Quarry doesn't kill just anybody these days. He restricts himself to targeting other hitmen, availing his marked-for-death clients of two services: eliminating the killers sent after them, and finding out who hired them…and then removing that problem, as well. So far he's rid of the world of nobody who would be missed. But this time he finds himself zeroing in on the grieving family of a missing cheerleader. Does the hitman's hitman have the wrong quarry in his sights?

The mob couldn’t kill him, the cops couldn’t catch him, and even time wouldn’t slow him down. His name’s Nolan...a shrewd, restless tough guy with a talent for theft. With a lifetime of heists under his belt and a bullet in his side, he’s ready to retire. And the Mafia’s eager to help him along...permanently. They think he’s got a debt to pay - with his life. But at all these years, they might be willing to settle for 100 grand instead. Nolan’s got to pull a bank job to try to save his ass.

The concluding Hammer novel begins with a 21st-century funeral before flashing back to summer, 1973. Nine years after the events of Dig Two Graves, Hammer takes another unlikely vacation—this time on Long Island to help look after his partner Velda Sterling’s seventeen-year-old sibling, Mikki. When Mikki gets hooked on heroin, Hammer—filled with contempt for dope dealers—goes on a rampage. He will find those behind the drug racket and teach them what shooting up is all about.

Dashiell Hammett's Best Stories of the Continental Op is a gripping collection of classic hard-boiled detective fiction, featuring the iconic Continental Op. These tales, including Who Killed Bob Teal?, Crooked Souls, Bodies Piled Up, It, and others, showcase Hammett's mastery of sharp dialogue, intricate plotting, and atmospheric storytelling. Set in a gritty world of crime and deception, the stories follow the unflinching, unnamed detective as he unravels mysteries and confronts dangerous adversaries.

This explosive novel of the drug trade takes you deep inside a world riddled with corruption, betrayal, and bloody revenge. From the streets of New York City to Mexico City and Tijuana to the jungles of Central America, this is the war on drugs like you've never seen it.

It's the summer of '74 . . . Richard Nixon has resigned from office, CB radios are the hot new thing, and in the great state of Texas two cousins hatch a plan to drive $1 million worth of stolen weed to Idaho, where some lunatic is gearing up to jump Snake River Canyon on a rocket-powered motorcycle. But with a vengeful sheriff on their tail and the revered and feared marijuana kingpin of Central Texas out to get his stash back, Chuck and Dean are in for the ride of their lives—if they can make it out alive . . .

In this incredible follow-up to the New York Times and USA Today best seller FaceOff, 22 of the world's most popular thriller writers come together for an unforgettable anthology. MatchUp takes the never-before-seen best seller pairings of FaceOff and adds a delicious new twist: gender. Eleven of the world's best female thriller writers, from Diana Gabaldon to Charlaine Harris, are paired with 11 of the world's best male thriller writers.

Budding mystery writer Mallory was just trying to impress a politically correct girlfriend by delivering hot meals to little old ladies. The last thing he expected was to find his elderly charges such fascinating company, and when one sweet old gal meets an unexpectedly grisly fate, Mal sets out to find and stop the burglars who this time stole a life. The last thing the local sheriff needs, however, is a meddling civilian.

For former Marine sniper Dox, a long-range hit in Cambodia was supposed to be just business as usual. But when you find yourself mixed up with rogue intelligence operations, gorgeous bar girls, and the world's worst human-trafficking heart of darkness, business is anything but usual. And making it personal is the most dangerous business of all.

Keller is a regular guy. He goes to the movies, works on his stamp collection. Call him for jury duty and he serves without complaint. Then every so often he gets a phone call from White Plains that sends him flying off somewhere to kill a perfect stranger. Keller is a pro and very good at what he does. But the jobs have started to go wrong. The realization is slow coming, yet when it arrives, it is irrefutable: Someone out there is trying to hit the hit man. Keller, God help him, has found his way onto somebody else's hit list.