At the end of her first unsuccessful season out in society, Lady Georgiana has all but given up on attracting a suitable man - until she receives an invitation to a masked Halloween ball at Broxley Manor. Georgie is uncertain why she was invited, until she learns that the royal family intends to marry her off to a foreign prince, one reputed to be mad.

Maisie Cooper hasn't seen her brother in years. So it's a surprise when he gets in touch out of the blue. But when she returns to the village they grew up in, she discovers that he's dead. And not just dead - murdered. As Maisie investigates, she starts to uncover a sinister mystery at the heart of the perfect little village. Why is everyone so reluctant to answer her questions? Is the murder connected to the recent Cathedral robbery? What was her brother going to tell her? And when another death rocks the community, can Maisie solve the case before the killer strikes again?

Fiona, Sue, and Daisy, three retired ladies who volunteer at the local charity shop, Dogs Need Nice Homes, can’t believe their favorite customer is dead. Eighty-six-year-old Sarah Brown was found murdered in her hallway by her delivery man, a domino clutched in her hand—with a name scratched on it. When another person is found dead with a domino in their hand, and with the police making no progress, the ladies will need to help unmask a serial killer. At least they have Fiona’s scruffy-haired terrier cross to assist them.

Recently divorced and reluctantly retired, Julia Bird has fled London to enjoy idyllic rural life in the Cotswolds. Determined to have the perfect English garden, her first job is to tear down the old shed, where she unearths much more than she’d bargained for: a body, apparently buried for decades. But who could it be, and who killed them? The police draw a blank, and even the gossip-fest that is the local book club can’t remember anyone going missing in the village.

Seasoned obituary writer Eve Mallow has a new assignment: to tell the life story of famed musician Bernard Fitzpatrick. A chance to spend a few days in the sweet little village of Saxford St. Peter, walking the country lanes with her beloved dachshund, Gus, and meeting new people sounds like a dream. But it turns out that Bernard’s life was much less interesting than his death. On the day she arrives, news breaks that the charismatic cellist was the victim of a grisly murder. Could this quaint English village be hiding a dark secret?

Vera Wong is a lonely little old lady—ah, lady of a certain age—who lives above her forgotten tea shop in the middle of San Francisco’s Chinatown. Despite living alone, Vera is not needy, oh no. She likes nothing more than sipping on a good cup of Wulong and doing some healthy detective work on the Internet about what her Gen-Z son is up to. Then one morning, Vera trudges downstairs to find a curious thing—a dead man in the middle of her tea shop.

In the seaside town of Lighthouse Cove, everyone knows the best man for the job is actually a woman - contractor Shannon Hammer. But while Shannon can do wonders with a power drill and a little elbow grease, her love life needs work. On a blind date with real estate agent Jerry Saxton, she has to whip out a pair of pliers to keep Jerry from getting too hands on.Shannon is happy to put her rotten date behind her, but when Jerry's found dead in a run-down Victorian home that she's been hired to restore, the town's attractive new police chief suspects that her threats may have laid the foundation for murder.

In "Murder at the Mousetrap," the first Bunburry book, fudge-making and quaffing real ale in the local pub are matched by an undercurrent of passion, jealousy, hatred and murder - laced with a welcome dose of humour. Alfie McAlister has retreated from London to the peace and quiet of the country to recover from a personal tragedy. But an accidental death - which may have been no accident - reveals that the heart of England is far from the tranquil backwater he imagined.

The young man with the shock of white-blond hair lay spread-eagled on the floor, surrounded by fallen books. His hand reached out to the scattered pages, as though he was trying to tell her something. But who is he? How did he come to be killed in Flora’s ordinary little bookshop? Flora finds out he was staying at the Priory Hotel, and when the gardener suddenly dies in its beautiful grounds only a few days later, she is certain that something untoward is happening in her quiet village by the sea.

The village of Badger's Drift is the essence of tranquillity. But when resident and well-loved spinster Miss Simpson takes a stroll in the nearby woods, she stumbles across something she was never meant to see, and there's only one way to keep her quiet. Miss Simpson's death is not suspicious, say the villagers. But Miss Lucy Bellringer refuses to rest: her friend has been murdered. She is sure of it.

