Boisterous, ribald, and ultimately shattering, Ken Kesey's One Flew Over the Cuckoo's Nest has left an indelible mark on the literature of our time. Turning conventional notions of sanity and insanity on their heads, the novel tells the unforgettable story of a mental ward and its inhabitants, especially tyrannical Big Nurse Ratched and Randle Patrick McMurphy, the brawling, fun-loving new inmate who resolves to oppose her.

When he was 19, James Stark was considered to be one of the greatest natural magicians, a reputation that got him demon-snatched and sent downtown - to Hell - where he survived as a gladiator, a sideshow freak entertaining Satan's fallen angels. That was 11 years ago. Now, the hitman who goes only by Stark has escaped and is back in L.A. Armed with a fortune-telling coin, a black bone knife, and an infernal key, Stark is determined to destroy the magic circle.

It is an obsession that has haunted Nick Malick for seven years - to avenge the murder of his young son. In his gut Malick knows who did it. But the psychopath is in prison for another crime, scheduled to be released in a year. All Malick has to do is wait...and survive.

Best friends Jack and Conner can’t stay away from Marbury. It’s partly because of their obsession with this alternate world and the unresolved war that still wages there. But it’s also because forces in Marbury - including the darkest of the dark, who were not revealed in The Marbury Lens - are beckoning the boys back in order to save their friends… and themselves.

With novels like Mystic River and Shutter Island, Dennis Lehane has dramatically altered the landscape of the crime thriller—while boldly overstepping the boundaries that have long separated mystery from literature. Now two of his sensational early novels have been combined in a single volume—two gritty and mesmerizing masterworks of suspense featuring the private eye duo of Patrick Kenzie and Angela Gennaro.

It is autumn 1981 when inconceivable horror comes to Blackeberg, a suburb in Sweden. The body of a teenager is found, emptied of blood, the murder rumored to be part of a ritual killing. Twelve-year-old Oskar is personally hoping that revenge has come at long last—revenge for the bullying he endures at school, day after day. But the murder is not the most important thing on his mind. A new girl has moved in next door—a girl who has never seen a Rubik's Cube before, but who can solve it at once. There is something wrong with her, though, something odd. And she only comes out at night.

Alex Craft knows how to kill someone. And she doesn't feel bad about it. Three years ago, when her older sister, Anna, was murdered and the killer walked free, Alex uncaged the language she knows best - the language of violence. While her own crime goes unpunished, Alex knows she can't be trusted among other people. Not with Jack, who wants to really know her but still feels guilty over the role he played the night Anna's body was discovered. And not with Peekay, the kid with a defiant streak who befriends Alex while they volunteer at an animal shelter. Not anyone.

Bullets fly during a dangerous mission, and Major Mark Lopez is critically injured. A Blackstone soldier, Mark is transferred to the North Dakota hospital, where he meets a pretty nurse, Mia. After Mark recovers from surgery, he is discharged from the hospital with orders to rest; not that he does. But when he returns to the hospital again and again with minor - and not-so-minor - injuries, Mia suspects he’s only coming to see her. When someone from Mark’s past comes to him for help, more blood is shed, and Mark must put his life on the line to keep Mia safe.

Two years after losing their infant son to a tragic accident, Peter Martell, a novelist with a peculiar knack for finding lost things, and his wife, Sylvia, are devastated to learn they may no longer be able to have children. In need of a fresh start, and compelled by strange dreams, the couple decide to rent a lake house in the idyllic town of Gilchrist, Massachusetts, a place where bad things might just happen for a reason. As bizarre events begin to unfold around them, Peter and Sylvia are drawn into the chaos.

From the Battery to the Bronx, Manhattan is crawling with Vampyres. Joe Pitt is one of them, and he's not happy about it. Yeah, he gets to be tough as nails and hard to kill. But spending his nights trying to score a pint of blood to feed the Vyrus that's eating at him isn't his idea of a good time.

For a fee so big he can't turn it down, Simeon Grist is hired to watchdog the kind of guy he'd usually prefer to throw through the nearest window. Toby Vane is the golden boy of prime-time television, whose gee-whiz smile and chiseled features mask a dark secret that would take the shine off for his millions of adoring female fans: every now and then he beats up a woman, and almost any woman will do.

Poke Rafferty was writing offbeat travel guides for the young and terminally bored when Bangkok stole his heart. Now the American expat is assembling a new family with Rose, the former go-go dancer he wants to marry, and Miaow, the tiny, streetwise urchin he wants to adopt. But trouble in the guise of good intentions comes calling just when everything is beginning to work out.

Taylor Harden is a man on the edge. The edge of fame. The edge of untold wealth. The edge of utter humiliation. He built an unhackable system, and in front of everyone, it gets hacked. His reputation goes from king to goat in a split second. Boom. Like that. Some dude in Barrington, USA (AKA Nowhere) has locked down Taylor's code, and if he does not get it back, he is going to be wearing a monkey suit for the rest of his life. Except, this guy? This hacker from Nowhere? He is not a guy. Harper Watson is all woman. And she has a plan for Taylor, his code, and his body.

In the male-dominated field of animation, Mel Vaught and Sharon Kisses are a dynamic duo, the friction of their differences driving them: Sharon, quietly ambitious but self-doubting; Mel, brash and unapologetic, always the life of the party. Best friends and artistic partners since the first week of college, where they bonded over their working-class roots and obvious talent, they spent their twenties ensconced in a gritty Brooklyn studio. Working, drinking, laughing.

