Middle C
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Narrated by:
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Jeremy Arthur
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By:
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William H. Gass
About this listen
A literary event - the long-awaited novel, almost two decades in work, by the acclaimed author of The Tunnel ("The most beautiful, most complex, most disturbing novel to be published in my lifetime." - Michael Silverblatt, Los Angeles Times; "An extraordinary achievement." - Michael Dirda, The Washington Post); Omensetter’s Luck ("The most important work of fiction by an American in this literary generation" - Richard Gilman, The New Republic); Willie Masters’ Lonesome Wife; and In the Heart of the Heart of the Country ("These stories scrape the nerve and pierce the heart. They also replenish the language." - Eliot Fremont-Smith, The New York Times).
Gass’ new novel moves from World War II Europe to a small town in postwar Ohio. In a series of variations, Gass gives us a mosaic of a life - futile, comic, anarchic - arranged in an array of vocabularies, altered rhythms, forms and tones, and broken pieces with music as both theme and structure, set in the key of middle C.
It begins in Graz, Austria, 1938. Joseph Skizzen's father, pretending to be Jewish, leaves his country for England with his wife and two children to avoid any connection with the Nazis, who he foresees will soon take over his homeland. In London with his family for the duration of the war, he disappears under mysterious circumstances. The family is relocated to a small town in Ohio, where Joseph Skizzen grows up, becomes a decent amateur piano player, in part to cope with the abandonment of his father, and creates as well a fantasy self - a professor with a fantasy goal: to establish the Inhumanity Museum...as Skizzen alternately feels wrongly accused (of what?) and is transported by his music. Skizzen is able to accept guilt for crimes against humanity and is protected by a secret self that remains sinless.
Middle C tells the story of this journey, an investigation into the nature of human identity and the ways in which each of us is several selves, and whether any one self is more genuine than another.
William Gass set out to write a novel that breaks traditional rules and denies itself easy solutions, cliff-edge suspense, and conventional surprises...Middle C is that book; a masterpiece by a beloved master.
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Winner of the National Book Award when it was first published in 1964, Herzog traces five days in the life of a failed academic whose wife has recently left him for his best friend. Through the device of letter writing, Herzog movingly portrays both the internal life of its eponymous hero and the complexity of modern consciousness.
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Grows Within You
- By Chris Reich on 08-06-11
By: Saul Bellow
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A Prayer for Owen Meany
- By: John Irving
- Narrated by: Joe Barrett
- Length: 27 hrs and 19 mins
- Unabridged
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Of all of John Irving's books, this is the one that lends itself best to audio. In print, Owen Meany's dialogue is set in capital letters; for this production, Irving himself selected Joe Barrett to deliver Meany's difficult voice as intended. In the summer of 1953, two 11-year-old boys – best friends – are playing in a Little League baseball game in Gravesend, New Hampshire. One of the boys hits a foul ball that kills the other boy's mother. The boy who hits the ball doesn't believe in accidents; Owen Meany believes he is God's instrument. What happens to Owen after that 1953 foul ball is extraordinary and terrifying.
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Outstanding
- By Alan on 03-28-11
By: John Irving
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The Stolen Child
- By: Keith Donohue
- Narrated by: Andy Paris, Jeff Woodman
- Length: 11 hrs and 51 mins
- Unabridged
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Seven-year-old Henry Day is kidnapped and renamed "Aniday" by changelings, ageless beings who inhabit the woods near his home. The changelings also leave behind one of their own, who flawlessly impersonates Henry except for one noteworthy detail: the new Henry is a prodigiously talented pianist.
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Not Anything Close to the Hype
- By Jon on 06-20-06
By: Keith Donohue
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All the Lives We Never Lived
- By: Anuradha Roy
- Narrated by: Vikas Adam
- Length: 11 hrs and 22 mins
- Unabridged
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From the Man Booker Prize-nominated author of Sleeping on Jupiter, The Folded Earth, and An Atlas of Impossible Longing, a poignant and sweeping novel set in India during World War II and the present day about a son’s quest to uncover the truth about his mother....
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Beautiful book
- By Sonia S. on 12-13-19
By: Anuradha Roy
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The Plague of Doves
- By: Louise Erdrich
- Narrated by: Peter Francis James, Kathleen McInerney
- Length: 11 hrs and 3 mins
- Unabridged
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The unsolved murder of a farm family haunts the small, white, off-reservation town of Pluto, North Dakota. The vengeance exacted for this crime and the subsequent distortions of truth transform the lives of Ojibwe living on the nearby reservation and shape the passions of both communities for the next generation.
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Avoid this Plague
- By Andre on 05-16-08
By: Louise Erdrich
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Mr. Fox
- A Novel
- By: Helen Oyeyemi
- Narrated by: Carol Boyd
- Length: 8 hrs and 15 mins
- Unabridged
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Performance
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Story
Fairy-tale romances end with a wedding and the fairy tales don't get complicated. In this book, celebrated writer Mr. Fox can't stop himself from killing off the heroines of his novels, and neither can his wife, Daphne. It's not until Mary, his muse, comes to life and transforms him from author into subject that his story begins to unfold differently....
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A Great Novel, just Poor for Audio
- By James A. Dittes on 08-13-16
By: Helen Oyeyemi
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In the Country
- Stories
- By: Mia Alvar
- Narrated by: Nancy Wu, Don Castro
- Length: 13 hrs and 35 mins
- Unabridged
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Overall
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These nine globe-trotting, unforgettable stories from Mia Alvar, a remarkable new literary talent, vividly give voice to the women and men of the Filipino diaspora. Here are exiles, emigrants, and wanderers uprooting their families from the Philippines to begin new lives in the Middle East, the United States, and elsewhere - and sometimes turning back again.
