
Our Story Begins
New and Selected Stories
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Narrated by:
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Anthony Heald
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By:
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Tobias Wolff
In this potent new collection, the first in over a decade, Wolff displays his mastery over a quarter century, once again proving himself "a writer of the highest order: part storyteller, part philosopher, someone deeply engaged in asking hard questions that take a lifetime to resolve." (Los Angeles Times)
©2008 Tobias Wolff (P)2008 Blackstone Audio, Inc.Listeners also enjoyed...




















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Magnificent!
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And now, from here on, SPOILER ALERT!
The rest of this collection was, for me, pretty unsatisfying. I’m aware Woolf is a highly respected writer (and teacher of writing), but all his stories seemed typical of the sort of work that comes out of college fiction classes: You know in advance that their view of humanity will be a sour one, that they’re going to end a little too soon, on a note of incompleteness and ambiguity, and that before the tale ends, someone is going to be revealed as weak or duplicitous or cruel.
And they also seem a little dated. The first story, for example, pretentiously titled “In the Garden of the North American Martyrs,” features some ridiculously caricatured academics, and it's so off the mark, or at least so out of date, that the main character, a woman professor interviewing for a job at another college, learns to her disappointment that the hiring committee has already decided that only a man is actually going to be considered, and that she is merely the token woman. I don’t think that was remotely true even fifty years ago.
The second selection, “Next Door,” recounts the narrator’s puzzlingly mild, low-key reaction to some brutal, noisy, drunken neighbors who, among other things, beat their dog almost to death. In the third, “Hunters in the Snow,” a dog is shot dead, and the hunters of the title are revealed to be so absurdly selfish and callous that two of them stop for coffee in a roadside snack bar and chat about a love affair while their wounded companion lies outside freezing to death. You get the feeling that these tales are deliberately unpleasant, and they don't even have the virtue of ringing true.
“The Rich Brother” presents two brothers being nasty to each other on a long road trip, one a naive screwup, the other successful and somewhat protective but also possessed of a cruel streak. It’s not bad, but then they pick up a hitchhiking con man whose obvious tall tale – about a Peruvian gold mine – seems annoyingly cartoonish and cliched. The next story, “Leviathan,” is just a catty conversation, over wine and drugs, among two couples, all four faintly objectionable and not very nice to one another.
“Desert Breakdown, 1968,” as in many a movie, offers us a dusty nondescript gas station down an empty desert road, with four guys in cowboy hats sitting around outside, and you know immediately that they're going to be menacing, threatening, and unfriendly to a couple who drive up, unlike actual human beings in Arizona or pretty much anywhere. (One even flicks a cigarette butt at the car.) This sort of thing is fine in a genre story -- horror, crime, whatever; you expect it. But in mainstream fiction, it just feels tiresomely fake.
One story, “The Chain” – in which yet another dog is shot! – starts out fairly intriguingly, but by the end it has turned into a preachy parable about racial injustice. “Two Boys and a Girl” is about the betrayal of a friend, as well as disappointment in love. I could go on, but you’ve already gotten the idea: Aside from the admirable “Bullet in the Brain,” this collection gave me barely a moment’s pleasure.
Mostly unsatisfying, but one absolute gem
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Story titles missing.
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Quick transitions
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This book is like reading the leftovers of a prolific author where even the cast-off is mesmerizing. Some stories leave you hungry. But, so does life.
A perfect reader for his work.
5 minute walk
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excellent writing, but the reality too grim
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Wonderful stories and a good reader
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Great book.
David
Glance into Real Life with Wolff
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amazed at his skill witb words
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Great
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