On her 40th birthday, Madame Wu carries out a decision she has been planning for a long time: she tells her husband that after 24 years their physical life together is now over and she wishes him to take a second wife. The House of Wu, one of the oldest and most revered in China, is thrown into an uproar by her decision, but Madame Wu will not be dissuaded and arranges for a young country girl to come take her place in bed.

The story of Tzu Hsi is the story of the last empress in China. In this audiobook, Pearl S. Buck recreates the life of one of the most intriguing rules during a time of intense turbulence. Tzu Hsi was born into one of the lowly ranks of the Imperial dynasty. According to custom, she moved to the Forbidden City at the age of 17 to become one of hundreds of concubines. But her singular beauty and powers of manipulation quickly moved her into the position of Second Consort.

This Pulitzer Prize-winning classic tells the poignant tale of a Chinese farmer and his family in old agrarian China. The humble Wang Lung glories in the soil he works, nurturing the land as it nurtures him and his family. Nearby, the nobles of the House of Hwang consider themselves above the land and its workers; but they will soon meet their own downfall. The working people riot, breaking into the homes of the rich and forcing them to flee. When Wang Lung shows mercy to one noble and is rewarded, he begins to rise in the world, even as the House of Hwang falls.

To the Chinese the dragon is not an evil creature, but is a god and the friend of men who worship him. He "holds in his power prosperity and peace." Ruling the waters and the winds, he sends the good rain, is hence the symbol of fecundity. In the Hsia dynasty two dragons fought a great duel until both disappeared, leaving only a fertile foam from which were born the descendants of the Hsia. Thus, the dragons came to be looked upon as the ancestors of a race of heroes. This is the story of China at War.

Rann falls for the beautiful and equally brilliant Stephanie Kung, who lives in Paris with her Chinese father and has not seen her American mother since she abandoned the family when Stephanie was six years old. Both Rann and Stephanie yearn for a sense of genuine identity. Rann feels plagued by his voracious intellectual curiosity and strives to integrate his life of the mind with his experience in the world. Stephanie struggles to reconcile the Chinese part of herself with her American and French selves.

Spanning the years 1900 to 1977, The Covenant of Water is set in Kerala, on South India’s Malabar Coast, and follows three generations of a family that suffers a peculiar affliction: in every generation, at least one person dies by drowning—and in Kerala, water is everywhere. At the turn of the century, a twelve-year-old girl from Kerala’s long-existing Christian community, grieving the death of her father, is sent by boat to her wedding, where she will meet her forty-year-old husband for the first time.

For young Peony, betrothed to a suitor she has never met, lyrics from The Peony Pavilion mirror her own longings. In the garden of the Chen Family Villa, amid the scent of ginger, green tea, and jasmine, a small theatrical troupe is performing scenes from this epic opera, a live spectacle few females have ever seen. Like the heroine in the drama, Peony is the cloistered daughter of a wealthy family, trapped like a good-luck cricket in a bamboo-and-lacquer cage.

According to Confucius, “an educated woman is a worthless woman,” but Tan Yunxian—born into an elite family, yet haunted by death, separations, and loneliness—is being raised by her grandparents to be of use. Her grandmother is one of only a handful of female doctors in China, and she teaches Yunxian the pillars of Chinese medicine, the Four Examinations—looking, listening, touching, and asking—something a man can never do with a female patient.

Lily is haunted by memories of who she once was, and of a person, long gone, who defined her existence. She has nothing but time now, as she recounts the tale of Snow Flower and asks the gods for forgiveness.

The thrilling new novel from number-one New York Times best-selling author Lisa See explores the lives of a Chinese mother and her daughter who has been abandoned and adopted by an American couple.

When orphaned Daiyu leaves her home in the provinces to take shelter with her cousins in the Capital, she is drawn into a world of opulent splendor, presided over by the ruthless, scheming Xifeng and the prim, repressed Baochai. As she learns the secrets behind their glittering facades, she finds herself entangled in a web of intrigue and hidden passions, reaching from the petty gossip of the servants' quarters all the way to the Imperial Palace.

In a voice both haunting and startlingly immediate, Nitta Sayuri describes her life as a geisha. Taken from her home at the age of nine, she is sold into slavery to a renowned geisha house. Witness her transformation as you enter a world where appearances are paramount, virginity is auctioned to the highest bidder, women beguile powerful men, and love is scorned as illusion.

There is no easy path for a woman aspiring to power. A concubine at the palace learns quickly that there are many ways to capture the emperor's attention. Many paint their faces white and style their hair attractively, hoping to lure in the One Above All with their beauty. Some present him with fantastic gifts, such as jade pendants and scrolls of calligraphy, while others rely on their knowledge of seduction to draw his interest. But young Mei knows nothing of these womanly arts, yet she will give the emperor a gift he can never forget.

In 17th-century Persia, a 14-year-old woman believes she will be married within the year. When her beloved father dies, she and her mother find themselves alone and without a dowry. With nowhere else to go, they are forced to sell the brilliant turquoise rug the young woman has woven to pay for their journey to Isfahan, where they will work as servants for her uncle, a rich rug designer in the court of the legendary Shah Abbas the Great.

This heart-stirring tale of a young slave girl, torn between her love for a handsome aristocrat and her faith in God, transcends genres with its awe-inspiring power and emotional intensity.

This Pulitzer Prize-winning classic tells the poignant tale of a Chinese farmer and his family in old agrarian China. The humble Wang Lung glories in the soil he works, nurturing the land as it nurtures him and his family. Nearby, the nobles of the House of Hwang consider themselves above the land and its workers; but they will soon meet their own downfall. The working people riot, breaking into the homes of the rich and forcing them to flee. When Wang Lung shows mercy to one noble and is rewarded, he begins to rise in the world, even as the House of Hwang falls.

The story of Tzu Hsi is the story of the last empress in China. In this audiobook, Pearl S. Buck recreates the life of one of the most intriguing rules during a time of intense turbulence. Tzu Hsi was born into one of the lowly ranks of the Imperial dynasty. According to custom, she moved to the Forbidden City at the age of 17 to become one of hundreds of concubines. But her singular beauty and powers of manipulation quickly moved her into the position of Second Consort.

To the Chinese the dragon is not an evil creature, but is a god and the friend of men who worship him. He "holds in his power prosperity and peace." Ruling the waters and the winds, he sends the good rain, is hence the symbol of fecundity. In the Hsia dynasty two dragons fought a great duel until both disappeared, leaving only a fertile foam from which were born the descendants of the Hsia. Thus, the dragons came to be looked upon as the ancestors of a race of heroes. This is the story of China at War.

On her 40th birthday, Madame Wu carries out a decision she has been planning for a long time: she tells her husband that after 24 years their physical life together is now over and she wishes him to take a second wife. The House of Wu, one of the oldest and most revered in China, is thrown into an uproar by her decision, but Madame Wu will not be dissuaded and arranges for a young country girl to come take her place in bed.

Rann falls for the beautiful and equally brilliant Stephanie Kung, who lives in Paris with her Chinese father and has not seen her American mother since she abandoned the family when Stephanie was six years old. Both Rann and Stephanie yearn for a sense of genuine identity. Rann feels plagued by his voracious intellectual curiosity and strives to integrate his life of the mind with his experience in the world. Stephanie struggles to reconcile the Chinese part of herself with her American and French selves.