Red Cat
A John March Novel
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Narrated by:
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Elliott Gould
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By:
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Peter Spiegelman
About this listen
With a troubled past and a job that attracts too much attention from the law, private investigator John March has always been the black sheep of his merchant banking family—which makes the identity of his latest client all the more surprising: his smug older brother.
David March has been having affairs with anonymous women he meets on the internet, and now one of these women is stalking him. David knows her only as Wren. She, however, knows everything about David—and she's threatening to tell his wife and colleagues, ruining his life.
But after Wren turns up dead, John finds he's no longer searching for a stalker—now he's looking for a murderer, and the clues keep leading him back to his older brother's doorstep.
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Main character too immature and unbelievable
- By lindy parke on 05-12-21
By: S. J. Rozan
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Cash City
- By: Jonathan Fredrick
- Narrated by: Ari Fliakos
- Length: 9 hrs and 48 mins
- Unabridged
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It is an obsession that has haunted Nick Malick for seven years - to avenge the murder of his young son. In his gut Malick knows who did it. But the psychopath is in prison for another crime, scheduled to be released in a year. All Malick has to do is wait...and survive.
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Great New Series
- By Lia on 08-21-17
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Cold City
- Repairman Jack: Early Years Trilogy, Book 1
- By: F. Paul Wilson
- Narrated by: Alexander Cendese
- Length: 11 hrs and 16 mins
- Unabridged
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If you've never read a Repairman Jack novel, this is the place to begin. It's 1990. A twenty-one-year-old named Jack has dropped out of college, leaving his old life behind to build a new one in New York City. Manhattan's rough edges are jagged enough to shred any unwary newcomer, but perhaps not one who is determined to stay off the grid, at any cost, in the busiest metropolis on earth. And to do so, he'll have to take jobs of a less than legal nature.
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Fun, as long you don't think too much
- By Andrew Pollack on 01-17-14
By: F. Paul Wilson
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A Dangerous Road
- Smokey Dalton, Book 1
- By: Kris Nelscott
- Narrated by: Mirron Willis
- Length: 11 hrs and 7 mins
- Unabridged
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Private Investigator Smokey Dalton works for Memphis, Tennessee’s black community. He has almost no interaction with the white hierarchy, even though they exist only blocks away. So he’s surprised the day a white woman walks into his Beale Street office. Laura Hathaway has sought him out because he’s a beneficiary in her mother’s will, and Laura wants to know why. So does Smokey. He’s never heard of the Hathaways, but his search will take him on a journey that will change everything he’s ever known.
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Interesting Slice of US History...but Ponderous
- By Rancher on 12-18-13
By: Kris Nelscott
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The Lost Ones
- A Novel
- By: Sheena Kamal
- Narrated by: Bahni Turpin
- Length: 10 hrs and 20 mins
- Unabridged
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It begins with a phone call that Nora Watts has dreaded for 15 years - since the day she gave her newborn daughter up for adoption. Bonnie has vanished. The police consider her a chronic runaway and aren't looking, leaving her desperate adoptive parents to reach out to her birth mother as a last hope. A biracial product of the foster system, transient, homeless, scarred by a past filled with pain and violence, Nora knows intimately what happens to vulnerable girls on the streets.
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Would make a great movie!
- By Shay on 08-27-17
By: Sheena Kamal
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The Ritual Bath
- The First Peter Decker and Rina Lazarus Novel
- By: Faye Kellerman
- Narrated by: Mitchell Greenberg
- Length: 8 hrs and 9 mins
- Unabridged
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Detective Peter Decker of the LAPD is stunned when he gets the report. Someone has shattered the sanctuary of a remote yeshiva community in the California hills with an unimaginable crime. One of the women was brutally raped as she returned from the mikvah, the bathhouse where the cleansing ritual is performed.
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Good Read
- By Eva Gannon on 08-21-08
By: Faye Kellerman
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Nowhere to Run
- Rafferty Family Series, Book 1
- By: Nancy Bush
- Narrated by: Kate Udall
- Length: 12 hrs and 1 min
- Unabridged
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When Liv Dugan ducks out of work for lunch, it's just an ordinary day. When she returns, she stumbles onto a massacre. All her colleagues at Zuma Software have been shot. Only luck has left Liv unscathed, and that might be running out....
