
Persephone Station
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Narrated by:
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Maria Liatis
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By:
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Stina Leicht
About this listen
Hugo Award-nominated author Stina Leicht has created a take on space opera for fans of The Mandalorian and Cowboy Bebop in this high-stakes adventure.
Persephone Station, a seemingly backwater planet that has largely been ignored by the United Republic of Worlds, becomes the focus for the Serrao-Orlov Corporation as the planet has a few secrets the corporation tenaciously wants to exploit.
Rosie, owner of Monk's Bar, in the corporate town of West Brynner, caters to wannabe criminals and rich Earther tourists, of a sort, at the front bar. However, exactly two types of people drank at Monk's back bar: members of a rather exclusive criminal class and those who seek to employ them.
Angel, ex-marine and head of a semi-organized band of beneficent criminals, wayward assassins, and washed-up mercenaries with a penchant for doing the honorable thing, is asked to perform a job for Rosie. What this job reveals will effect Persephone and put Angel and her squad up against an army. Despite the odds, they are rearing for a fight with the Serrao-Orlov Corporation. For Angel, she knows that once honor is lost, there is no regaining it. That doesn't mean she can't damned well try.
©2021 Stina Leicht (P)2021 Recorded BooksListeners also enjoyed...
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- By: Christopher Ruocchio
- Narrated by: Samuel Roukin
- Length: 26 hrs and 6 mins
- Unabridged
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Overall
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Performance
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Story
The galaxy remembers Hadrian Marlowe as a hero: the man who burned every last alien Cielcin from the sky. They remember him as a monster: the devil who destroyed a sun, casually annihilating four billion human lives - even the emperor himself - against Imperial orders. But Hadrian was not a hero. He was not a monster. He was not even a soldier. Fleeing his father and a future as a torturer, Hadrian finds himself stranded on a strange, backwater world.
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A Slow start at best....then the story tapers off
- By paul nordquist on 08-21-19
Very few male characters, all in tertiary roles made for a good change of perspective from the usual male-dominated adventures I grew up with.
And no, I'm not of the League of Consonants, but I am an ally.
good blend of hard & soft scyfy
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Interesting Space Adventure
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Maybe I'm not the target audience, maybe I didn't do a great job of paying attention, but I just wasn't ever that engaged. It all felt very loose. Plot points are brought up then forgotten, focus is shifted, characters are given depth but no filling. It might have made an excellent trilogy, but as a standalone book I feel kind of let down.
I think that part of it was the voice actor. She does reasonably good accents but only really has one voice, if you get my drift.
I know that all sounds super critical, but I want to emphasize, it's not bad, just also not that good. Give it a read, you might do a better job than me.
Good parts include pov characters with they/them pronouns
Representation Popcorn
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so good
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Fun
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I loved it
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Next to Quality
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Find another way to indicate which character is speaking aside from "said"!!! It's incredibly annoying and unimaginative to hear three characters in a row "said". How did they say it? What were they feeling? What was the narrator feeling? The dialogue felt static. Get a thesaurus and weave the conversation into the story.
The ending wrapped up too nicely, especially with a corporate government involved. The ending should not have been so pleasant.
So much potential
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