-
Naked to the Hangman
- Lydmouth Crime Series, Book 8
- Narrated by: Philip Franks
- Length: 11 hrs and 25 mins
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Publisher's summary
From the number-one best-selling author of The Ashes of London and The Fire Court, this is the final instalment in the acclaimed Lydmouth series.
As a young police officer in Palestine during the closing months of the Mandate - the cradle of Middle Eastern terrorism - Richard Thornhill saw and did things which still haunt his dreams and make him fear for his sanity. Is he himself a killer? Now, when a retired police officer is found dead in the ruins of Lydmouth Castle, the past has come back to claim Detective Inspector Thornhill and he is under suspicion of another murder. His wife, Edith, and former lover Jill Francis join forces in an uneasy alliance to try to help him.
But there are many complications: scandalous allegations have been made about Miss Awre's School of Dancing, the Ruispidge Charity's annual dance for young people is under threat, teenagers haunt the newly opened Italian coffee bar and yearn for fumbled intimacies in the sheltering darkness of the Rex Cinema. And the spring floods are rising higher than they have in living memory, drowning a multitude of secrets.
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Critic reviews
"Andrew Taylor is a master story-teller'." (Daily Telegraph)
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- Length: 11 hrs and 26 mins
- Unabridged
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Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.
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Awesome
- By Anonymous User on 10-27-24
By: Sarah A. Denzil
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Artemis
- By: Andy Weir
- Narrated by: Rosario Dawson
- Length: 8 hrs and 57 mins
- Unabridged
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Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.
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A ferrari with no motor
- By will on 11-18-17
By: Andy Weir
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Mad Love
- By: Wendy Walker
- Narrated by: Julia Whelan, Alexis Bledel, Renée Elise Goldsberry, and others
- Length: 4 hrs and 11 mins
- Original Recording
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They were madly in love. The perfect couple. That was the story everyone in South River believed...until Gin Talcott and Adam Archer are found shot in their bed. Adam is dead at the scene. Gin is fighting for her life. Detectives Greta Jessup and Finn Pate are assigned to the case. Greta has a long history with Gin’s first husband, Eddie, and is determined to protect his 18-year-old twins. Piper discovered the bodies. Daniel is missing—and so is Adam’s gun.
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Surprised
- By marcie on 05-25-24
By: Wendy Walker
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Too Late
- Definitive Edition
- By: Colleen Hoover
- Narrated by: Ryan Gray, Maxine Mitchell, Joe Arden
- Length: 10 hrs and 19 mins
- Unabridged
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Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.
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Triggering and poor narration
- By Katherine Epperson on 07-11-23
By: Colleen Hoover
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Do You Remember?
- By: Freida McFadden
- Narrated by: Teri Schnaubelt
- Length: 7 hrs and 12 mins
- Unabridged
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Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.
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Eh
- By Zoe on 03-16-24
By: Freida McFadden
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Brain Damage
- By: Freida McFadden
- Narrated by: Megan Tusing
- Length: 9 hrs and 32 mins
- Unabridged
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As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.
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Who Else Laughed, Cried, and Shuddered?
- By Jennifer Chichester on 09-16-22
By: Freida McFadden
What listeners say about Naked to the Hangman
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Janis CULLINAN
- 08-26-22
Wow
Could not put this one down
Andrew Taylor’s writing and Philip Franks’s narration make for fabulous listening
Thank you
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- bmad
- 11-06-23
Not Andrew Taylor’s finest effort
Richard Thornhill plays a relatively minor role in this final Lydmouth novel. (But he is given a new backstory, which is necessary for the plot. But if you’ve read the preceding books in the series, his newfound history a bit disconcerting.) The novel lacks the well drawn secondary characters that populated earlier novels in the series. (Such as the vicar and his wife in An Air that Kills. I imagine it takes time to create engaging and believable secondary characters.) Less space dedicated to creating and fleshing out the secondary characters, while more space dedicated to dialogue. The dialogue is less engaging. For the example, Drake, Thorhill’s boss, relays to his wife the details of the case, while in bed. Their dreadfully dull conversation reminiscent of the dialogue in a 1940s movie, as is much of the other characters’ dialogue.
I assume the writer had lost his enthusiasm for the series. This being the last novel in the series, I imagine that he just wanted to be done with it. I assume that’s why there exists so much description, dull dialogue and a uninspired conclusion. I can’t blame him. But I would love to read another Lydmouth novel. At least the previous Lydmouth novel was satisfying. And Andrew Taylor’s stand-alone novels are deeply gratifying.
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