Dexter County, Maine, and specifically the town of Empire Falls, has seen better days, and for decades, in fact, only a succession from bad to worse. One by one, its logging and textile enterprises have gone belly-up, and the once vast holdings of the Whiting clan (presided over by the last scion’s widow) now mostly amount to decrepit real estate. The working classes, meanwhile, continue to eke out whatever meager promise isn’t already boarded up. Miles Roby gazes over this ruined kingdom from the Empire Grill, an opportunity of his youth that has become the albatross of his life.

William Henry Devereaux, Jr., spiritually suited to playing left field but forced by a bad hamstring to try first base, is the unlikely chairman of the English department at West Central Pennsylvania University. Over the course of a single convoluted week, he threatens to execute a duck, has his nose slashed by a feminist poet, discovers that his secretary writes better fiction than he does, suspects his wife of having an affair with his dean, and finally confronts his philandering elderly father, the one-time king of American Literary Theory, at an abandoned amusement park.

Louis Charles ("Lucy") Lynch has spent all his 60 years in upstate Thomaston, New York, married to the same woman, Sarah, for 40 of them, their son now a grown man. Like his late, beloved father, Lucy is an optimist, though he's had plenty of reasons not to be: chief among them his mother, still indomitably alive.

Miles Roby har langet burgere over disken i Empire Grill i tyve år, og derfra kan han se ned ad hovedgaden i den engang så driftige industriby Empire Falls og fornemme byens puls, som nu slår meget langsomt. For Whiting-familien, der ejer fabrikkerne og det meste andet på egnen, har flyttet produktionen væk fra byen, og det har skruet livet i Empire Falls ned på vågeblus.Så det er bekymrede kunder, der letter deres hjerte over for Miles - som har sine helt egne problemer.

A first novel with all the assurance of a mature writer at the peak of form and ambition, Mohawk is set in upstate New York and chronicles more than a dozen lives in a leather town, long after the tanneries have started closing down. Ranging over three generations - and clustered mainly in two clans, the Grouses and the Gaffneys - these remarkably various lives share only the common human dilemmas and the awesome physical and emotional presence of Mohawk itself.

Griffin has been tooling around for nearly a year with his father’s ashes in the trunk, but his mother is very much alive and not shy about calling on his cell phone. She does so as he drives down to Cape Cod, where he and his wife, Joy, will celebrate the marriage of their daughter Laura’s best friend. For Griffin this is akin to driving into the past, since he took his childhood summer vacations here, his parents’ respite from the hated Midwest.

Life and Art—these are the twin subjects considered in Richard Russo’s twelve masterful new essays—how they inform each other and how the stories we tell ourselves about both shape our understanding of the world around us. In “The Lives of Others,” he reflects on the implacable fact that writers use people, insisting that what matters, in the end, is how and for what purpose. How do you bridge the gap between what you know and what you don’t, and sometimes can’t, know?

David and Ellie didn’t realize how much they have missed their friends, two other couples who had moved out of their modest neighborhood in a desert city for the comforts of the suburbs, until the day of Donald Trump’s election. Separated also from their daughter who lived hours away in California, they were in a funk. But, when Ellie discovers a repellent offering floating in the small Jacuzzi in their backyard, David is blindsided. Little does he know this is but the first in a chain of grisly events that would play out in their lives with devastating consequences.

From one of America's most beloved and respected writers comes the classic story of Homer Wells, an orphan, and Wilbur Larch, a doctor without children of his own, who develop an extraordinary bond with one another.

Ian Bedloe is the ideal teenage son, leading a cheery, apple-pie life with his family in Baltimore. That is, until a careless and vicious rumor leads to a devastating tragedy. Imploding from guilt, Ian believes he is the one responsible for the tragedy. No longer a star athlete with a bright future, and desperately searching for salvation, he stumbles across a storefront with a neon sign that simply reads: Church of the Second Chance. Ian has always viewed his penance as a burden. But through the power of faith and the love of family, he begins to view it as a gift.