This anthology of rare stories of crime and suspense brings together a selection of rare tales by masters of the Golden Age of Detective Fiction for the first time in book form, including a newly discovered Agatha Christie crime story that has not been seen since 1922. At a time when crime and thriller writing has once again overtaken the sales of general and literary fiction, Bodies from the Library unearths lost stories from the Golden Age, that period between the World Wars when detective fiction captured the public’s imagination.

Bigger, newer, faster. Demolish and rebuild, then demolish and rebuild again. Smoke, soot, and noise are the badges of prosperity, and growth is for growth's sake.

Julian Fellowes's Belgravia is the story of a secret. A secret that unravels behind the porticoed doors of London's grandest postcode. Set in the 1840s, when the upper echelons of society began to rub shoulders with the emerging industrial nouveau riche, Belgravia is peopled by a rich cast of characters. But the story begins on the eve of the Battle of Waterloo in 1815. At the Duchess of Richmond's new legendary ball, one family's life will change forever.

Agatha Christie's first two Poirot novels, narrated with a general-American accent. The Mysterious Affair at Styles: Someone has poisoned wealthy Emily Inglethorp. But who? And how? Everyone suspects Emily's young husband, Alfred...and Alfred seems to be actually trying to get arrested and charged.... The Murder on the Links: Poirot comes to France in response to a desperate plea for help to find his client already murdered - stabbed in the back and lying in an open grave. Brusque, arrogant Inspector Giraud thinks he knows who did it.

Mrs. Laetitia Rodd, aged 52, is the widow of an archdeacon who makes her living as a highly discreet private investigator. Her brother, Frederick Tyson, is a criminal barrister living in nearby Highgate with his wife and 10 children. Frederick finds the cases, and Laetitia solves them using her arch intelligence and her immaculate cover as an unsuspecting widow. When a case arises involving the son of the highly connected Sir James Calderstone, Laetitia sets off for Lincolnshire undercover as the family's new governess.

gentle romance begins innocently enough in the stalls of a London theatre where Catherine is enjoying her ninth and Christopher his thirty-sixth visit to the same play. He is a magnificent young man with flame-coloured hair. She is the sweetest little thing in a hat. There is just one complication: Christopher is 25, while Catherine is just a little bit older. Flattered by the passionate attentions of youth, Catherine, with marriage and motherhood behind her, is at first circumspect, but finally succumbs to her lover's charms.

This final play from the pen of Oscar Wilde is a stylish send-up of Victorian courtship and manners, complete with assumed names, mistaken lovers, and a lost handbag. Jack and Algernon are best friends, both wooing ladies who think their names are Ernest, "that name which inspires absolute confidence". Wilde's effervescent wit, scathing social satire, and high farce make this one of the most cherished plays in the English language.

Strange things are happening at Belpher Castle. For starters, the Earl's sister is intent on pairing off her stepson, Reggie, and niece, Lady Patricia (known as Maud). Maud, however, is in hot pursuit of Geoffrey Raymond, and she is also being pursued by the unacceptable composer, George Bevan.

When attractive, impulsive English widow Lilia takes a holiday in Italy, she causes a scandal by marrying Gino, a dashing and highly unsuitable Italian 12 years her junior. Her prim, snobbish in-laws make no attempt to hide their disapproval, and when Lilia's decision eventually brings disaster, her English relatives embark on an expedition to face the uncouth foreigner.

When Mr. Satterthwaite visits a new exhibit at the Harchester Galleries, there is one painting that bears an unusual likeness to a mysterious acquaintance of his, Mr. Quin. In one bold move he purchases the canvas on the spot, and in another invites the artist of "The Dead Harlequin" to dine with him that night, with an empty place at the table set for Mr. Quin. Dinner conversation soon turns to the setting of "The Dead Harlequin", the doomed and ghostly house Charnley, where many have perished under tragic circumstances.

In a remote house in the middle of Dartmoor, six shadowy figures huddle around a table for a seance. Tension rises as the spirits spell out a chilling message: "Captain Trevelyan...dead...murder." Is this black magic or simply a macabre joke? The only way to be certain is to locate Captain Trevelyan. Unfortunately, his home is six miles away and, with snowdrifts blocking the roads, someone will have to make the journey on foot....

This title includes not only the entire audiobook of Right Ho, Jeeves, but also all of the P.G. Wodehouse titles in the current Classic Tales library. It also includes a Jeeves short story only available in the collection: "Extricating Young Gussie". The complete running time is over 15 hours. All titles have been remastered, and have never sounded better!

On a dark evening, Mr. Harley Quin appears at the door of Royston Hall under the premise that his car has broken down. Once inside, he embarks upon the tragic tale of Royston Hall's former occupants, leading to a dramatic change in the perceptions of the current inhabitants - but has Mr. Quin's revelation come too late?

Wealthy Sir Hubert Handesley's original and lively weekend house parties are deservedly famous. To amuse his guests, he has devised a new form of the fashionable Murder Game, in which a guest is secretly selected to commit a 'murder' in the dark, and everyone assembles to solve the crime. But when the lights go up this time, there is a real corpse....

Love can propel us to our greatest heights . . . and darkest depths. In this new compendium of Agatha Christie short stories, witness the dark side of love—crimes of passion, games of the heart, and deadly deceits. This pulse-pounding compendium features beloved detectives Hercule Poirot and Miss Marple, master of charades Parker Pyne, the enigmatic Harley Quin, and the adventurous Tommy and Tuppence, all at the ready to solve tantalizing mysteries.