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My introduction to Filipino literature and culture
- By Amazon Customer on 03-28-16
By: Mia Alvar
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Driving on the Rim
- By: Thomas McGuane
- Narrated by: Traber Burns
- Length: 12 hrs and 43 mins
- Unabridged
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The unforgettable voyager of this dark picaresque is I. B. "Berl" Pickett, M.D., whose die was probably cast the moment his mother thought to name him after Irving Berlin. Other insults piled on apace thereafter: the spasms of Pentecostal Sunday worship; the social debilitation of following his parents' itinerant rug-shampooing business; the erotic initiation at the hands of his aunt. It's hard to imagine what would have become of him had he not gone to medical school.
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Delightful
- By Roy on 01-05-11
By: Thomas McGuane
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Stories
- All-New Tales
- By: Neil Gaiman - author/editor, Al Sarrantonio - editor, Joe Hill, and others
- Narrated by: Anne Bobby, Jonathan Davis, Katherine Kellgren, and others
- Length: 18 hrs and 11 mins
- Unabridged
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The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: "And then what happened?" The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal.
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Something for Everyone
- By Nicole on 05-24-17
By: Neil Gaiman - author/editor, and others
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Oldest Living Confederate Widow Tells All
- By: Allan Gurganus
- Narrated by: Barbara McCulloh
- Length: 49 hrs and 54 mins
- Unabridged
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Allan Gurganus's Oldest Living Confederate Widow Tells All became an instant classic upon its publication. Critics and fans alike fell in love with the voice of 99-year-old Confederate widow Lucy Marsden, one of the most entertaining and loquacious heroines in American literature. Lucy married at the turn of the 20th century, when she was 15 and her husband was 50. If Colonel William Marsden was a veteran of the "War for Southern Independence", Lucy became a "veteran of the veteran" with a unique perspective on Southern history and Southern manhood.
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Dated.
- By edie butler on 04-06-21
By: Allan Gurganus
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The Probable Future
- By: Alice Hoffman
- Narrated by: Susan Ericksen
- Length: 11 hrs and 56 mins
- Unabridged
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Women of the Sparrow family have unusual gifts. Elinor can detect falsehood. Her daughter, Jenny, can see people's dreams when they sleep. Granddaughter Stella has a mental window to the future - a future that she might not want to see.
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Nice, gentle story for when you feel bad.
- By Anonymous User on 05-28-17
By: Alice Hoffman
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Incest, a game the Whole Family Can Play
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What listeners say about Middle C
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Performance
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- Darwin8u
- 06-07-14
All the world was a stage. But not for all the wor
Another great author I backed into. Don't misinterpret me. I haven't just run backward over/into Gass. I haven't just "discovered" or "uncovered" the author. I've quoted him often. I've admired him and scanned used bookshelves for him. In my collegiate years I presumed to know more about Gass than I had a right to presume. I've carefully kept The Tunnel displayed, peacocking, on my shelf for decades. I've collected Gass essay collections, Gass criticisms, other Gass fictions. But all my Gass has, until today, remained unread, his books unopened, those pages uncut, words undisturbed.
'Middle C' is a funky book. A musical prose that dances around the center. A mediocre family in flight, in disguise from Austria to London to the Middle of Middle America. A narrator that hides and disguises, that plots and twists. He jumps from school to store to library to university. He climbs the American ladder, remaking each rung as he climbs. He creates a fictional life and dreams that mankind must perish but also fears we might just survive. He creates an inhumanity museum for himself; an exhibit of disasters and man-made horrors, clipped from papers and hung on flypaper. He lives with his mother, dreams of his father, and gains a certain satisfaction "at being to the world an artifice".
This isn't a plot driven novel. It is an ode to identity, a concerto between the two-selves of a man whose two identities (Joey and Joseph) are the contrapuntal themes we ALL listen to, if we listen closely, to those fuguing, fuging voices in our own head.
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18 people found this helpful
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- K.N.R.
- 03-10-16
Double Doubts and Identities
[rating = B+]
Mr. Gass is a wonderful stylist. His diction is superb and his sentences are fluid and effortless. The story is actually quite well plotted: the family comes over from Austria to England then to America. Joseph, Joey, Professor Skizzen are all one and the same, and Gass's ability to transition from he story, each time-period is quite masterful. I think the novel is about finding one's place; finding that middle C in the sea of other notes. There are many notes that go by the same name, variations are what makes the world go round. The idea that one person can have the same name or appearance but he utterly different, I believe, is what Gass's novel is trying to expose. At any rate, the language amazes the reader and even the smallest of phrases alights in the light and ear. Mr. Gass may go about philosophizing too much at times (the Inhumane Museum looses me as a bit random) but the idea of language as power is certainly there, and the thought humans can survive anything is still even more poignant
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5 people found this helpful
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- Terrance
- 11-24-19
Fantastic Novel from an American Master
From its early question of why fleeing the privilege of an oppressor is met with suspicion, to it's incredibly chilling and portentous final sentence, Middle C is a masterpiece. Regarding the title, it may be useful for non-musical readers to know that Middle C is the note that falls on an implied line between the bass and treble clefs of a grand staff, finding a home in neither.
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1 person found this helpful
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- Marc Silverman
- 10-15-22
Good story but not my cup of tea
The author is an incredibly talented writer. There were some interesting topics focused on and it did capture my interest at times. Overall, I found the story’s direction a bit dull and the protagonist somewhat aggravating. There had also been a confusing scene (that involved his librarian boss/land lord) that didn’t make any sense to me. No matter how many times I went through it. I wouldn’t really care that much, but it was an important scene. So that annoyed me.
I appreciated how the author included some of the classroom lectures. They were funny and intriguing.
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