Jack Isidore doesn’t see the world like most people. According to his brother-in-law, Charley, he’s a crap artist, obsessed with his own bizarre theories and ideas, which he fanatically records in his many notebooks. He is so grossly unequipped for real life that his sister and brother-in-law feel compelled to rescue him from it. But while Fay and Charley Hume put on a happy face for the world, they prove to be just as sealed off from reality, in thrall to obsessions that are slightly more acceptable than Jack’s but a great deal uglier.

Milton Lumky territory is both an area of the western United States and a psychic terrain: the world and worldview of the traveling salesman. The story takes place in Boise, Idaho, with some extraordinary long-distance driving sequences in which our hero (young Bruce Stevens) drives from Boise to San Francisco, to Reno, to Pocatello, to Seattle, and back to Boise in search of a good deal on some wholesale typewriters.

Nick has a problem. He has a cat named Horace, and cats are quite illegal on Earth. In fact all pets are illegal on Earth, and Horace has been reported to the anti-pet man. The only way for Nick and his family to keep Horace is to emigrate to Plowman's Planet. Little did they know that, rather than the pastoral paradise Nick's father envisioned, they would land in the middle of a planetwide war against an entity known as Glimmung, a conflict in which Nick and Horace would play a pivotal role.

This novel, Dick said, is about Leo Runcible, "a brilliant, civic minded liberal Jew living in a rural WASP town in Marin County, California." Runcible, a real estate agent involved in a local battle with a neighbor, finds what look like Neanderthal bones in Marin and dreams of rising real estate prices because of the publicity. But it turns out that the remains are more recent, the result of an environmental problem polluting the local water supply.

When Dr. Jim Parsons awakens after a car accident, he finds himself in a future populated almost entirely by the young. But for the young to keep running the world, death is fetishized, and those who survive to old age are put down. In such a world, Parsons - with his innate desire to save lives - is a criminal and an outcast. For one revolutionary group, however, he may be just the savior they need to heal and revive their cryogenically frozen leader.

Stuart Hadley is a young radio electronics salesman in early 1950s Oakland, California. He has what many would consider the ideal life: a nice house, a pretty wife, a decent job with prospects for advancement, but he still feels unfulfilled; something is missing from his life. Hadley is an angry young man - an artist, a dreamer, a screw-up. He tries to fill his void first with drinking and sex, and then with religious fanaticism, but nothing seems to be working, and it is driving him crazy.

Years ago, Earth and Titan fought a war and Earth lost. The planet was irradiated and most of the surviving population is sterile. The few survivors play an intricate and unending game called Bluff at the behest of the sluglike aliens who rule the planet. At stake in the game are two very important commodities: land and spouses. Pete Garden just lost his wife and Berkeley, California, but he has a plan to win them back. That is, if he isn’t derailed by aliens, psychic traitors, or his new wife.

Sometimes even gods need help. In Galactic Pot-Healer that god is an alien creature known as the Glimmung, which looks alternately like a flaming wheel, a teenage girl, and a swirling mass of ocean life. In order to raise a sunken city, he summons beings from across the galaxy to Plowman’s Planet. Joe Fernwright is one of those summoned, needed for his skills at pot-healing - repairing broken ceramics. But from the moment Joe arrives on Plowman’s Planet, things start to go awry. Is the Glimmung good or evil?

Floyd Jones has always been able to see exactly one year into his future, a gift and curse that began one year before he was even born. As a fortuneteller at a post-apocalyptic carnival, Jones is a powerful force, and may be able to free society from its paralyzing Relativism. If, that is, he can avoid the radioactively unstable government hit man on his tail.

In Our Friends from Frolix 8, the world is run by an elite few. And what determines whether one is part of the elite isn’t wealth or privilege, but brains. As children, every citizen of Earth is tested; some are found to be super-smart New Men and some are Unusuals with various psychic powers. The vast majority are Undermen, performing menial jobs in an overpopulated world.