It takes a lot of effort for Jimmy Crocker to become Piccadilly Jim – nights on the town roistering, headlines in the gossip columns, a string of broken hearts and breaches of promise. Eventually he becomes rather good at it and manages to go to pieces with his eyes open. But no sooner has Jimmy cut a wild swathe through fashionable London than his terrifying Aunt Nesta decides he must mend his ways. He then falls in love with the girl he has hurt most of all, and after that things get complicated. In a dizzying plot, impersonations pile on impersonations....

'Ah for darkness...not the darkness of a house which coops up a man among furniture, but the darkness where he can be free!' Maurice Hall knows he must choose between living life in the shadows or denying himself a chance at love and fulfilment. Aware of his attraction to the same sex, in a time where it was considered unlawful and immoral to have homosexual desires, Maurice must decide whether to battle or submit to a prejudiced 20th-century English society.

Countess Ellen Olenska, separated from her European husband, returns to old New York society. She bears with her an independence and an awareness of life which stirs the educated sensitivity of the charming Newland Archer, engaged to be married to her cousin, May Welland. Though he accepts the society's standards and rules he is acutely aware of their limitations. He knows May will assure him a conventional future but Ellen, scandalously separated from her husband, forces Archer to question his values and beliefs.

Howells’ best-known work and a subtle classic of its time, The Rise of Silas Lapham is an elegant tale of Boston society and manners. After garnering a fortune in the paint business, Silas Lapham moves his family from their Vermont farm to the city of Boston in order to improve his social position. The consequences of this endeavor are both humorous and tragic as the greedy Silas brings his company to the brink of bankruptcy.

The scene of this entertaining story is laid in a charming English village. The plot centres round Miss Barbara Buncle, a maiden lady who was obliged to write a book because – as she naively explained – her dividends were so poor. Unfortunately, Miss Buncle had no imagination, so she wrote about her friends – quite kindly and truthfully, of course, for she was a benevolent and veracious soul.

Edith Wharton stands among the finest writers of early 20th-century America. In The Custom of the Country, Wharton’s scathing social commentary is on full display through the beautiful and manipulative Undine Spragg. When Undine convinces her nouveau riche parents to move to New York, she quickly injects herself into high society. But even a well-to-do husband isn’t enough for Undine, whose overwhelming lust for wealth proves to be her undoing.

On a beautiful spring day, Julia Harburn sat on a seat in Kensington Gardens enjoying the sunshine. She was wearing a white frock and a large straw hat with a sapphire-blue ribbon which exactly matched her eyes - a strange coincidence, as it turned out, for the blue sapphire was to have a far-reaching influence upon her life. So far, her life had been somewhat dull and circumscribed; but quite suddenly her horizons were enlarged. She began to make new friends.

Self-made American millionaire Christopher Newman arrives in Paris brimming with hope and optimism, excited to experience the culture and, hopefully, find the perfect woman to become his wife. After a chance encounter with American expatriate friends, his attention is drawn to Madame de Cintré, 25-year-old widowed daughter of the late Marquis de Bellegarde. Having fallen on hard times, the centuries-old aristocratic family permits Newman's courtship to proceed; however, they later persuade the widow to break off her engagement to the nouveau-riche businessman.

As Wodehouse himself once noted, "Blandings has impostors like other houses have mice." On this particular occasion, there are two imposters, both intent on a dangerous enterprise. Lord Emsworth's secretary, the Efficient Baxter, is on the alert and determined to discover what is afoot - despite the distractions caused by the Honorable Freddie Threepwood's hapless affair of the heart.

E. M. Forster's first novel is a witty comedy of manners that is tinged with tragedy. It tells the story of Lilia Herriton, who proves to be an embarrassment to her late husband's family as, in the small Tuscan town of Monteriano, she begins a relationship with a much younger Italian man - classless, uncouth, and highly unsuitable. A subtle attack on Edwardian values and a humanely sympathetic portrayal of the clash of two cultures, Where Angels Fear to Tread is also a profound exploration of character and virtue.

When Edward de Salis travels to America after the death of his first wife, he is astonished to find himself falling in love with Marguerite, a young woman many years his junior. Full of hope for the future, he returns to his Irish estate, Cashelmara, but in 19th-century Ireland - a country racked by poverty and famine - his family eventually becomes trapped in a sinister spiral of violence that Edward could never have foreseen.

When Louis Trevelyan's young wife meets an old family acquaintance, his unreasonable jealousy of their friendship sparks a quarrel that leads to a brutal and tragic estrangement.

At its heart, The Insulted and the Injured is a story of human tragedy and suffering, but it is also a love story. Narrated by a fictitious young author, Vanya, this book tells the story of Natasha and her lover, Alyosha, who also happens to be the son of the cruel Prince Valkovsky.

To Those who Appreciate Wisteria and Sunshine. Small medieaval Italian Castle on the shores of the Mediterranean to be Let Furnished for the month of April. This small advertisement sparks something long dormant in the reluctant hearts of two downcast London women - the possibility of happiness.

Can You Forgive Her? is the first of the six in the Palliser series. Trollope inextricably binds together the issues of parliamentary election and marriage, of politics and privacy. The values and aspirations of the governing stratum of Victorian society are ruthlessly examined, and none remains unscathed. But above all Trollope focuses on the predicament of women. 'What should a woman do with her life?' asks Alice Vavasor of herself, and this theme is echoed by every other woman in the audiobook.