A new mystery featuring Enrico Caruso as an amateur detective during the tense premiere of The Girl of the Golden West, at the Metropolitan Opera, in 1910.

Vanessa has been rushed to hospital, having been found unconscious at the foot of the stairs. Was it an accident or something else? Now, smiling weakly, suffering from a head injury that has left her with complete amnesia about the fall, the events leading up to it, and even the people closest to her, here she is, back in their midst. Or is she? In fact, the real Vanessa is still in a coma. Her devoted twin brother Vance, superbly disguised as a woman, has taken her place! Vance joins the self-absorbed retinue, determined to discover whether one of them had tried to kill his sister.

It is 1864 when Lizzie Martin takes up the post of companion to a wealthy widow who is also a slum landlord. Lizzie is intrigued to learn that her predecessor disappeared, supposedly having run off with an unknown man. But when the girl's body is found in the rubble of one of the recently demolished slums around the prestigious new railway station at St Pancras, Lizzie begins to wonder exactly what has been going on.

At this stately home, now open for public tours, visitors revel in the lush atmosphere created by its three hundred rooms, its exceptional display of fine china, its chilling dungeon with historic suits of armor on display, evoking the spirits of knights from a forgotten age. Young Michael's sister, a visitor to the mansion with their mum, presses her for an explanation of "what's a chastity belt?" while Michael fools around with one of the suits of armor....

Albert Campion, an eccentric but intelligent and resourceful man, becomes involved in a mysterious crime in Black Dudley, an isolated country estate owned by the wealthy and secretive Dudley family. A grand gathering is taking place at the house, but not all will leave.

He was a gossip columnist’s dream. Piccadilly Jim’s life was a collage of broken promises and drunken brawls. And his straight-laced Victorian aunt was not amused. So, she decided to reform him. Unfortunately, her reform project started at a time when Jim had fallen in love and had already decided to reform himself. Thus, life became complicated. Jim pretends to be himself - a beautiful display of Wodehousean logic; hilarious indeed!

At the end of her first unsuccessful season out in society, Lady Georgiana has all but given up on attracting a suitable man - until she receives an invitation to a masked Halloween ball at Broxley Manor. Georgie is uncertain why she was invited, until she learns that the royal family intends to marry her off to a foreign prince, one reputed to be mad.

In a backstreet club, people dance the night away to their favourite band. But behind the scenes there is trouble afoot. An argument is brewing between bandmembers, two possessive girlfriends have plans for their partners the club manager is creaming off profits—and a tragic accident leaves the lead singer dead. But was it an accident at all? Coroner Clement Ryder is suspicious, and WPC Trudy Loveday knows there’s only one thing for it. She’s going undercover, deep into the seedy underbelly of Oxford nightlife.

Amabel Grey, a widow with a modest income, needs money. Fast. Her spoiled daughter Daphne has an opportunity to go with friends on holiday, and she's convinced it will end with a lucrative marriage proposal. But where to find 200 pounds? She overhears a client requesting the lawyer find someone to live in his Dower House for six months. The stipend is 200 pounds! And she knows the house, having visited 20 years before. The catch? Previous tenants have been driven away by strange happenings, and the village is convinced the place is haunted. The owner wants the rumors to stop.

Helmut Schauffler, a young Nazi working in the small English village of Comerford, sets out to play upon the post-war sensibilities and fears by terrorizing his new neighbors.

Like many old New England families, the Kellings live to die. Although their family vault is spacious and comfortable, it will not do for Sarah Kelling's great-uncle Frederick. In his will, he demands to be buried inside the ancient family tomb at Boston Common, which hasn't admitted a new member in more than a century. But when the Kellings crack the old vault's door, they find a recently built brick wall - and behind it lays a surprisingly fresh corpse, a skeleton with rubies in its teeth.

Once, the Lamartine Hotel was a quiet refuge for New York’s stuffy fashionable set. But by the 1890s, fashion has moved uptown, and the lobby of the Lamartine has been overtaken by natty young sports, who pass their afternoons with billiards or shows of noisy derring-do. Their preferred damsel is Lila Williams, a delicate young telegraph operator whose shyness so charms them that they resolve to defend her against any ill-behaved characters. They are about to face their fiercest challenger, who rides in the gleaming armor of a millionaire.

It's a rainy, uneventful evening in the Oddfellows' Arms until a man bursts into the pub, clearly unstable, and ranting about a body in Fennings' Mill. The police investigate and stumble upon a body-the face smeared with theatrical make-up and a false mustache pasted neatly over the lip. Once the national news descends, Inspector Faddiman calls in Inspector Littlejohn to help him uncover the dark, hidden secrets in this quiet, provincial town. Soon it becomes clear that a lot of people can't, and won't tell the truth.

Gloria Guild is the singing "glory" of the thirties and the millionairess wife of Count Carlos Armando, renowned only for his succession of wealthy wives. When she is murdered, her husband is the obvious suspect, but he has a perfect alibi. So who could he have got to do it for him? The only clue is the word "face," penned in her dying scrawl. But whose face? And why? Ellery Queen pursues the glory riddle from the Bowery to a way-out wedding - and a surprise climax that will jolt you into cold shock. Anyone whonails this killer before Queen is either a genius or a cheat.

Published together for the first time are three of Ayn Rand's compelling stage plays. The courtroom drama Night of January 16th, a 1935 Broadway success famous for leaving the verdict to the audience, is presented here in its definitive, final revised text - a superb dramatization of Rand's vision of human strengths and weaknesses.