After the 20th century’s devastating series of wars, the world’s governments banded together into one globe-spanning entity, committed to peace at all costs. Ensuring that peace is the Vulcan supercomputer, responsible for all major decisions. But some people don’t like being taken out of the equation. And others resent the idea that the Vulcan is taking the place of God. As the world grows ever closer to all-out war, one functionary frantically tries to prevent it. But the Vulcan computer has its own plans....

In Counter-Clock World, time has begun moving backward. People greet each other with "goodbye", blow smoke into cigarettes, and rise from the dead. When one of those rising dead is the famous and powerful prophet Anarch Peak, a number of groups start a mad scramble to find him first - but their motives are not exactly benevolent, because Anarch Peak may just be worth more dead than alive, and these groups will do whatever they must to send him back to the grave.

What happens after the bombs drop? This is the troubling question Philip K. Dick addresses with Dr. Bloodmoney, or How We Got Along After the Bomb. It is the story of a world reeling from the effects of nuclear annihilation and fallout, a world where mutated humans and animals are the norm, and the scattered survivors take comfort from a disc jockey endlessly circling the globe in a broken-down satellite.

Following an inexplicable urge, Ted Barton returns to his idyllic Virginia hometown for a vacation, but when he gets there, he is shocked to discover that the town has utterly changed. The stores and houses are all different and he doesn't recognize anybody. The mystery deepens when he checks the town's historical records...and reads that he died nearly twenty years earlier.

When a repairman accidentally discovers a parallel universe, everyone sees it as an opportunity, whether as a way to ease Earth’s overcrowding, set up a personal kingdom, or hide an inconvenient mistress. But when a civilization is found already living there, the people on this side of the crack are sent scrambling to discover their motives. Will these parallel humans come in peace? Or are they just as corrupt and ill-intentioned as the people of this world?

Ryland Grace is the sole survivor on a desperate, last-chance mission - and if he fails, humanity and the Earth itself will perish. Except that right now, he doesn't know that. He can't even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he's been asleep for a very, very long time. And he's just been awakened to find himself millions of miles from home, with nothing but two corpses for company.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive - and even if he could get word out, his supplies would be gone long before a rescue could arrive. But Mark isn't ready to give up yet.

Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

Jack Isidore doesn’t see the world like most people. According to his brother-in-law, Charley, he’s a crap artist, obsessed with his own bizarre theories and ideas, which he fanatically records in his many notebooks. He is so grossly unequipped for real life that his sister and brother-in-law feel compelled to rescue him from it. But while Fay and Charley Hume put on a happy face for the world, they prove to be just as sealed off from reality, in thrall to obsessions that are slightly more acceptable than Jack’s but a great deal uglier.

For years, the third moon in the Alphane system was used as a psychiatric hospital. But when war broke out between Earth and the Alphanes, the hospital was left unguarded and the inmates set up their own society, made up of competing factions based on their particular mental illnesses. When Earth sends a delegation to take back the colony, they find enclaves of depressives, schizophrenics, paranoiacs, and others uniting to repel what they see as a foreign invasion.

When Dr. Jim Parsons awakens after a car accident, he finds himself in a future populated almost entirely by the young. But for the young to keep running the world, death is fetishized, and those who survive to old age are put down. In such a world, Parsons - with his innate desire to save lives - is a criminal and an outcast. For one revolutionary group, however, he may be just the savior they need to heal and revive their cryogenically frozen leader.

This novel, Dick said, is about Leo Runcible, "a brilliant, civic minded liberal Jew living in a rural WASP town in Marin County, California." Runcible, a real estate agent involved in a local battle with a neighbor, finds what look like Neanderthal bones in Marin and dreams of rising real estate prices because of the publicity. But it turns out that the remains are more recent, the result of an environmental problem polluting the local water supply.

In Counter-Clock World, time has begun moving backward. People greet each other with "goodbye", blow smoke into cigarettes, and rise from the dead. When one of those rising dead is the famous and powerful prophet Anarch Peak, a number of groups start a mad scramble to find him first - but their motives are not exactly benevolent, because Anarch Peak may just be worth more dead than alive, and these groups will do whatever they must to send him back to the grave.

