The Gay Science (The Joyful Wisdom) is one of Nietzsche's greatest books. His wonderfully fertile mind roams over mankind, his thoughts, his emotions, his behaviour and his weaknesses with remarkable clarity, with insight - but also with humour!In this work are 383 separate paragraphs, some short, some long, but all singular observations - the epitome of his famous aphoristic style. 'Morality is the herd instinct in the individual.'

In On the Genealogy of Morals, subtitled "A Polemic", Nietzsche furthers his pursuit of a clarity that is less tainted by imposed prejudices. He looks at the way attitudes towards 'morality' evolved and the way congenital ideas of morality were heavily colored by the Judaic and Christian traditions.

Friedrich Nietzsche (1844-1900) is one of the towering intellectual figures of the 19th century, a philologist, philosopher and poet of profound complexity and range whose writings in moral philosophy continue to resonate in the present day. The Dawn of Day (Morgenröte), first published in 1881, marked a clear shift in his thinking and prefigures many of the ideas that would be further developed in his later writings. The clue is in the title, sometimes translated as Dawn or Morning, which suggests the beginning of a different awareness.

The last works completed before Nietzsche's final years of insanity, Twilight of the Idols and The Antichrist contain some of his most passionate and polemical writing. Both display his profound understanding of human nature and continue themes developed in The Genealogy of Morals, as the philosopher lashes out at the deceptiveness of modern culture and morality. Twilight of the Idols attacks European society, Christianity, and the works of Socrates and Plato; The Antichrist explores the history, psychology, and moral precepts of Christianity.

It was with Human, All Too Human, first published in 1878, that Nietzsche developed the aphoristic style that so suited his challenging views and uncompromising style. The text is divided into three main sections: 'Of the First and Last Things', 'History of the Moral Feelings' and 'The Religious Life'.

Continuing where Thus Spoke Zarathustra left off, Nietzsche's controversial work Beyond Good and Evil is one of the most influential philosophical texts of the 19th century and one of the most controversial works of ideology ever written. Attacking the notion of morality as nothing more than institutionalised weakness, Nietzsche criticises past philosophers for their unquestioning acceptance of moral precepts. Nietzsche tried to formulate what he called "the philosophy of the future".

Though Twilight of the Idols (written in a week in 1888 and subtitled How to Philosophise with a Hammer) came near the end of Nietzsche’s creative life, he actually recommended it as a starting point for the study of his work. This was because from the beginning he viewed it as an introduction to his wide-ranging views.

Composed in four parts between 1883 and 1885, Thus Spoke Zarathustra is the most famous and influential work of German philosopher Friedrich Nietzsche. The work is a philosophical novel in which the character of Zarathustra, a religious prophet-like figure, delivers a series of lessons and sermons in a Biblical style that articulate the central ideas of Nietzsche's mature thought.

Nietzsche never recovered from his mental breakdown in 1889 and therefore was unable to further any plans he had for the ‘magnum opus’ he had once intended, bringing together in a coherent whole his mature philosophy. It was left to his close friend Heinrich Köselitz and his sister Elizabeth Förster-Nietzsche to go through the remaining notebooks and unpublished writings, choosing sections of particular interest to produce The Will to Power, giving it the subtitle An Attempted Transvaluation of All Values.

Untimely Considerations contain four essays: 'David Strauss - Writer and Confessor'; 'On the Use and Abuse of History for Life'; 'Schopenhauer as Educator'; and 'Richard Wagner at Bayreuth'. The essays date from the early part of Nietzsche’s life when his Romantic view on life and art was coloured by the powerful writings and personalities of such figures as Schopenhauer and Wagner - as the titles of two of the essays proclaim. Published between 1873 and 1876, they were presented under the umbrella title 'Unzeitgemässe Betrachtungen'.

Beyond Good and Evil confirmed Nietzsche's position as the towering European philosopher of his age. The work dramatically rejects traditional Western thought with its notions of truth and God, good and evil. Nietzsche seeks to demonstrate that the Christian world is steeped in a false piety and infected with a 'slave morality'. With wit and energy, he turns from this critique to a philosophy that celebrates the present and demands that the individual impose their own 'will to power' upon the world.

The Antichrist and Ecce Homo were two of the last works written by Friedrich Nietzsche just before his mental collapse in 1889. Though both written in 1888, they are very different in content and style. In The Antichrist, Nietzsche expands on his view that the submissive nature of Christianity undermined Western society, depressing and sapping energy.

Written over 100 years ago, The Antichrist by the German philosopher Friedrich Nietzsche is a thought-provoking piece of literature in which Nietzsche urges the listener to be honest and critical in regards to previously accepted thoughts of modern Christianity. He suggests that the current basis for what is right and wrong, happiness and sadness, and other essential concepts is completely backward. Instead, every end result can be measured based on what Nietzsche calls the "will to power".

Schopenhauer was just 30 when his magnum opus, Die Welt als Wille und Vorstellung, a work of considerable learning and innovation of thought, first appeared in 1818.

Much to his chagrin and puzzlement (so convinced was he of its merits), it didn't have an immediate effect on European philosophy, views and culture. It was only decades later that it was recognised as one of the major intellectual landmarks of the 19th century.

