Two years ago, a hostile Prime Minister launched the Monochrome inquiry, investigating "historical over-reaching" by the British Secret Service “to investigate historical over-reaching.” Monochrome’s mission was to ferret out any hint of misconduct by any MI5 officer—and allowed Griselda Fleet and Malcolm Kyle, the two civil servants seconded to the project, unfettered access to any and all confidential information in the Service archives in order to do so. But MI5’s formidable First Desk did not become Britain’s top spy by accident, and she has successfully thwarted the inquiry at every turn.

Florence, the 1550s. Lucrezia, third daughter of the grand duke, is comfortable with her obscure place in the palazzo: free to wonder at its treasures, observe its clandestine workings, and to devote herself to her own artistic pursuits. But when her older sister dies on the eve of her wedding, Lucrezia is thrust into the limelight: the duke is quick to request her hand in marriage, and her father just as quick to accept on her behalf. Having barely left girlhood behind, Lucrezia must make her way in a court whose customs are opaque and where her arrival is not universally welcomed.

The Prairie Trilogy is a series of three novels centered around life in the Midwest during the late 19th/early 20th centuries by Pulitzer Prize-winning author Willa Cather. First, in "O Pioneers!," we meet Alexandra Bergson, who inherits the family farm after her father dies and leaves her to care for her three siblings. While many immigrant families are giving up their farms and moving back to the city (or to their home countries), Alexandra decides to try to tough it out on the prairie.

In 1697, Quebec is an island of French civilization perched on a bare gray rock amid a wilderness of trackless forests. For many of its settlers, Quebec is a place of exile, so remote that an entire winter passes without a word from home. But to 12-year-old Cécile Auclair, the rock is home, where even the formidable Governor Frontenac entertains children in his palace and beavers lie beside the lambs in a Christmas créche.

Homicide is always an abomination, but there is something exceptionally disturbing about the victim discovered in a high, lonely place: a corpse with a mouth full of sand, abandoned at a crime scene seemingly devoid of tracks or useful clues. Though it goes against his better judgment, Navajo tribal police lieutenant Joe Leaphorn cannot help but suspect the hand of a supernatural killer.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

Through Jim Burden's endearing, smitten voice, we revisit the remarkable vicissitudes of immigrant life in the Nebraska heartland, with all its insistent bonds. Guiding the way are some of literature's most beguiling characters: the Russian brothers plagued by memories of a fateful sleigh ride, Antonia's desperately homesick father and self-indulgent mother, and the coy Lena Lingard. Holding the pastoral society's heart, of course, is the bewitching, free-spirited Antonia.

The Prairie Trilogy is a series of three novels centered around life in the Midwest during the late 19th/early 20th centuries by Pulitzer Prize-winning author Willa Cather. First, in "O Pioneers!," we meet Alexandra Bergson, who inherits the family farm after her father dies and leaves her to care for her three siblings. While many immigrant families are giving up their farms and moving back to the city (or to their home countries), Alexandra decides to try to tough it out on the prairie.

Orphaned at the age of 10, Jim Burden moves to Nebraska to live with his grandparents. There he meets Ántonia Shimerda, the daughter of an immigrant family from Bohemia, who have come to carve out a life for themselves in the harsh and bountiful Nebraskan landscape. At the urging of her father, Jim teaches Ántonia English and together they share adventures that will bind them throughout their lives, despite the vicissitudes of time and fate, and years of separation.

Antonia Shimerda, a Bohemian immigrant, learns of the joys and hardships of life as she and her family realize their dream in the Nebraska farmlands. Willa Cather called Antonia "a rich mine of life, like the founders of the early races."

After the death of his parents, Jim is sent to live with his grandparents on the Nebraska plains. By chance, on the same train is a bright-eyed girl, Antonia, who will become his neighbor and lifelong friend. Her family has emigrated from Bohemia to start a new life of farming, but they soon lose their money and must work hard just to survive. Through it all, Antonia retains her natural pride and free spirit.