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Complex storyline
- By Cathy Wade on 09-28-24
By: Nancy Bush
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Heat Wave
- By: Richard Castle
- Narrated by: Johnny Heller
- Length: 6 hrs and 22 mins
- Unabridged
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The title character from ABC's hit television series Castle kicks off his new series of books featuring tough and sexy New York police detective Nikki Heat with a bang.
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Good book terrible narrator
- By Patti on 12-29-09
By: Richard Castle
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Since We Fell
- A Novel
- By: Dennis Lehane
- Narrated by: Julia Whelan
- Length: 12 hrs and 1 min
- Unabridged
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Since We Fell follows Rachel Childs, a former journalist who, after an on-air mental breakdown, now lives as a virtual shut-in. In all other respects, however, she enjoys an ideal life with an ideal husband. Until a chance encounter on a rainy afternoon causes that ideal life to fray. As does Rachel's marriage. As does Rachel herself. Sucked into a conspiracy thick with deception, violence, and possibly madness, Rachel must find the strength within herself to conquer unimaginable fears and mind-altering truths.
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Wait ....
- By Ann on 05-17-17
By: Dennis Lehane
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Creep
- By: Jennifer Hillier
- Narrated by: Talmadge Ragan
- Length: 11 hrs and 4 mins
- Unabridged
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Dr. Sheila Tao is a professor of psychology, an expert in human behavior with her own hidden past. But she's not the only one keeping secrets. When Sheila began an affair with her sexy graduate assistant Ethan Wolfe, she knew she was playing with fire. Consumed by lust when they were together, she was riddled with guilt when they were apart. Now she's finally engaged to a good man, and it's time to end the dangerous liaison. But Ethan has something different in mind. He intends to make her pay for rejecting him.
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The narrator makes all the difference. Unfortunately, this one needed a different narrator!
- By Critter Mama on 07-04-14
By: Jennifer Hillier
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Casanegra
- A Tennyson Hardwick Story
- By: Blair Underwood, Tananarive Due, Steven Barnes
- Narrated by: Richard Allen
- Length: 13 hrs and 32 mins
- Unabridged
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In this hot and steamy mystery, Tennyson is an actor struggling to hang on to his career and redeem his sex-for-pay history, which estranged him from his family, especially his father, a decorated LAPD captain who raised Tennyson to call him "Sir". Now, in the wake of his father's sudden stroke, Tennyson has to save himself from taking the fall for a murder. In the process, he discovers his hidden talents - the hard way.
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What's The Beef?
- By James Gordon on 11-24-07
By: Blair Underwood, and others
What listeners say about Red Cat
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Ted
- 09-17-11
Brilliant story • 4.5 Stars • Major talent but...
Peter Spiegelman took my breath away. He as insightful re. this moment's human nature as the American classic writers of the 30s and 40s. He may be even better in the sense that he creates insights so believable that you are forced to rethink the nature of human relationships. Yeah, it is a dark and ADULT novel. Yes there is sex, but... but... it is essential to this psycho/social/cultural exploration. Oh... and he writes with the craft of a great surgeon. However art without wonder is merely craft... And The Red Cat leaves you with wonderings that nag.
So... I can understand why the publishers felt that this novel was sufficiently important to snag a celebrity reader. Eliot Gould may be past his greatness. Or he may have phoned in at least some of his reading. But what's inescapably true is that the production people failed both Gould and Spiegelman by leaving a debris of seemingly random and maddening pauses behind. However, the story and Gould's adequate presentation of it overcome and this is a mystery which does not fall apart at its end. The characters will haunt you because they are complex and naggingly familiar.
Red Cat is worth the money, the time, and the feelings it provokes. Four and a half stars!!!
