest arrives - and changes their lives forever. Performed by a full cast starring Alan Alda, Swoosie Kurtz, and Chuma Hunter-Gault.

Winner of the 2000 Pulitzer Prize for drama, Dinner with Friends examines the lives of two couples and the repercussions of divorce on their friendship. With wit, compassion, and consummate skill, playwright Donald Margulies weighs the costs of breaking up...and of staying together.

When mystery author D. B. Ziegler is late delivering her book, Abi Schore steps in to help. Surely she can give her favorite author moral support over the holiday break and get the manuscript to her boss at Tea & Sympathy Publishing in time for the new year. When Abi shows up on Ms. Ziegler’s doorstep bearing holiday treats, she’s met by the author’s handsome grandson Dov, who reveals a startling plot twist. His grandmother isn’t able to finish the book and Dov promised he’d complete it so fans won’t be disappointed—a task that’s harder than he ever imagined.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

There's no place like home for the holidays ... especially for Lesley Carver. Life in the big city just wasn't her jam and now she's back in Hickory Falls, working at the family diner and helping her mom after she took a tumble. Lesley longs to build a life here, working at the cafe, selling her handmade ornaments and ... er, apparently reviving her high school crush on her best friend’s older brother. Only one problem, her mom wants her to leave Hickory Falls far behind.

Tilly Farriday isn’t feeling very jolly this season. Recently divorced and broke, she’s squatting in one of her rental agency’s properties until her new home is ready. The sprinkles on top of the burnt Christmas cookie that is her life? The new owner shows up early, forcing Tilly to hide in the attic to save her job…and what remains of her dignity.

First published in 1843, it tells the story of Ebenezer Scrooge, a mean and unpleasant man who dislikes people generally and Christmas especially. One Christmas Eve he is visited by the ghost of his former business partner Jacob Marley and the spirits of Christmas Past, Present and Yet to Come and given a glimpse of the many homes and lives which Scrooge has touched in his wretched life to date. After their visits, Scrooge is transformed into a kinder, gentler man.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Clark Griswold was onto something...at least with his annual holiday meltdown. And since the last three weeks of my life have been riddled with humbug—another breakup, a broken toe, an office promotion I deserved and didn’t get—I’m not at all in the mood to celebrate nor have the happ, happ, happiest Christmas EVER.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

Johnnie Rico never really intended to join up—and definitely not the infantry. But now that he’s in the thick of it, trying to get through combat training harder than anything he could have imagined, he knows everyone in his unit is one bad move away from buying the farm in the interstellar war the Terran Federation is waging against the Arachnids. Because everyone in the Mobile Infantry fights. And if the training doesn’t kill you, the Bugs are more than ready to finish the job.