One Flew Over the Cuckoo's Nest is one of the most electrifying, most admired novels of our time. Set in the bleak confines of a state mental hospital and narrated by a half-Indian patient named Chief Bromden, it's the story of a titanic battle of wills between two unforgettable characters.

In this coming of age story, Dodie Smith introduces the visionary and eccentric character of seventeen-year-old Cassandra Mortmain. The youngest daughter in a family of impoverished artists, it is her imagination and writing that takes us away from the ramshackle old English castle where they live, and towards an intriguing tale of husband-hunting and light-hearted sibling rivalry.

In 1851, Father Jean Marie Latour comes to serve as the Apostolic Vicar to New Mexico. What he finds is a vast territory of red hills and tortuous arroyos, American by law but Mexican and Indian in custom and belief. In the almost forty years that follow, Latour spreads his faith in the only way he knows—gently, all the while contending with an unforgiving landscape, derelict and sometimes openly rebellious priests, and his own loneliness. Out of these events, Cather gives us an indelible vision of life unfolding in a place where time itself seems suspended.

At the end of the 19th century, fourteen-year-old Ántonia Shimerda has realized the immigrant's dream. She has just arrived in rural Nebraska with her Bohemian (Czech) family at the same time as ten-year-old Jim Burden, an orphan sent to live with his grandparents. While Jim's family is prosperous and steady, the Shimerdas quickly find themselves mired in poverty and struggle to make ends meet. But they live near to each other (by pioneer standards), and the two youngsters become close. Ántonia's warmth belongs to the land and the people who love her. For Jim, Ántonia is home.

Orphaned at age ten, Jim is traveling west to his grandparents’ home in Black Hawk when he first meets Ántonia, the daughter of a Bohemian family who settles on a neighboring farm. Through sunbaked summers and frigid winters, Ántonia bears the hardships of a young immigrant as she longs for a vanishing past.

A moving coming-of-age story set in the 1900s, A Tree Grows in Brooklyn follows the lives of 11-year-old Francie Nolan, her younger brother Neely, and their parents, Irish immigrants who have settled in the Williamsburg section of Brooklyn. Johnny Nolan is as loving and fanciful as they come, but he is also often drunk and out of work, unable to find his place in the land of opportunity.

Little Women is a novel by American author Louisa May Alcott (1832-1888) that was originally published in two volumes in 1868 and 1869. Alcott wrote the books rapidly over several months at the request of her publisher. The novel follows the lives of four sisters - Meg, Jo, Beth, and Amy March - detailing their passage from childhood to womanhood and is loosely based on the author and her three sisters. This special edition celebrating the 150th year since publication includes excerpts from "Louisa May Alcott, Her Life, Letters, and Journals" and "Little Women" part one and two.

Winner of the Pulitzer Prize for Literature, Margaret Mitchell's great novel of the South is one of the most popular books ever written. Within six months of its publication in 1936, Gone With the Wind had sold a million copies. To date, it has been translated into 25 languages, and more than 28 million copies have been sold. Here are the characters that have become symbols of passion and desire....

At one time, Corrie ten Boom would have laughed at the idea that she had a story to tell. For the first 50 years of her life, nothing out of the ordinary ever happened to her. She was a spinster watchmaker living contentedly with her sister and their elderly father in the tiny house over their shop in Haarlem. Their uneventful days, as regulated as their own watches, revolved around their abiding love for one another. But with the Nazi invasion and occupation of Holland, everything changed....

Austen wrote, 'I am going to take a heroine whom no-one but myself will much like' and thus introduces the handsome, clever, rich - and flawed, Emma Woodhouse. Emma is perfectly content with her life and sees no need for either love or marriage; nothing however delights her more than matchmaking her fellow residents of Highbury. But when she ignores the warnings of her good friend Mr. Knightley and attempts to arrange a suitable match for her protegee Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected.