Pat Novak, for Hire began in 1946 as a regional radio show produced at KGO in San Francisco and starred Jack Webb in the title role, with scripts by Webb's friend Richard L. Breen. When Webb moved to Los Angeles in 1947, Ben Morris replaced Webb as Novak. In a later network version, Jack Webb resumed the role along with Breen as scriptwriter. Pat Novak, for Hire lasted until 1949, when Jack Webb turned his attention to the series that would make him a star, Dragnet.

From the darkest, foggiest, most rain-swept streets of your imagination come The Great Radio Private Eyes! Detectives, investigators, shamuses all - here's a legion of radio's best-remembered gumshoes taking on all comers in a wide-ranging collection of thrill-packed cases of crime. They're all here! From Bulldog Drummond to Candy Matson, from the urbane world of The Falcon to the grubby dockside world of Pat Novak - get set for classic radio drama at its most compelling!

Tough, hardboiled, and with a dry sense of humor, Jack Webb stars as Jeff Regan, doing the leg work for his not-always-agreeable boss, Anthony J. Lyon. Regan takes on hard and difficult assignments as he investigates counterfeiters, embezzlers, and encounters general mayhem, and most of all murder, in these 16 classic radio episodes. Joining Webb is a cast of many of radio’s finest supporting actors, including Herb Butterfield, Lawrence Dobkin, Barry Kroeger, Lurene Tuttle, Ed Begley, Wilms Herbert, Betty Lou Gerson, and many more.

Thrill to the hardboiled adventures of Ellery Queen, Philip Marlow, Dragnet, The Man called X, Philo Vance, Rocky Fortune and so many more as heroes fight the bad guys. 100 great detective classics in one collection.

In the1930s and '40s, Black Mask was the single most important magazine for the modern mystery field. Here writers such as Dashiell Hammett, Raymond Chandler, and Earl Stanley Gardner reshaped the established view of mystery fiction, creating the "hard-boiled" private eye. Now this series resurrects from those pages the toughest of tough detectives in sonic dramatizations from the award-winning Hollywood Theater of the Ear.

Out of a rainy Seattle night comes crime, mystery, adventure...and Harry Nile! Here is Jim French's legendary private eye, investigating the dark corners of the 1940s Northwest. Larry Albert stars in this collection of 20 radio adventures - which include the first four episodes of the ongoing WWII story line "War Comes to Harry Nile"! It's new-time radio drama in the old-time tradition!

The detective character, Sam Spade, was created by Dashiell Hammett for his crime novel The Maltese Falcon. Spade was a hard-boiled detective with cold detachment, a keen eye for detail and unflinching determination to achieve his own justice. The character is most closely associated with Humphrey Bogart who played Sam Spade in the third and most famous film version of The Maltese Falcon. In 1946, one of radio’s top producers (William Spier) brought “Sam Spade” to CBS radio starring newcomer Howard Duff with Lurene Tuttle.

The story of Tang and her gallant crew ranks with the most amazing of naval history. Between August 1943 when she was commissioned and her loss in fall 1944, Tang completed four missions and was on her fifth in the Formosa Strait, single-handedly demolishing a convey. During this time, Tang had one captain: Commander Richard Hetherington O'Kane. Together, Tang, her crew of 86 men, and her captain sank more tonnage and more enemy ships than any other submarine on active patrol.

Imagine radio noir in the grand tradition - the mystery, excitement, and adventure of the medium's Golden Age. Now imagine that this has been combined with all of the technical polish that 21st century audio theatre techniques have to offer. That's The Adventures of Harry Nile. Produced by modern-radio legend Jim French, this collection features cases set in the 1940s. A hard-boiled but gentle-souled private investigator takes to the rain-swept streets of the Pacific Northwest.

The world-weary private investigator Harry Nile is one step ahead of the mob, but one step behind the bill collectors. That's why he takes pretty much any case he can catch—from robbery to kidnapping to murder. Phil Harper stars as Harry in twenty-one mood-filled mysteries, aided and assisted by Pat French as Murphy, his secretary extraordinaire. This is classic radio noir for a new generation, created and produced by Jim French.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.