Erin Coleridge's used bookstore in Kirkbymoorside, North Yorkshire, England, is a meeting place for the villagers and, in particular, for the local Jane Austen Society. At the Society's monthly meeting, matters come to a head between the old guard and its young turks. After the meeting breaks for tea, persuasion gives way to murder with extreme prejudice when president Sylvia Pemberthy falls dead to the floor. Poisoned? Presumably, but by whom? And was Sylvia the only target?

Pru Parke always dreamed of living in England. And after the Dallas native follows an impulse and moves to London, she can't imagine ever leaving - though she has yet to find a plum position as a head gardener. Now, as the sublet on her flat nears its end, the threat of forced departure looms.

Sarah Jennings knows there’s one place she can go to find some peace and quiet during her difficult divorce. But arriving at her beloved father’s home in the countryside, she finds him unwell and hunched over boxes of files, studying the records from Cedar Hall, the crumbling orphanage in town. He says that hidden behind the wrought iron gates and overgrown ivy are secrets about their family, and he asks for her help.

Julian Lawndsley has renounced his high-flying job in the city for a simpler life running a bookshop in a small English seaside town. But only a couple of months into his new career, Julian’s evening is disrupted by a visitor. Edward, a Polish émigré living in Silverview, the big house on the edge of town, seems to know a lot about Julian’s family and is rather too interested in the inner workings of his modest new enterprise.

It is 1946, and war-weary young ex-intelligence officer Lane Winslow leaves London to look for a fresh start. When she finds herself happily settled into a sleepy hamlet in the interior of British Columbia surrounded by a suitably eclectic cast of small-town characters, she feels like she may finally be able to put her past to rest. But then a body is discovered, the victim of murder, and although she works alongside the town's Inspectors Darling and Ames to discover who might have possibly have motivation to kill, she unknowingly casts doubt on herself.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

They were madly in love. The perfect couple. That was the story everyone in South River believed...until Gin Talcott and Adam Archer are found shot in their bed. Adam is dead at the scene. Gin is fighting for her life. Detectives Greta Jessup and Finn Pate are assigned to the case. Greta has a long history with Gin’s first husband, Eddie, and is determined to protect his 18-year-old twins. Piper discovered the bodies. Daniel is missing—and so is Adam’s gun.

Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.

Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.

Maisie Cooper hasn't seen her brother in years. So it's a surprise when he gets in touch out of the blue. But when she returns to the village they grew up in, she discovers that he's dead. And not just dead - murdered. As Maisie investigates, she starts to uncover a sinister mystery at the heart of the perfect little village. Why is everyone so reluctant to answer her questions? Is the murder connected to the recent Cathedral robbery? What was her brother going to tell her? And when another death rocks the community, can Maisie solve the case before the killer strikes again?

The Earl of Wrexford possesses a brilliant scientific mind, but boredom and pride lead him to reckless behavior. He does not suffer fools gladly. So when pompous, pious Reverend Josiah Holworthy publicly condemns him for debauchery, Wrexford unsheathes his rapier-sharp wit and strikes back. As their war of words escalates, London's most popular satirical cartoonist, A. J. Quill, skewers them both.

Erin Coleridge's used bookstore in Kirkbymoorside, North Yorkshire, England, is a meeting place for the villagers and, in particular, for the local Jane Austen Society. At the Society's monthly meeting, matters come to a head between the old guard and its young turks. After the meeting breaks for tea, persuasion gives way to murder with extreme prejudice when president Sylvia Pemberthy falls dead to the floor. Poisoned? Presumably, but by whom? And was Sylvia the only target?

1941, Estonia. As Stalin’s brutal Red Army crushes everything in its path, Katarina battles to protect her grandmother’s precious legacy - the weaving of gossamer lace shawls stitched with intricate patterns that tell the stories passed down through generations. Meanwhile Lydia is suffocating in her prison of privilege in Moscow. Yearning for freedom and to discover her beloved mother’s Baltic heritage, she escapes to Estonia. Soon these two young women find themselves in a fight for life, liberty and love.

Thirty-eight-year-old Jeremy Pauling has never left home. He lives on the top floor of a Baltimore row house where he creates collages of little people snipped from wrapping paper. His elderly mother putters in the rooms below, until her death. And it is then that Jeremy is forced to take in Mary Tell and her child as boarders. Mary is unaware of how much courage it takes Jeremy to look her in the eye. For Jeremy, like one of his paper creations, is fragile and easily torn - especially when he's falling in love.