In 1972, when workers in Pottstown, Pennsylvania, were digging the foundations for a new development, the last thing they expected to find was a skeleton at the bottom of a well. Who the skeleton was and how it got there were two of the long-held secrets kept by the residents of Chicken Hill, the dilapidated neighborhood where immigrant Jews and African Americans lived side by side and shared ambitions and sorrows. Chicken Hill was where Moshe and Chona Ludlow lived when Moshe integrated his theater and where Chona ran the Heaven & Earth Grocery Store.

Alice Wright marries handsome American Bennett Van Cleve hoping to escape her stifling life in England. But small-town Kentucky quickly proves equally claustrophobic, especially living alongside her overbearing father-in-law. So, when a call goes out for a team of women to deliver books as part of Eleanor Roosevelt’s new traveling library, Alice signs on enthusiastically. The leader, and soon Alice's greatest ally, is Margery, a smart-talking, self-sufficient woman who's never asked a man's permission for anything.

The Vignes twin sisters will always be identical. But after growing up together in a small, Southern Black community and running away at age 16, it's not just the shape of their daily lives that is different as adults, it's everything: Their families, their communities, their racial identities. Many years later, one sister lives with her Black daughter in the same Southern town she once tried to escape. The other secretly passes for White, and her White husband knows nothing of her past.

Eastern Kentucky, 1937. After the death of her husband, Ada Donovan returned home to live again with her aging parents. She does all she can to help them keep the small family farm going. But times are hard, and there’s never enough. During one of her infrequent visits to town, she sees a help-wanted notice for the Pack Horse Librarian Project, seeking librarians to ride up high in the mountains and bring books to the people there. Before her marriage, Ada was a teacher, and the thought of returning to the work she loved is impossible to resist.

Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African-American folk culture. Brought together for the first time in one volume, they include eight of Hurston’s "lost" Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales.

In the fading town of Rooster, Texas, all that's really left is a service station, a church…and the Banty House, a long-ago Depression-era brothel. For more than seventy-five years, Betsy, Connie, and Kate Carson have called their mama's house a home. The three eccentric sisters get by just fine with their homemade jams and jellies, a little moonshine on the side, and big hearts always open to strangers. Like Ginger Andrews.

The Singleton family's fortunes seem unaffected by the Great Depression, and Perri - along with the other girls at Atlanta's elite Washington Seminary. But when tragedies strike, Perri is confronted with a world far different from the one she has always known. At the insistence of her parents, Mary "Dobbs" Dillard, the daughter of an itinerant preacher, is sent from inner-city Chicago to live with her aunt and attend Washington Seminary, bringing confrontation and radical ideas. Her arrival intersects with Perri's ultimate crisis, and the tragedy forges an unlikely friendship.

After more than 38 years, Father Tim Kavanagh returns to his childhood home of Holly Springs, Mississippi, on a profoundly personal journey. Whatever became of Tommy Noles, his forbidden childhood friend, and Peggy, the loving woman who was like his second mother? What were the facts behind the court trial that drove the Kavanagh family even further apart?

With America's entrance into the Second World War, the town of Blackberry Springs, Alabama, has exploded virtually overnight. Workers from all over are coming south for jobs in Uncle Sam's munitions plants - and they're bringing their pasts with them, right into Dolly Chandler's grand but fading family home turned boardinghouse. An estranged young couple from the Midwest, unemployed professors from Chicago, a widower from Mississippi, a shattered young veteran - they're all hoping Dolly's house will help them find their way back to the lives they left behind.

Early one morning in 1929, Mary Seneca Steele spontaneously packs a suitcase, gathers up her son and daughter, and drives away in her abusive and dissolute husband’s brand-new Auburn Phaeton automobile, leaving her privileged life in Charleston behind. It is the beginning of a journey of enlightenment that leads Mary “Sen” to the mountains and mysteries of Appalachia, where she will learn unexpected family secrets, create a new life for herself and her children, and finally experience love and happiness before tragedy will once again test her.

Cleverly suspenseful and sweetly spoken, the storyteller's unassuming voice transforms an Appalachian trail of tears into holy terror against an evil that stalks the innocent. In The Whispering of the Willows, an Appalachian marriage practice might be compared to the modern sex trade which exploits young females. Not since Catherine Marshall's strong heroine named Christy, has an Appalachian drama come to life like The Whispering of the Willows.

This beautifully constructed family saga spans three generations set all within the macabre world of the civil war era American funeral industry where weepers, warners, death photographers and the new practice of embalming the dead dwelled. For generations, the women of the Fenn family have been traditional “weepers”; paid mourners who attend wakes and weep for the dead. Their counterparts, the men of the True family, are undertakers, or “warners.”

Let the people of West Mills say what they will about Azalea 'Knot' Centre; they won't keep her from what she loves best: cheap moonshine, 19th-century literature, and the company of men. And yet, when motherhood looms, Knot begins to learn that her freedom has come at a high price. Low on money, ostracized from her parents and cut off from her hometown, Knot turns to her neighbor, Otis Lee Loving, in search of some semblance of family and home.

Acclimating to a whole new world, Ellie meets a lonely but intriguing Cajun fisherman named Raphe who introduces her to the legendary white alligator that haunts these waters. Raphe and Ellie have barely found their way to each other when a huge bounty is offered for the elusive gator, bringing about a shocking turn of events that will test their love and their will to right a terrible wrong.

In town, they called her "Crazy Widow Dinsmore". But Elly was no stranger to their ridicule - she had been an outsider all her life, growing up in a boarded-up old house under the strict eye of her eccentric grandparents. Now she was all alone, with two little boys to raise, and a third child on the way. Will Parker drifted into Whitney, Georgia, one lazy afternoon in the summer, hoping to put his lonely past behind him. He yearned for the tenderness he had never known, the home he'd never had. All he needed was for someone to give him a chance.