When Connie buys a house on the moors, she has to negotiate with the abrupt Vincent O'Connor. She soon discovers that mystery is a way of life for Vincent, who has an increasing influence on her life. Then the shocking truth about the man with whom she shared many years of her life comes to light.

Set at the turn of the century, this is one of Catherine Cookson's most unusual novels, powerfully portraying a woman dangerously driven by desire and ambition.

A story of mystery, love and revenge. Bridget Gether's parents were killed in the wartime blitz, so she had lived with the Overmeers at Balderstone, their sprawling property in the Northumbrian countryside, since she was a child. Unaware that she had been manipulated into agreeing to marry their son, Laurence, an encounter with Bruce Dickenson, the son of a neighbouring farmer, opened her eyes to the possibility that she might be making a serious mistake.

Known for the wit of her writing, Catherine Cookson was the UK's most widely read novelist during her lifetime. When her Estate discovered this never-before-published memoir in the attic of her home, it was an astonishing find. Before I Go is the definitive story of her life, in the author's own candid words.

Mary Hetherington was a mother who dominated her family. And when David brought home Sarah from the "wrong end" of the 15 Streets, a girl who brought life and laughter into her dustless house, she soon took against her.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.