We'd like to introduce you to Elizabeth Finch. We invite you to take her course in Culture and Civilisation. Her ideas are not to everyone's taste. But she will change the way you see the world. Elizabeth Finch was a teacher, a thinker, an inspiration—always rigorous, always thoughtful. With careful empathy, she guided her students to develop meaningful ideas and to discover their centers of seriousness. As a former student unpacks her notebooks and remembers her uniquely inquisitive mind, her passion for reason resonates through the years.

Tony Webster and his clique first met Adrian Finn at school. Sex-hungry and book-hungry, they would navigate the girl-less sixth form together, trading in affectations, in-jokes, rumour, and wit. Maybe Adrian was a little more serious than the others, certainly more intelligent, but they all swore to stay friends for life. Now Tony is retired. He’s had a career and a single marriage, a calm divorce. He’s certainly never tried to hurt anybody. Memory, though, is imperfect. It can always throw up surprises, as a lawyer’s letter is about to prove.

This is one of the defining novels of English writer Julian Barnes. An entertaining melange of stories starting with a contemporary account of the launch of Noah's Ark takes us into unexpected areas of human foibles, activities, and tendencies.

In May 1937, a man in his early 30s waits by the lift of a Leningrad apartment block. He waits all through the night, expecting to be taken away to the Big House. Any celebrity he has known in the previous decade is no use to him now, and few who are taken to the Big House ever return.

'You put together two things that have not been put together before. And the world is changed...' Julian Barnes's new book is about ballooning, photography, love and grief; about putting two things, and two people, together, and about tearing them apart. One of the judges who awarded him the 2011 Man Booker Prize described him as 'an unparalleled magus of the heart'. This book confirms that opinion.

Introducing Stuart, Gillian and Oliver. One by one they take their turn to speak straight out to the camera - and give their side of a contemporary love triangle. What begins as a comedy of misunderstanding slowly darkens and deepens into a compelling exploration of the quagmires of the heart.

This novel is based on Arthur Conan Doyle's extraordinary real-life fight for justice. Arthur and George grow up worlds and miles apart in late 19th-century Britain: Arthur in shabby-genteel Edinburgh, George in the vicarage of a small Staffordshire village. Arthur becomes a doctor, and then a writer, George a solicitor in Birmingham. Arthur is to become one of the most famous men of his age; George remains in hardworking obscurity. But as the new century begins, they are brought together by a sequence of events which made sensational headlines at the time as The Great Wyrley Outrages.

The Years is a personal narrative of the period of 1941 to 2006 told through the lens of memory, impressions past and present - even projections into the future - photos, books, songs, radio, television, and decades of advertising and headlines, contrasted with intimate conflicts and written notes from six decades of diaries. Local dialect, words of the time, slogans, brands, and names for ever-proliferating objects are given a voice here. The voice we recognize as the author's continually dissolves and re-emerges.

In We Don't Know Ourselves, Fintan O'Toole weaves his own experiences into Irish social, cultural, and economic change, showing how Ireland, in just one lifetime, has gone from a reactionary "backwater" to an almost totally open society - perhaps the most astonishing national transformation in modern history. O'Toole narrates the once unthinkable collapse of the all-powerful Catholic Church, brought down by scandal and by the activism of ordinary Irish. He relates the horrific violence of the Troubles in Northern Ireland, which led most Irish to reject violent nationalism.

England in the 1520s is a heartbeat from disaster. If the king dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of 20 years and marry Anne Boleyn. The pope and most of Europe opposes him. Into this impasse steps Thomas Cromwell: a wholly original man, a charmer and a bully, both idealist and opportunist, astute in reading people, and implacable in his ambition. But Henry is volatile: one day tender, one day murderous. Cromwell helps him break the opposition, but what will be the price of his triumph?

Of all of John Irving's books, this is the one that lends itself best to audio. In print, Owen Meany's dialogue is set in capital letters; for this production, Irving himself selected Joe Barrett to deliver Meany's difficult voice as intended. In the summer of 1953, two 11-year-old boys – best friends – are playing in a Little League baseball game in Gravesend, New Hampshire. One of the boys hits a foul ball that kills the other boy's mother. The boy who hits the ball doesn't believe in accidents; Owen Meany believes he is God's instrument. What happens to Owen after that 1953 foul ball is extraordinary and terrifying.

In the tradition of Bertrand Russell's Why I Am Not a Christian and Sam Harris' recent best-seller, The End of Faith, Christopher Hitchens makes the ultimate case against religion. With a close and erudite reading of the major religious texts, he documents the ways in which religion is a man-made wish, a cause of dangerous sexual repression, and a distortion of our origins in the cosmos.

