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Naked to the Hangman
Lydmouth Crime Series, Book 8
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Narrated by:
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Philip Franks
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By:
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Andrew Taylor
About this listen
From the number-one best-selling author of The Ashes of London and The Fire Court, this is the final instalment in the acclaimed Lydmouth series.
As a young police officer in Palestine during the closing months of the Mandate - the cradle of Middle Eastern terrorism - Richard Thornhill saw and did things which still haunt his dreams and make him fear for his sanity. Is he himself a killer? Now, when a retired police officer is found dead in the ruins of Lydmouth Castle, the past has come back to claim Detective Inspector Thornhill and he is under suspicion of another murder. His wife, Edith, and former lover Jill Francis join forces in an uneasy alliance to try to help him.
But there are many complications: scandalous allegations have been made about Miss Awre's School of Dancing, the Ruispidge Charity's annual dance for young people is under threat, teenagers haunt the newly opened Italian coffee bar and yearn for fumbled intimacies in the sheltering darkness of the Rex Cinema. And the spring floods are rising higher than they have in living memory, drowning a multitude of secrets.
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The Ex
- By: Freida McFadden
- Narrated by: Nicol Zanzarella
- Length: 8 hrs and 33 mins
- Unabridged
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Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.
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Too bizarre for someone who loves bizarre
- By G. C. Webster on 07-01-22
By: Freida McFadden
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Say No More
- By: Caroline Overington
- Narrated by: Anna Skellern
- Length: 5 hrs and 47 mins
- Original Recording
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Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.
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Seriously, that was the ending?
- By alicia in athens on 02-13-25
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10 Rules for the Perfect Murder
- By: James Patterson, Chris Tebbetts
- Narrated by: Reid Scott, Cobie Smulders, full cast
- Length: 3 hrs and 2 mins
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After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”
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Tricky
- By Robert Scott Read on 10-30-24
By: James Patterson, and others
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7 Hours to Die
- By: James Patterson, Duane Swierczynski
- Narrated by: Sarah Paulson, Patina Miller, Mel Rodriguez, and others
- Length: 2 hrs and 25 mins
- Original Recording
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Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.
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This was such a fun Quick listen
- By Mdc on 10-08-24
By: James Patterson, and others
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Fahrenheit 451
- By: Ray Bradbury
- Narrated by: Tim Robbins
- Length: 5 hrs and 1 min
- Unabridged
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Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."
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Wish I Hadn't Cliff Noted This in High School
- By Joel on 03-27-17
By: Ray Bradbury
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Sherlock Holmes: The Definitive Collection
- By: Arthur Conan Doyle, Stephen Fry - introductions
- Narrated by: Stephen Fry
- Length: 71 hrs and 57 mins
- Unabridged
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Ever since he made his first appearance in A Study In Scarlet, Sherlock Holmes has enthralled and delighted millions of fans throughout the world. Now Audible is proud to present Arthur Conan Doyle's Sherlock Holmes, read by Stephen Fry. A lifelong fan of Doyle's detective fiction, Fry has narrated the definitive collection of Sherlock Holmes - four novels and four collections of short stories. And, exclusively for Audible, Stephen has written and narrated eight insightful introductions, one for each title.
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Chapter Guide!
- By Katya Rice on 05-25-18
By: Arthur Conan Doyle, and others
What listeners say about Naked to the Hangman
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Janis CULLINAN
- 08-26-22
Wow
Could not put this one down
Andrew Taylor’s writing and Philip Franks’s narration make for fabulous listening
Thank you
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- bmad
- 11-06-23
Not Andrew Taylor’s finest effort
Richard Thornhill plays a relatively minor role in this final Lydmouth novel. (But he is given a new backstory, which is necessary for the plot. But if you’ve read the preceding books in the series, his newfound history a bit disconcerting.) The novel lacks the well drawn secondary characters that populated earlier novels in the series. (Such as the vicar and his wife in An Air that Kills. I imagine it takes time to create engaging and believable secondary characters.) Less space dedicated to creating and fleshing out the secondary characters, while more space dedicated to dialogue. The dialogue is less engaging. For the example, Drake, Thorhill’s boss, relays to his wife the details of the case, while in bed. Their dreadfully dull conversation reminiscent of the dialogue in a 1940s movie, as is much of the other characters’ dialogue.
I assume the writer had lost his enthusiasm for the series. This being the last novel in the series, I imagine that he just wanted to be done with it. I assume that’s why there exists so much description, dull dialogue and a uninspired conclusion. I can’t blame him. But I would love to read another Lydmouth novel. At least the previous Lydmouth novel was satisfying. And Andrew Taylor’s stand-alone novels are deeply gratifying.
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