First-year detective Kathleen Doyle is a plucky Irish redhead of humble origins and modest means. Chief Inspector Michael Acton is her antithesis: a British lord turned cop. He's tall, handsome, and enigmatic - to a fault. He also has a knack for solving London's most high-profile crimes. Acton selects Doyle out of the newbie squad to partner with him on a series of investigations because she always knows when someone is lying - a trait that comes in handy when interviewing suspects and witnesses.

From deep in the heart of his 18th century English manor, millionaire Sir Adrian Beauclerk-Fisk writes mystery novels and torments his four spoiled children with threats of disinheritance. Gathering them all together for a family dinner, he announces his latest blow - a secret elopement. Within hours, eldest son and appointed heir Ruthven is found cleaved to death by a medieval mace. And soon Sir Adrian himself is found slumped over his writing desk - an ornate knife thrust into his heart.

When Abi inherits her uncle's quaint and storied single malt distillery, she finds herself immersed in a competitive high-stakes business that elicits deep passions and prejudices. An award-winning photojournalist, Abi has no trouble capturing the perfect shot - but making the perfect shot is another matter. When she starts to receive disturbing, anonymous threats, it's clear that someone wants her out of the picture.

It was a hell of a long shot.... CIA assassin Fortune Redding is about to undertake her most difficult mission ever - in Sinful, Louisiana. With a leak at the CIA and a price placed on her head by one of the world's largest arms dealers, Fortune has to go off-grid, but she never expected to be this far out of her element.

There's a serial killer targeting the streets of Newcastle, seemingly picking his victims at random but subjecting them all to the same torturous end. When the Chief Inspector on the case goes missing, it falls on DCI Ryan to track down the man who is brutally murdering women and goading the police to 'catch me if you can'. As everyone becomes a suspect, Ryan and his team get drawn further and further into the case, but for Ryan the nightmare gets closer to home than he could ever have imagined.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

First-year detective Kathleen Doyle is a plucky Irish redhead of humble origins and modest means. Chief Inspector Michael Acton is her antithesis: a British lord turned cop. He's tall, handsome, and enigmatic - to a fault. He also has a knack for solving London's most high-profile crimes. Acton selects Doyle out of the newbie squad to partner with him on a series of investigations because she always knows when someone is lying - a trait that comes in handy when interviewing suspects and witnesses.

When you think of serial killers throughout history, the names that come to mind are ones like Jack the Ripper, John Wayne Gacy, and Ted Bundy. But what about Tillie Klimek, Moulay Hassan, Kate Bender? The narrative we’re comfortable with is the one where women are the victims of violent crime, not the perpetrators. In fact, serial killers are thought to be so universally, overwhelmingly male that in 1998, FBI profiler Roy Hazelwood infamously declared in a homicide conference, “There are no female serial killers.”

It's 1811, and the threat of revolution haunts the upper classes of King George III's England. Then a beautiful young woman is found savagely murdered on the altar steps of an ancient church near Westminster Abbey. A dueling pistol found at the scene and the damning testimony of a witness both point to one man - Sebastian St. Cyr, Viscount Devlin, a brilliant young nobleman shattered by his experience in the Napoleonic Wars.

The Great War is still raging when Francesca Hatton’s adored grandfather dies on his estate in England’s isolated Exe Valley. She is his sole heir, for her five cousins are dead now on the battlefields of France. Among his effects, Francesca is stunned to find a letter cursing the Hattons. And at the funeral, a stranger publicly accuses Hatton of murder. Who was her grandfather? The kind man who raised her - or a secretive killer? For in the back garden where she and her cousins once played, there is a white stone they always called the Murder Stone

Mason "Mace" Reid lives on the outskirts of Chicago and specializes in human-remains detection. He trains dogs to hunt for the dead. Reid’s coming off a taxing year - mourning the death of a beloved springer spaniel as well as the dissolution of his marriage. He adopts a rescue dog with a mysterious past - a golden retriever named Vira. And when Reid begins training Vira as a cadaver dog, he comes to realize just how special the newest addition to his family truly is....