Panic Room
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Narrated by:
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Hollie Taylor
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John Sackville
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By:
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Robert Goddard
About this listen
Random House presents the audiobook edition of Panic Room by Robert Goddard, read by Hollie Taylor and John Sackville.
Sometimes the danger is on the inside . . .
High on a Cornish cliff sits a vast uninhabited mansion. Uninhabited except for Blake, a young woman of dubious background, secretive and alone, currently acting as housesitter.
The house has a panic room. Cunningly concealed, steel lined, impregnable – and apparently closed from within. Even Blake doesn’t know it’s there. She’s too busy being on the run from life, from a story she thinks she’s escaped.
But her remote existence is going to be invaded when people come looking for the house’s owner, missing rogue pharma entrepreneur, Jack Harkness. Suddenly the whole world wants to know where his money has gone. Soon people are going to come knocking on the door, people with motives and secrets of their own, who will be asking Blake the sort of questions she can’t – or won’t – want to answer.
And will the panic room ever give up its secrets?
PANIC ROOM is Robert Goddard at his nerve-shredding best. A sliver of a mystery kicks off a juggernaut of a thriller. Layers of secrets, half truths and lies must be peeled back to reveal what really lies within.
'The world's greatest storyteller' Guardian
‘Is this his best yet?...Full of sinister menace and propulsive pace with twisty plotting’ Lee Child
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When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.
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Hmm
- By Morgan Meaux on 08-22-24
By: Freida McFadden
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The Ex
- By: Freida McFadden
- Narrated by: Nicol Zanzarella
- Length: 8 hrs and 33 mins
- Unabridged
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Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.
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Too bizarre for someone who loves bizarre
- By G. C. Webster on 07-01-22
By: Freida McFadden
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Artemis
- By: Andy Weir
- Narrated by: Rosario Dawson
- Length: 8 hrs and 57 mins
- Unabridged
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Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.
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A ferrari with no motor
- By will on 11-18-17
By: Andy Weir
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The Married Man
- By: K.L. Slater
- Narrated by: Clare Corbett
- Length: 9 hrs and 40 mins
- Unabridged
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Everyone thinks my husband is dead. Just like we planned. Eleven years ago, my husband disappeared. Eleven long hard years I waited, my heart breaking for our son, who didn’t know his father was coming back. Today, my hands shake as I try to understand what I’ve just learned: my husband has a new wife. This wasn’t part of our plan. Eleven years ago, my husband made a terrible mistake. I sacrificed everything to help him fix it. But now he’s put our son and me in danger again. We had a plan. He broke the rules. But who will pay the price?
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K.L. Slater and Clare Corbett – riveting Tango!
- By Karenique on 11-11-24
By: K.L. Slater
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Too Late
- Definitive Edition
- By: Colleen Hoover
- Narrated by: Ryan Gray, Maxine Mitchell, Joe Arden
- Length: 10 hrs and 19 mins
- Unabridged
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Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.
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Triggering and poor narration
- By Katherine Epperson on 07-11-23
By: Colleen Hoover
What listeners say about Panic Room
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- Karen Johnson, Elated Vegan
- 07-07-22
One narrator poorly cast
The male narrator is excellent. The female narrator is completely the wrong person to cast. She’s wrong for the part, and that’s down to the production team not her. So, the issue is that she completely misinterprets the tone of the book and characters in the story. There’s no depth in her interpretation. The characters are either always flippant always stupid or always haughty. It’s just tedious. What’s more the male narrator has the interpretation perfectly correct and is a pleasure to listen to. So it’s like reading two books at the same time and every time her section starts it’s a shock to the system (like a cold shower) and I have to rephrase everything she says to make sense of the story line. At the beginning it didn’t irritate me that much but I’m not even half way in and it’s getting really tedious and irritating. She just gets it all wrong. Everything.
The story is excellent. I’ve read and listened to every Robert Goddard book and they are really special. So it’s still worth getting the book. The upsides far outweigh the downside. But production team… come on. I cannot understand how they thought this pairing would work.
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- Amazon Customer
- 08-24-21
Weak storyline and terrible narration
I have read or listened to all the Goddard novels up to this one. Reviewers have stressed how bad the narration is, and I concur, especially regarding the female narrator trying to do male voices. This is Goddard's first attempt to introduce a science fiction element into a story, and it fails miserably. In fact, the writing seems so unlike his style in general that I'm wondering whether the second author (mentioned in the afterward, but not given credit up until then) is responsible for writing much -- if not all -- of the novel. This suspicion is supported by a very curious statement in which Goddard agrees to be identified as the sole author of the novel. What?
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