Poetics/Rhetoric
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Narrated by:
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Leighton Pugh
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By:
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Aristotle
About this listen
The Art of Rhetoric, a guide on the principles behind oratorical skill, is a core text on the art of persuasion. Aristotle contends that rhetoric is one of the key elements of philosophy – along with logic and dialectic. The work consists of three books: the first is a general overview, the second concerns the means of persuasion that an orator must deploy, and the third discusses elements of style and arrangement.
This recording also includes The Poetics, the earliest surviving work of dramatic theory, which has exerted a huge influence on Western drama and literature. It demonstrates how plot, character, and spectacle can be combined to produce maximum impact in drama – and tragedy in particular.
Download the accompanying reference guide.Public Domain (P)2021 Naxos AudioBooks UK Ltd.Listeners also enjoyed...
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The four books of the Summa contra Gentiles were written by Thomas Aquinas between 1259-1265, before the considerably larger and more influential, Summa Theologica. The purpose of each work was different. Whereas the Summa Theologica addressed the faithful, especially theology students, the intention of the Summa Contra Gentiles (Systematic Exposition Against Non-Christians) was to speak to a non-aligned and even hostile audience. To that purpose, Aquinas presented arguments ‘refuting specific beliefs or heresies.'
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A Philosophical Enquiry into the Sublime and Beautiful
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Though it is for the sparkling epic, Aeneid, that the Roman poet Virgil is best known, it was these two poems, The Eclogues and Georgics, which first established his reputation.
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Overall
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Performance
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In A Philosophical Enquiry, Edmund Burke sets out to define the nature of beauty and sublimity, and establish an objective criterion for discussing aesthetics. His definition of beauty as rooted in pleasure and sexuality, and the sublime in pain and survival, aligned him with the empiricists John Locke and David Hume, as he replaced the metaphysics of Plato's aesthetics with a psychological and physiological perspective.
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The Prelude
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The Birth of Tragedy Out of the Spirit of Music
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One of Nietzsche’s earliest works, The Birth of Tragedy (1872) is a remarkable source of inspiration. It is here that the philosopher expresses his frustration with the contemporary world and urges man to embrace Dionysian energy once more. He refutes European culture since the time of Socrates, arguing that it is one-sidedly Apollonian and prevents man from living in optimistic harmony with the sufferings of life.
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In 1572, Montaigne - nobleman, humanist, and thoroughly Renaissance man - retired to the seclusion of his estate in the Dordogne and started to write. From his pen poured a stream of "essays" - attempts to capture the observations that came to him on an idiosyncratic range of subjects, from ancient customs, cannibals, and books to thumbs, war-horses, and the wearing of clothes. He made the study of himself the starting point for investigations into how to live, and wrote with a startlingly modern candor about love, grief, friendship, sex, and death.
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Middlemarch
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Dorothea Brooke is an ardent idealist who represses her vivacity and intelligence for the cold, theological pedant Casaubon. One man understands her true nature: the artist Will Ladislaw. But how can love triumph against her sense of duty and Casaubon’s mean spirit? Meanwhile, in the little world of Middlemarch, the broader world is mirrored: the world of politics, social change, and reforms, as well as betrayal, greed, blackmail, ambition, and disappointment.
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Inferno
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The Inferno is the first part of The Divine Comedy, Dante’s epic poem describing man's progress from hell to paradise. In it, the author is lost in dark woods, threatened by wild beasts and unable to find the right path to salvation. Notable for its nine circles of hell, the poem vividly illustrates the poetic justice of punishments faced by earthly sinners. The Inferno is perhaps the most popular of the three books of The Divine Comedy, which is widely considered the preeminent work in Italian literature.
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