One of William Faulkner’s finest novels, As I Lay Dying, originally published in 1930, remains a captivating and stylistically innovative work. The story revolves around a grim yet darkly humorous pilgrimage, as Addie Bundren’s family sets out to fulfill her last wish: to be buried in her native Jefferson, Mississippi, far from the miserable backwater surroundings of her married life.

Salman Rushdie holds the literary world in awe with a jaw-dropping catalog of critically acclaimed novels that have made him one of the world's most celebrated authors. Winner of the prestigious Booker of Bookers, Midnight's Children tells the story of Saleem Sinai, born on the stroke of India's independence.

In the mid-eighteenth century, as new ideas—and a new unrest—begin to sweep the Continent, a young Jew of mysterious origins arrives in a village in Poland. Before long, he has changed not only his name but his persona; visited by what seem to be ecstatic experiences, Jacob Frank casts a charismatic spell that attracts an increasingly fervent following.

In these 14 brilliant stories, the Man Booker Prize-winning author of The Sense of an Ending examines longing and loss, friendship and love, the historical past and contemporary life - all with his trademark wit and sharply observant eye.

In May 1937, a man in his early 30s waits by the lift of a Leningrad apartment block. He waits all through the night, expecting to be taken away to the Big House. Any celebrity he has known in the previous decade is no use to him now, and few who are taken to the Big House ever return.

In this engaging and erudite essay, critically acclaimed writer Julian Barnes explores what is involved when we change our minds: about words, about politics, about books; about memories, age and time.

'You put together two things that have not been put together before. And the world is changed...' Julian Barnes's new book is about ballooning, photography, love and grief; about putting two things, and two people, together, and about tearing them apart. One of the judges who awarded him the 2011 Man Booker Prize described him as 'an unparalleled magus of the heart'. This book confirms that opinion.

Tony Webster and his clique first met Adrian Finn at school. Sex-hungry and book-hungry, they would navigate the girl-less sixth form together, trading in affectations, in-jokes, rumour, and wit. Maybe Adrian was a little more serious than the others, certainly more intelligent, but they all swore to stay friends for life. Now Tony is retired. He’s had a career and a single marriage, a calm divorce. He’s certainly never tried to hurt anybody. Memory, though, is imperfect. It can always throw up surprises, as a lawyer’s letter is about to prove.

One summer in the 60s, in a staid suburb south of London, Paul comes home from university, aged 19, and is urged by his mother to join the tennis club. In the mixed-doubles tournament he's partnered with Susan Macleod, a fine player who's 48, confident, ironic, and married, with two nearly adult daughters. She is also a warm companion, their bond immediate. And they soon, inevitably, are lovers. Clinging to each other as though their lives depend on it, they then set up house in London to escape his parents and the abusive Mr. Mcleod.

We'd like to introduce you to Elizabeth Finch. We invite you to take her course in Culture and Civilisation. Her ideas are not to everyone's taste. But she will change the way you see the world. Elizabeth Finch was a teacher, a thinker, an inspiration—always rigorous, always thoughtful. With careful empathy, she guided her students to develop meaningful ideas and to discover their centers of seriousness. As a former student unpacks her notebooks and remembers her uniquely inquisitive mind, her passion for reason resonates through the years.

Jean Serjeant, the heroine of Julian Barnes’ wonderfully provocative novel, seems ordinary but has an extraordinary disdain for wisdom. And as Barnes - winner of the Man Booker Prize for The Sense of an Ending - follows her from her childhood in the 1920s to her flight into the sun in the year 2021, he confronts his audience with the fruits of her relentless curiosity: pilgrimages to China and the Grand Canyon; a catalogue of 1940s sexual euphemisms; and a glimpse of technology in the 21st century (when the absolute truth can be universally accessed).

Barnes’ appreciation extends from France’s vanishing peasantry to its hyperliterate pop singers, from the gleeful iconoclasm of nouvelle vague cinema to the orgy of drugs and suffering that is the Tour de France. Above all, Barnes is an unparalleled connoisseur of French writing and writers. Lively yet discriminating in its enthusiasm, seemingly infinite in its range of reference, and written in prose as stylish as haute couture, Something to Declare is an unadulterated joy.

In the summer of 1885, three Frenchmen arrived in London for a few days' intellectual shopping: a prince, a count, and a commoner with an Italian name. In time, each of these men would achieve a certain level of renown, but who were they then and what was the significance of their sojourn to England? Answering these questions, Julian Barnes unfurls the stories of their lives which play out against the backdrop of the Belle Epoque in Paris. Our guide through this world is Samuel Pozzi, the society doctor, free-thinker, and man of science with a famously complicated private life....