Turns out, one lesson applies to living through illness, keeping the show on the road, letting go of the person you love most, and eating fire: The trick is there is no trick. You eat fire by eating fire. Two journeys - a daughter’s and a mother’s - bear witness to this lesson in The Electric Woman.

From the Battery to the Bronx, Manhattan is crawling with Vampyres. Joe Pitt is one of them, and he's not happy about it. Yeah, he gets to be tough as nails and hard to kill. But spending his nights trying to score a pint of blood to feed the Vyrus that's eating at him isn't his idea of a good time.

Poke Rafferty was writing offbeat travel guides for the young and terminally bored when Bangkok stole his heart. Now the American expat is assembling a new family with Rose, the former go-go dancer he wants to marry, and Miaow, the tiny, streetwise urchin he wants to adopt. But trouble in the guise of good intentions comes calling just when everything is beginning to work out.

Sixteen-year-old Jack gets drunk and finds himself in the wrong place at the wrong time: he is kidnapped, but escapes, narrowly. The only person he tells is his best friend, Conner. When they arrive in London as planned for their summer break, a stranger hands Jack a pair of glasses. Through the lenses, he sees another world called Marbury. There is war in Marbury, which is a desolate and murderous place where Jack is responsible for the survival of two younger boys.

New York City in 1978 is a dirty, dangerous place to live - and die. Joey Peacock knows this as well as anybody - he has spent the last forty years as an adolescent vampire, perfecting the routine he now enjoys: womanizing in punk clubs and discotheques, feeding by night, and sleeping by day with others of his kind in the macabre labyrinth under the city's sidewalks.

They call it Company Town - a city-size oil rig off the coast of the Canadian Maritimes, now owned by one very wealthy, powerful, byzantine family: Lynch Ltd. Hwa is of the few people in her community (which constitutes the whole rig) to forgo bioengineered enhancements. As such, she's the last truly organic person left on the rig - making her doubly an outsider as well as a neglected daughter and bodyguard extraordinaire.

There are angels, and they are not beneficent or loving. But they do watch over us. They watch our lives unfold, analyzing us for repeating patterns and redundancies. When they find them, the angels simplify those patterns and remove the redundancies, and the problem that is "you" gets solved.

It is an obsession that has haunted Nick Malick for seven years - to avenge the murder of his young son. In his gut Malick knows who did it. But the psychopath is in prison for another crime, scheduled to be released in a year. All Malick has to do is wait...and survive.

Best friends Jack and Conner can’t stay away from Marbury. It’s partly because of their obsession with this alternate world and the unresolved war that still wages there. But it’s also because forces in Marbury - including the darkest of the dark, who were not revealed in The Marbury Lens - are beckoning the boys back in order to save their friends… and themselves.

Recently widowered and grieving, Gavin flees New York City for the quiet of the country. His new home on Lake Caldasac has surprisingly few visitors, and the author soon learns why: a suspiciously high number of people have gone missing in the small town. The deaths have all been ruled accidents, but Finn Horn, a handicapped boy obsessed with fishing, knows the truth. There’s a monster in the lake. And it wants to feed.

Best friends since childhood, Luke and Toby have dreamed of one thing: getting out of their dead-end town. Soon they finally will, riding the tails of Luke's wrestling scholarship, never looking back. If they don't drift apart first. If Toby's abusive dad, or Luke's unreliable mom, or anything else their complicated lives throw at them doesn't get in the way. In a format that alternates between Luke's letters to Toby from death row and the events of their senior year, Bryan Bliss expertly unfolds the circumstances that led to Luke's incarceration.

The $400,000 would take care of the mortgage payments that are starting to back up on Tom and Anna Reed. It would cover the credit-card debt they can't get out from under. It would help them find a way to have the child they desperately want but can't seem to conceive. It is more money than either of them has ever seen in one place. But they have no idea what it's doing in their house.

Hap Collins looks like a good ol’ boy. But even in his misspent youth, his best pal is Leonard Pine, who is Black, gay, and the ultimate outsider. Inseparable friends, Hap and Leonard climb into the boxing ring, visit their families, get in bar fights, and just go fishing - all the while confronting racists, righting wrongs, and eating a whole lot of delicious food.

Boisterous, ribald, and ultimately shattering, Ken Kesey's One Flew Over the Cuckoo's Nest has left an indelible mark on the literature of our time. Turning conventional notions of sanity and insanity on their heads, the novel tells the unforgettable story of a mental ward and its inhabitants, especially tyrannical Big Nurse Ratched and Randle Patrick McMurphy, the brawling, fun-loving new inmate who resolves to oppose her.

The riveting debut work from celebrated newcomer Lish McBride, Hold Me Closer, Necromancer drops a seemingly average boy into the adventure of a lifetime. Sam can’t complain about much, even if his job isn’t the most glamorous one around. But his world gets a whole lot more complicated when he crosses paths with Douglas, a necromancer who gets paid to raise the dead. Douglas thinks Sam might have the right touch for necromancing, and when this turns out to be all too true, Sam faces unimaginable dangers.

There is a secret organization that cultivates teenage spies. The agents are called Love Interests because getting close to people destined for great power means getting valuable secrets. Caden is a Nice: the boy next door, sculpted to physical perfection. Dylan is a Bad: the brooding, dark-souled guy, and dangerously handsome. The girl they are competing for is important to the organization, and each boy will pursue her. Will she choose a Nice or the Bad?