Irene Huss is a former Ju-Jitsu champion, a mother of twin teenage girls, the wife of a successful chef, and a Detective Inspector with the Violent Crimes Unit in Goteborg, Sweden. And now she’s back with a gripping follow-up to Detective Inspector Huss. One nurse lies dead and another vanishes after their hospital is hit by a blackout. The only witness claims to have seen Nurse Tekla doing her rounds, but Nurse Tekla died sixty years ago.

Maud is an irascible 88-year-old Swedish woman with no family, no friends, and...no qualms about a little murder. Ever since her darling father's untimely death when she was only 18, Maud has lived in the family's spacious apartment in downtown Gothenburg rent-free, thanks to a minor clause in a hastily negotiated contract. That was how Maud learned that good things can come from tragedy. Now in her late 80s, Maud contents herself with traveling the world and surfing the net from the comfort of her father's ancient armchair. It's a solitary existence, and she likes it that way.

Homicide is always an abomination, but there is something exceptionally disturbing about the victim discovered in a high, lonely place: a corpse with a mouth full of sand, abandoned at a crime scene seemingly devoid of tracks or useful clues. Though it goes against his better judgment, Navajo tribal police lieutenant Joe Leaphorn cannot help but suspect the hand of a supernatural killer.

Joe Pickett is the new game warden in Twelve Sleep, Wyoming, a town where nearly everyone hunts and the game warden—especially one like Joe who won't take bribes or look the other way—is far from popular. When he finds a local hunting outfitter dead, splayed out on the woodpile behind his state-owned home, he takes it personally. There had to be a reason that the outfitter, with whom he's had run-ins before, chose his backyard, his woodpile to die in.

When a young woman is found brutally murdered in her own apartment with an intricate pattern of lines carved into her face, Copenhagen police detectives Jeppe Korner and Anette Werner are assigned to the case. Soon, they establish a link between the victim, Julie Stender, and her landlady, Esther de Laurenti, who’s a bit too fond of drink and the host of raucous dinner parties with her artist friends. Esther also turns out to be a budding novelist - and when Julie turns up as a murder victim in the unfinished mystery she’s writing, the link between fiction and real life grows.