In her bestselling autobiography, Bedsit Disco Queen, Tracey Thorn recalled the highs and lows of a 30-year career in pop music. But with the touring, recording and extraordinary anecdotes, there wasn't time for an in-depth look at what she actually did for all those years: sing. She sang with warmth and emotional honesty, sometimes while battling acute stage fright.

The Sunday Times top ten bestselling memoir of Tracey Thorn's 30-year pop career with Marine Girls and Everything But The Girl, and her collaborations with Paul Weller, Massive Attack and Todd Terry. 'I was only sixteen when I bought an electric guitar and joined a band. A year later, I formed an all-girl band called the Marine Girls and played gigs, and signed to an indie label, and started releasing records. Then, for eighteen years, between 1982 and 2000, I was one half of the group Everything But the Girl.

In a 1970s commuter town, Tracey Thorn's teenage life was forged from what failed to happen. Her diaries were packed with entries about not buying things, not going to the disco, the school coach not arriving. Before she was a best-selling musician and writer, Tracey Thorn was a typical teenager: bored and cynical, despairing of her aspirational parents. Her only comfort came from house parties, Meaningful Conversations and the female pop icons who hinted at a new kind of living.

Lucinda Williams’s rise to fame was anything but easy. Raised in a working-class family in the Deep South, she moved from town to town each time her father—a poet, a textbook salesman, a professor, a lover of parties—got a new job, totaling twelve different places by the time she was eighteen. Her mother suffered from severe mental illness and was in and out of hospitals. And when Williams was about a year old, she had to have an emergency tracheotomy—an inauspicious start for a singing career. But she was also born a fighter, and she would develop a voice that has captivated millions.

What if you woke up one morning and found you’d acquired another self—a double who was almost you and yet not you at all? What if that double shared many of your preoccupations but, in a twisted, upside-down way, furthered the very causes you’d devoted your life to fighting against? Not long ago, the celebrated activist and public intellectual Naomi Klein had just such an experience—she was confronted with a doppelganger whose views she found abhorrent but whose name and public persona were sufficiently similar to her own that many people got confused about who was who.

Since its founding in 1959, Island Records has been home to legendary artists representing wildly divergent musical styles, yet who share the same maverick, outsider spirit of its founder, Chris Blackwell. Time and again, Blackwell and his Island cohorts identified and nurtured musicians overlooked by other labels, including Bob Marley, U2, Cat Stevens, Grace Jones, Roxy Music, Traffic, Nick Drake, Tom Waits, Robert Palmer, Free, the B-52’s, John Martyn, and Jimmy Cliff.

As one of the music world’s most iconic artists and the cofounder of the organizations ONE and (RED), Bono’s career has been written about extensively. But in Surrender, it’s Bono who picks up the pen, writing for the first time about his remarkable life and those he has shared it with. In his unique voice, Bono takes us from his early days growing up in Dublin, including the sudden loss of his mother when he was fourteen, to U2’s unlikely journey to become one of the world’s most influential rock bands, to his more than twenty years of activism.

Just Kids begins as a love story and ends as an elegy. It serves as a salute to New York City during the late 60s and 70s and to its rich and poor, its hustlers and hellions. A true fable, it is a portrait of two young artists' ascent, a prelude to fame.

Brandi Carlile was born into a musically gifted, impoverished family on the outskirts of Seattle and grew up in a constant state of change, moving from house to house, trailer to trailer, 14 times in as many years. Though imperfect in every way, her dysfunctional childhood was as beautiful as it was strange, and as nurturing as it was difficult. At the age of five, Brandi contracted bacterial meningitis, which almost took her life, leaving an indelible mark on her formative years and altering her journey into young adulthood.

There is absolutely no logical reason why I am here. The life trajectory my nationality and class and circumstances portended for me was not even remotely close to the one I now navigate. But logic is a science and living is an art. The release I felt in writing my first memoir, Not My Father’s Son, was matched only by how my speaking out empowered so many to engage with their own trauma. I was reminded of the power of my words and the absolute duty of authenticity.