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4 people found this helpful
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Overall
- Dave Staats
- 03-20-07
I agree with good book/bad reader
I usually just rate books on the library page but I thought this one deserved a written review in case the author might see it. I love the book as I do many series characters...with Spenser being the very high standard...but Elliott Gould just butchered this book. Huge number of acCENTS on the wrong SyllAHble etc. Still gets 3 stars for the story. AND the production values were horrible. Huge distraction to have the 'tape recorder' go on and off mid-paragraph. Barely worth it as is...but if you ,like I still do, read some books on paper I'd put this one in that queue.
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6 people found this helpful
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Overall
- Rusty
- 02-28-07
good book bad narrator
I don't know what to think of this audio book, I mean I like the author and I think the John March series are pretty good; and the book is not bad but the narrator made it really hard to listen to. His voice is too old and too monotone, nasal and basically boring. To me half the fun of listening to a book is the narrator injecting life into the story and characters and after Scott Brick (which I think is one of the best narrator out there) reading the first book of the series, this narrator didn't cut it for me.
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6 people found this helpful
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Overall
- Mark
- 12-12-10
In spite of the other reviewers....
I very much enjoyed Gould's reading of this artsy noir detective story--instead of trying inject emotion or attitude, Gould wisely lets the words do the work and the story builds on its own worth, which is considerable. If you're a big fan of Scott Brick, you'll disagree. Nothing more obnoxious than the unsubtle sound of an actor acting. Gould plays it close to the chest, which, for a novel in the tradition of Chandler and Hammett, is exactly what you must do.
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Overall
- dg
- 12-08-07
Red Cat
I have to agree with the previous listeners--Elliot Gould and the producer butchered this book. There were too many long pauses and mispronounced words. The reading was stilted and unimaginative. Too bad because I really like Peter Spiegelman's books.
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5 people found this helpful
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Overall
- C. Carlson
- 03-21-07
Good book, bad reader
I have listened to hundreds of audiobooks, and am dismayed to say that Elliott Gould, an actor of bigger reputation than most of the audiobook readers I have become such a fan of, is an awful, monotonous, word-mispronouncing reader! The production on this book is terrible, also, with big silent gaps between, apparently, recording sessions. This is especially frustrating because the Peter Spiegelman book is really good. Was this a rush job or what?
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9 people found this helpful
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Overall
- Michelle
- 09-04-08
Worst Narration in the World
I am a couple of hours into this book and would rather poke myself in the eye with a rusty poker then listen to Elliot Gould for another moment. The story itslf is engaging and intelligent but good God, Elliot Gould sounds like he is either on drugs or is just learning to read.
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4 people found this helpful
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Overall
- Carola
- 07-29-09
Breathy reader.
Reader stops reading and you wonder if there is something wrong with your Ipod; characters didn't build any rapport with me; I didn't care what happened to any of them. Save your credit. I only "bought" this because one of the "great authors" recommended it. Not a book I will think about again!
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Overall
- JOLENE CROSS
- 06-22-07
Narrator problems!
This was the first story I had bought from this author and I have to agree with the other reviews, the story was good, but Elliott Gould butchered the reading, pauses in the wrong place, extra long pauses, mispronouncing of words, etc. I would definitely buy from this author again but not if Elliott Gould is the narrator.
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4 people found this helpful
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Overall
- The Lance Gifford
- 01-23-09
Poor Production Quality Diminishes a Strong Plot
Phoenix Audio's production of Peter Spiegelman's Red Cat diminishes the pleasure of listening to the sequel to Speiegelman's Black Maps.
The narration by Elliot Gould is clumsy and does little to service the strong, dark plot. As a fan of Gould's television and film work, I was sorely tried by his laborious pacing, oddly accented characterizations and stumbling pronunciations.
Worse, still is the poor production quality of the recording. The lackadaisical editing results in numerous overly long pauses in dialog or narration, distasteful breath and mouth sounds from the narrator and annoying stretches of crackling static. Unforgiveable.
Given Scott Brick's superb reading of Black Maps, produced by Books on Tape, it's difficult to understand the switch to Phoenix for Red Cat.
Although I would recommend Spiegelman's work to any fan of the modern noir thriller, and do so enthusiastically in the case of Brick's Black Maps reading, frankly, I would suggest they pass up this Red Cat production and read the book instead.
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2 people found this helpful