What is life? What is my place in it? What choices do these questions obligate me to make? More than a half-century after it burst upon the intellectual scene - with roots that extend to the mid-19th century - Existentialism's quest to answer these most fundamental questions of individual responsibility, morality, and personal freedom, life has continued to exert a profound attraction.

The Gay Science (The Joyful Wisdom) is one of Nietzsche's greatest books. His wonderfully fertile mind roams over mankind, his thoughts, his emotions, his behaviour and his weaknesses with remarkable clarity, with insight - but also with humour!In this work are 383 separate paragraphs, some short, some long, but all singular observations - the epitome of his famous aphoristic style. 'Morality is the herd instinct in the individual.'

Harold Bloom explores our Western literary tradition by concentrating on the works of twenty-six authors central to the Canon. He argues against ideology in literary criticism; he laments the loss of intellectual and aesthetic standards; he deplores multiculturalism, Marxism, feminism, neoconservatism, Afrocentrism, and the New Historicism. Insisting instead upon "the autonomy of aesthetic," Bloom places Shakespeare at the center of the Western Canon.....

Considered by many to be Hannah Arendt's greatest work, published as she neared the end of her life, The Life of the Mind investigates thought itself, as it exists in contemplative life. In a shift from her previous writings, most of which focus on the world outside the mind, this work was planned as three volumes that would explore the activities of the mind considered by Arendt to be fundamental. What emerged is a rich, challenging analysis of human mental activity, considered in terms of thinking, willing, and judging.

Durant lucidly describes the philosophical systems of such world-famous “monarchs of the mind” as Plato, Aristotle, Francis Bacon, Spinoza, Kant, Voltaire, and Nietzsche. Along with their ideas, he offers their flesh-and-blood biographies, placing their thoughts within their own time and place and elucidating their influence on our modern intellectual heritage. This book is packed with wisdom and wit.

The Varieties of Religious Experience is considered to be the classic work in the field. To quote Wikipedia, "James was most interested in understanding personal religious experience. The importance of James to the psychology of religion - and to psychology more generally - is difficult to overstate. He discussed many essential issues that remain of vital concern today. What makes James writing so special is that he could take a very complex subject and, without watering it down, make it understandable to 'the rest of us.'"

Widely recognized as the finest definition of existentialist philosophy ever written, this book introduced existentialism to America in 1958. Irrational Man begins by discussing the roots of existentialism in the art and thinking of Augustine, Aquinas, Pascal, Baudelaire, Blake, Dostoevski, Tolstoy, Hemingway, Picasso, Joyce, and Beckett. The heart of the book explains the views of the foremost existentialists - Kierkegaard, Nietzsche, Heidegger, and Sartre. The result is a marvelously lucid definition of existentialism and a brilliant interpretation of its impact.

The Discarded Image paints a lucid picture of the medieval worldview, providing the historical and cultural background to the literature of the middle ages and renaissance. It describes the 'image' discarded by later years as "the medieval synthesis itself, the whole organization of their theology, science, and history into a single, complex, harmonious mental model of the universe". This, Lewis' last book, has been hailed as "the final memorial to the work of a great scholar and teacher and a wise and noble mind".

What if imagination and art are not, as many of us might think, the frosting on life but the fountainhead of human experience? What if our logic and science derive from art forms rather than the other way around? In this trenchant volume, Rollo May helps all of us find those creative impulses that, once liberated, offer new possibilities for achievement. A renowned therapist and inspiring guide, Dr. May draws on his experience to show how we can break out of old patterns in our lives.

Phaedrus lures Socrates outside the walls of Athens, where he seldom goes, by promising to share a new work by his friend and mentor, Lysias, a famous writer of speeches. This dialogue provides a powerful example of the dialectical writing that Plato uses to manifest ideas that are essential to human existence and to living a good life. Phaedrus shows how oral and written forms of language relate to each other and to philosophy.

Kundera brilliantly examines the work of such important and diverse figures as Rabelais, Cervantes, Sterne, Diderot, Flaubert, Tolstoy, and Musil. He is especially penetrating on Hermann Broch, and his exploration of the world of Kafka's novels vividly reveals the comic terror of Kafka's bureaucratized universe. Kundera's discussion of his own work includes his views on the role of historical events in fiction, the meaning of action, and the creation of character in the postpsychological novel.

Published to great acclaim in 1873, Walter Pater’s compendium of idiosyncratic, impressionistic essays on the Renaissance gained him a reputation as a daring modern philosopher. Oscar Wilde called it the “holy writ of beauty.” It was Pater’s cry of “art for art’s sake” that became the manifesto for the aesthetic movement. He believed that art should be sensual and that beauty should rank as the highest ideal. Marked by elegant fluency, Pater’s essays discuss Botticelli, Michelangelo, Leonardo da Vinci, and other artists who, for him, embodied the spirit of the Renaissance.

