Seventy-three of the 150 psalms are traditionally ascribed to David. As we read the "Davidic Psalms," we see deeply into David's heart as he struggles with God, with others and with himself. These psalms are deeply moving and often, brutally honest.

Seventy-three of the 150 psalms are traditionally ascribed to David. As we read the "Davidic Psalms," we see deeply into David's heart as he struggles with God, with others and with himself. These psalms are deeply moving and often, brutally honest.

In Genesis the curtain rises on our story. Genesis introduces most of the major themes in the Bible. Listen closely as Logos Bible Study’s Dr. Bill Creasy takes you through the story of creation, the fall of man, grace, atonement, faith, justification, redemption and much more in this extraordinary story of beginnings.

In this lesson we turn to future events, what the prophets refer to as “the great and dreadful day of the Lord.” Here we witness the cataclysmic events that the prophets foretell and that Peter foresees in 2 Peter 3: 10—“But the day of the Lord will come like a thief. The heavens will disappear with a roar; the elements will be destroyed by fire, and the earth and everything in it will be laid bare.”

In Revelation 1: 19 the risen and glorified Christ tells John to: “Write, therefore, what you have seen, what is now and what will take place later.” That is the basic architectural structure of Revelation: 1) what you have seen (past tense, “what was”: chapter 1); 2) what is now (present tense, “what is at the time John is writing”: chapters 2 & 3); and 3) what will take place later (future tense, “what will be”: chapters 4-22).

Seventy-three of the 150 psalms are traditionally ascribed to David. As we read the "Davidic Psalms," we see deeply into David's heart as he struggles with God, with others and with himself. These psalms are deeply moving and often, brutally honest.

Seventy-three of the 150 psalms are traditionally ascribed to David. As we read the "Davidic Psalms," we see deeply into David's heart as he struggles with God, with others and with himself. These psalms are deeply moving and often, brutally honest.

From a literary perspective, Isaiah may be divided into three parts: 1) Part 1 (chapters 1-35) is written in dramatic form, and its theme is judgment; 2) Part 2 (chapters 36-39) is written in narrative form, and it serves as an historical interlude; and Part 3 (chapters 40-66) is written in poetic form and its theme is grace. In Part 1, we encounter a courtroom scene in which God sits as judge—with Israel in the defendant’s seat—as witnesses come forth and accuse Israel of sin and unfaithfulness: The verdict, guilty; the punishment, exile.

If Isaiah is the Thundering Prophet, Jeremiah is the Weeping Prophet. Called to be a prophet in the thirteenth year of King Josiah (626 B.C.), Jeremiah serves through the Babylonian conquest of Jerusalem (586 B.C.). Jeremiah is one of the few prophets who is both a priest and a prophet, an unenviable—and untenable—position, much like a lawyer representing both parties in a particularly nasty divorce! Jeremiah did not want to be a prophet; he tries to quit on several occasions; and he regularly weeps over the message God has given him.

Although not the first of Paul’s epistles, his Epistle to the Church in Rome (or simply, Romans) takes the place of first importance. Written from Ephesus in A.D. 57, Paul crafts a formal argument in Romans, employing the structure of a “scholastic diatribe,” stating and defending his theses that we are “saved by grace through faith.” Romans is a brilliant work, and it is foundational for understanding the all that Paul has written.