When you listen to music, do you prefer lyrics or melody? Intricate harmonies or driving rhythm? The “real” sounds of acoustic instruments or those of computerized synthesizers? Drawing from her successful career as a music producer (engineering hits like Prince’s “Purple Rain”), professor of cognitive neuroscience Susan Rogers reveals why your favorite songs move you. She explains that we each possess a unique “listener profile” based on our brain’s reaction to seven key dimensions of any record: authenticity, realism, novelty, melody, lyrics, rhythm, and timbre.

When Ada Calhoun stumbled upon old cassette tapes of interviews her father, celebrated art critic Peter Schjeldahl, had conducted for his never-completed biography of poet Frank O’Hara, she set out to finish the book her father had started 40 years earlier. As a lifelong O’Hara fan who grew up amid his bohemian cohort in the East Village, Calhoun thought the project would be easy, even fun, but the deeper she dove, the more she had to face not just O’Hara’s past, but also her father’s and her own.

The long-awaited autobiography from Phil Collins, one of the best-selling music artists of all time. This is the roller-coaster journey from his beginnings as a child actor to his domination of the charts as both a solo artist and part of Genesis. His success is astounding, his music has global reach, and his story is legendary.

Kid Congo Powers has been described as a “legendary guitarist and paragon of cool” with “the greatest resume ever of anyone in rock music." That unique imprint on rock history stems from being a member of not one but three beloved, groundbreaking, and influential groups—Nick Cave and the Bad Seeds, the Cramps, and last but not least, The Gun Club, the wildly inventive punk-blues band he co-founded. Some New Kind of Kick begins as an intimate coming-of-age tale.

In the early '80s, best friends Sara Dallin and Keren Woodward arrived at the YWCA in London, with their sights set on careers in journalism and the media...but that wasn’t to be. London was the most vibrant and culturally innovative of places, and within the whirl of clubs, parties and new friends, a chance meeting with former Sex Pistol Paul Cook changed everything. Moving into Malcolm McLaren’s old office, they started rehearsing and singing background vocals for Paul’s new band before teaming up with Sara’s college friend Siobhan and forming their own group.

John Lydon is an icon - one of the most recognizable and influential cultural figures of the last 40 years. As Johnny Rotten, he was the lead singer of the Sex Pistols, the world's most notorious band. The Pistols shot to fame in the mid-1970s with songs such as "Anarchy in the U.K." and "God Save the Queen". So incendiary was their impact at the time that in their native England, the Houses of Parliament questioned whether they violated the Traitors and Treasons Act.

From the voice of a generation: the most highly anticipated autobiography of the year, and the story of a man who wanted The Who to be called The Hair; wanted to be a sculptor, a journalist, a dancer and a graphic designer; became a musician, composer, librettist, fiction writer, literary editor, sailor; drank too much and nearly died; detached from his body in an airplane, on LSD, and nearly died; planned to write his memoir when he was 21; and published this book at 67.

An intimate, funny and frank account of the moments behind the music, of the truth behind the headlines and of the fascinatingly complicated man behind the imperious entertainer, Reveal is Robbie Williams as you've never seen him before. Best-selling author Chris Heath has been working closely with Robbie for many years to create a personal and raw account of fame, fortune, family and music - a vivid and detailed story of the real highs and lows as Robbie has found his way forward, that is unprecedented in its intimacy and honesty.

What was it like to be John Lennon? What was it like to be the castoff child, the clown at school, the middle-class suburban boy who pretended to be a working-class hero? How did it feel to have one of the most recognizable singing voices in the world but to dislike it so much he always wanted to disguise it? Being John Lennon is not about the whitewashed Prince of Peace of “Imagine” legend - because that was only a small part of him. The John Lennon depicted in this book is a much more kaleidoscopic figure, sometimes almost a collision of different characters.

Philip Norman turns his formidable talent to the Beatle for whom belonging to the world's most beloved pop group was never enough. Drawing on previously untapped sources, and with unprecedented access to all the major characters, here is the definitive portrait of John Lennon. This biography takes a fresh and penetrating look at Lennon's much-chronicled life, including the songs that have turned him, posthumously, into almost a secular saint.