Ranier Maria Rilke challenges you, "...to live everything. Live the questions now. Perhaps then, someday far in the future, you will gradually, without even noticing it, live your way into the answers." Rilke's ability to combine the sensual and the spiritual into an inspired vision of the art of living is brought to vivid life in his letters. Through his eyes, the everyday difficulties of love, sex, solitude, sadness, and doubt are seen as the archetypal elements of the drama called life.

A performance of the tragi-comedy by the Royal Shakespeare Company. When a young woman is offered the choice of saving a man's life at the price of her own chastity, what should she do? The political and moral corruption of Vienna has driven Duke Vincentio into hiding while his deputy governor, Angelo, is left to revive the old discipline of civic authority. Angelo's first act is to imprison Claudio, a young nobleman who has gotten his betrothed, Juliet, with child.

The spirit of our times can appear to be one of joyless urgency. As a culture we have become less interested in the exploration of the glorious mind, and more interested in creating and mastering technologies that will yield material well-being. But while cultural pessimism is always fashionable, there is still much to give us hope.

Based on a thorough study of Greek life and civilization, of Greek literature, philosophy, and art, The Greek Way interprets their meaning and brings a realization of the refuge and strength the past can be to us in the troubled present. Miss Hamilton's book must take its place with the few interpretative volumes which are permanently rooted and profoundly alive in our literature.

A compelling argument for the necessity for art in life, Nietzsche's first book is fuelled by his enthusiasms for Greek tragedy, for the philosophy of Schopenhauer and for the music of Wagner, to whom this work was dedicated. Nietzsche outlined a distinction between its two central forces: the Apolline, representing beauty and order, and the Dionysiac, a primal or ecstatic reaction to the sublime. He believed the combination of these states produced the highest forms of music and tragic drama, which not only reveal the truth about suffering in life, but also provide a consolation for it.

It was with Human, All Too Human, first published in 1878, that Nietzsche developed the aphoristic style that so suited his challenging views and uncompromising style. The text is divided into three main sections: 'Of the First and Last Things', 'History of the Moral Feelings' and 'The Religious Life'.

In On the Genealogy of Morals, subtitled "A Polemic", Nietzsche furthers his pursuit of a clarity that is less tainted by imposed prejudices. He looks at the way attitudes towards 'morality' evolved and the way congenital ideas of morality were heavily colored by the Judaic and Christian traditions.

In this, his first book, Nietzsche developed a way of thinking about the arts that unites the Greek gods Apollo and Dionysus as the central symbol of human existence. Although tragedy serves as the focus of this work, music, visual art, dance, and the other arts can also be viewed using Nietzsche's analysis and integration of the Apollonian and the Dionysian. The Birth of Tragedy stands alongside Aristotle's Poetics as an essential work for all who seek to understand poetry and its relationship to human life.

Though Twilight of the Idols (written in a week in 1888 and subtitled How to Philosophise with a Hammer) came near the end of Nietzsche’s creative life, he actually recommended it as a starting point for the study of his work. This was because from the beginning he viewed it as an introduction to his wide-ranging views.

Untimely Considerations contain four essays: 'David Strauss - Writer and Confessor'; 'On the Use and Abuse of History for Life'; 'Schopenhauer as Educator'; and 'Richard Wagner at Bayreuth'. The essays date from the early part of Nietzsche’s life when his Romantic view on life and art was coloured by the powerful writings and personalities of such figures as Schopenhauer and Wagner - as the titles of two of the essays proclaim. Published between 1873 and 1876, they were presented under the umbrella title 'Unzeitgemässe Betrachtungen'.

The Gay Science (The Joyful Wisdom) is one of Nietzsche's greatest books. His wonderfully fertile mind roams over mankind, his thoughts, his emotions, his behaviour and his weaknesses with remarkable clarity, with insight - but also with humour!In this work are 383 separate paragraphs, some short, some long, but all singular observations - the epitome of his famous aphoristic style. 'Morality is the herd instinct in the individual.'

Friedrich Nietzsche (1844-1900) is one of the towering intellectual figures of the 19th century, a philologist, philosopher and poet of profound complexity and range whose writings in moral philosophy continue to resonate in the present day. The Dawn of Day (Morgenröte), first published in 1881, marked a clear shift in his thinking and prefigures many of the ideas that would be further developed in his later writings. The clue is in the title, sometimes translated as Dawn or Morning, which suggests the beginning of a different awareness.

Nietzsche never recovered from his mental breakdown in 1889 and therefore was unable to further any plans he had for the ‘magnum opus’ he had once intended, bringing together in a coherent whole his mature philosophy. It was left to his close friend Heinrich Köselitz and his sister Elizabeth Förster-Nietzsche to go through the remaining notebooks and unpublished writings, choosing sections of particular interest to produce The Will to Power, giving it the subtitle An Attempted Transvaluation of All Values.

"The Birth of Tragedy" stands alongside Aristotle’s "Poetics" as essential works for all who seek to understand poetry and its relationship to human life. In this, his first book, Nietzsche developed a way of thinking about the arts that unites the Greek gods Apollo and Dionysus as the central symbol of human existence. Although tragedy serves as the focus of this work, music, visual art, dance, and the other arts can also be viewed using Nietzsche’s analysis and integration of the Apollonian and the Dionysian.