When catastrophic overpopulation threatens Earth, one company offers to teleport citizens to Whale’s Mouth, an allegedly pristine new home for happy and industrious émigrés. But there is one problem: the teleportation machine works in only one direction. When Rachmael ben Applebaum discovers that some of the footage of happy settlers may have been faked, he sets out on an 18-year journey to see if anyone wants to come back.

Following an inexplicable urge, Ted Barton returns to his idyllic Virginia hometown for a vacation, but when he gets there, he is shocked to discover that the town has utterly changed. The stores and houses are all different and he doesn't recognize anybody. The mystery deepens when he checks the town's historical records...and reads that he died nearly twenty years earlier.

In this lyrical and moving novel, Philip K. Dick intertwines the story of a toxic love affair with one about sentient robots, and unflinchingly views it all through the prism of mental illness - which spares neither human nor robot. The end result is one of Dick’s most quietly powerful works. When Louis Rosen’s electronic-organ company builds a pitch-perfect robotic replica of Abraham Lincoln, the firm is pulled into the orbit of a shady businessman, who is looking to use Lincoln for his own profit.

Stuart Hadley is a young radio electronics salesman in early 1950s Oakland, California. He has what many would consider the ideal life: a nice house, a pretty wife, a decent job with prospects for advancement, but he still feels unfulfilled; something is missing from his life. Hadley is an angry young man - an artist, a dreamer, a screw-up. He tries to fill his void first with drinking and sex, and then with religious fanaticism, but nothing seems to be working, and it is driving him crazy.

After the 20th century’s devastating series of wars, the world’s governments banded together into one globe-spanning entity, committed to peace at all costs. Ensuring that peace is the Vulcan supercomputer, responsible for all major decisions. But some people don’t like being taken out of the equation. And others resent the idea that the Vulcan is taking the place of God. As the world grows ever closer to all-out war, one functionary frantically tries to prevent it. But the Vulcan computer has its own plans....

In 2203 anyone can become the ruler of the solar system. There are no elections, no interviews, no prerequisites whatsoever - it all comes down to the random turns of a giant wheel. But when a new Quizmaster takes over, the old one still keeps some rights, namely the right to hire an unending stream of assassins to attempt to kill the new leader. In the wake of the most recent change in leadership, employees of the former ruler scurry to find an assassin who can get past telepathic guards.

When Roger and Virginia Lindhal enroll their son Gregg in Mrs. Alt's Los Padres Valley School in the mountains of Southern California, their marriage is already in deep trouble. Then the Lindhals meet Chic and Liz Bonner, whose two sons also board at Mrs. Alt's school. The meeting is a catalyst for a complicated series of emotions and traumas, set against the backdrop of suburban Los Angeles in the early fifties.

Set in San Francisco in 1956, The Broken Bubble traces the ups and downs and ins and outs of four characters who are not quite sure of the lives they’re living. Jim Briskin, local radio DJ, his ex-wife Pat, the young married couple Art and Rachel Emmanual – all are acutely observed and sympathetically portrayed. Briskin is suspended from his job for refusing to read a particularly repellant ad, while Art foolishly gets mixed up in a group of absurd would-be revolutionaries. As they all get entangled and not quite disentangled with each other, it becomes apparent they are seeking only – in typical Dick fashion – to live more or less happily - if not ever after, then at least for a while. Modest as it may seem, it is an ambition very difficult to achieve.

In this biting satire, the Cold War may have ended, but the eastern and western governments never told their citizens. Instead they created an elaborate ruse wherein each side comes up with increasingly outlandish doomsday weapons - weapons that don’t work. But when aliens invade, the top designers of both sides have to come together to make a real doomsday device - if they don’t kill each other first. With its combination of romance, espionage, and alien invasion, The Zap Gun skewers the military-industrial complex in a way that’s as relevant today as it was at the height of the Cold War.

What happens after the bombs drop? This is the troubling question Philip K. Dick addresses with Dr. Bloodmoney, or How We Got Along After the Bomb. It is the story of a world reeling from the effects of nuclear annihilation and fallout, a world where mutated humans and animals are the norm, and the scattered survivors take comfort from a disc jockey endlessly circling the globe in a broken-down satellite.