In 1992, Victor Bockris' celebrated biography was the first to recognize Richards' pivotal role in the legend of the Rolling Stones. Now that book on rock's most incredible survivor has been expanded. Here are the true facts behind Richards' battles with his demons: the women, the drugs and the love-hate relationship with Jagger. His struggle with heroin and his status as the rock star most likely to die in the 1970s. His scarcely believable rebirth as a family man in the 1980s. Illuminated with revealing quotes and thoughtful insights into the man behind the band that goes on forever.

The best-selling author of the definitive biography of former Beach Boy Brian Wilson offers new insight into the life and music of Paul McCartney, one of the world's most popular and influential musicians. Informed by new, exclusive interviews with friends, bandmates, and collaborators, the book describes McCartney's many triumphs as well as his failures, from the Beatles era through his decade with Wings and his subsequent solo career.

The Ballad of Bob Dylan is a vivid, full-bodied portrait of one of the most influential artists of the 20th-century - a man widely regarded as the most important lyricist America has ever produced. Acclaimed poet and biographer Daniel Mark Epstein frames Dylan against the backdrop of four seminal concerts - all of which he attended. Beautifully written, The Ballad of Bob Dylan is a unique, eye-opening portrait of an artist who has transformed generations and continues to inspire and surprise today.

Brandi Carlile was born into a musically gifted, impoverished family on the outskirts of Seattle and grew up in a constant state of change, moving from house to house, trailer to trailer, 14 times in as many years. Though imperfect in every way, her dysfunctional childhood was as beautiful as it was strange, and as nurturing as it was difficult. At the age of five, Brandi contracted bacterial meningitis, which almost took her life, leaving an indelible mark on her formative years and altering her journey into young adulthood.

Elliott Smith was one of the most gifted songwriters of the 90s, adored by fans for his subtly melancholic words and melodies. The sadness had its sources in life. There was trauma from an early age, years of drug abuse, and a chronic sense of disconnection that sometimes seemed self-engineered. Smith died violently in LA in 2003, under what some believe to be questionable circumstances, of stab wounds to the chest. By this time fame had found him, and record-buyers who shared the listening experience felt he spoke directly to them from beyond: astute, damaged, lovelorn, fighting, until he could fight no more.

Turn Around Bright Eyes picks up Sheffield’s story right after Love Is a Mix Tape. He is a young widower devastated by grief, trying to build a new life in a new town after his wife’s death. As a writer for Rolling Stone, he naturally takes solace in music. But that’s when he discovers the sublime ridiculousness of karaoke, and despite the fact that he can’t carry a tune, he begins to find his voice.

In American on Purpose, Craig Ferguson delivers a moving and achingly funny memoir of living the American dream as he journeys from the mean streets of Glasgow, Scotland, to the comedic promised land of Hollywood. Along the way, he stumbles through several attempts to make his mark - as a punk rock musician, a construction worker, a bouncer, and, tragically, a modern dancer.

They were the last great band of the '60s and the first great band of the '70s. They rose, somewhat unpromisingly, from the ashes of the Yardbirds to become one of the biggest-selling rock bands of all time - and eventually paid the price for it, with disaster, drug addiction, and death.

The oldest daughter of revered composer/conductor Leonard Bernstein offers a rare look at her father on the centennial of his birth in a deeply intimate and broadly evocative memoir. The composer of On the Town and West Side Story, chief conductor of the New York Philharmonic, television star, humanitarian, friend of the powerful and influential, and the life of every party, Leonard Bernstein was an enormous celebrity during one of the headiest periods of American cultural life, as well as the most protean musician in 20th-century America.

“I was a devil in other countries, and I was a little devil in America, too.” Inspired by these few words, spoken by Josephine Baker at the 1963 March on Washington, MacArthur “Genius Grant” Fellow and best-selling author Hanif Abdurraqib has written a profound and lasting reflection on how Black performance is inextricably woven into the fabric of American culture. Filled with sharp insight, humor, and heart, A Little Devil in America exalts the Black performance that unfolds in specific moments in time and space