When Michael Pollan set out to research how LSD and psilocybin (the active ingredient in magic mushrooms) are being used to provide relief to people suffering from difficult-to-treat conditions such as depression, addiction, and anxiety, he did not intend to write what is undoubtedly his most personal book. But upon discovering how these remarkable substances are improving the lives not only of the mentally ill but also of healthy people coming to grips with the challenges of everyday life, he decided to explore the landscape of the mind in the first person as well as the third.

The tragicomedy of a young man in New York City, a writer, never named, who works as a fact-checker for a prestigious magazine. He struggles with the reality of his mother's death, alienation, and the seductive pull of drugs and a vibrant nightlife.

Back when restaurant menus were still printed on paper, and wearing a mask—or not—was a decision made mostly on Halloween, David Sedaris spent his time doing normal things. As Happy-Go-Lucky opens, he is learning to shoot guns with his sister, visiting muddy flea markets in Serbia, buying gummy worms to feed to ants, and telling his nonagenarian father wheelchair jokes. But then the pandemic hits, and like so many others, he’s stuck in lockdown, unable to tour and read for audiences, the part of his work he loves most.

If you've ever laughed your way through David Sedaris's cheerfully misanthropic stories, you might think you know what you're getting with Calypso. You'd be wrong. When he buys a beach house on the Carolina coast, Sedaris envisions long, relaxing vacations spent playing board games and lounging in the sun with those he loves most. And it's as idyllic as he imagined, except for one tiny, vexing realization: it's impossible to take a vacation from yourself. With Calypso, Sedaris sets his formidable powers of observation - and dark humor - toward middle age and mortality.

Jeanne Darst was born the youngest of four daughters in an old, celebrated family long past its glory days. For the early part of her life, the family survived on the memory of past generations' grandeur, and the romantic belief that Darst's father would restore that greatness with his destined career as a novelist. Within a few years, however, it was abundantly clear to everyone but him that despite the many years enslaved to the writer's craft and lifestyle, he was never going to sell a book.

Once again, David Sedaris brings together a collection of essays so uproariously funny and profoundly moving that his legions of fans will fall for him all over again. He tests the limits of love when Hugh lances a boil from his backside, and pushes the boundaries of laziness when, finding the water shut off in his house in Normandy, he looks to the water in a vase of fresh cut flowers to fill the coffee machine.

In his newest collection of essays, David Sedaris lifts the corner of ordinary life, revealing the absurdity teeming below its surface. His world is alive with obscure desires and hidden motives, a world where forgiveness is automatic and an argument can be the highest form of love. Dress Your Family in Corduroy and Denim is another unforgettable collection from one of the wittiest and most original writers at work today.

From the unique perspective of David Sedaris comes a new collection of essays taking his listeners on a bizarre and stimulating world tour. From the perils of French dentistry to the eating habits of the Australian kookaburra, from the squat-style toilets of Beijing to the particular wilderness of a North Carolina Costco, we learn about the absurdity and delight of a curious traveler's experiences.

For nearly four decades, David Sedaris has faithfully kept a diary in which he records his thoughts and observations on the odd and funny events he witnesses. Anyone who has attended a live Sedaris event knows that his diary readings are often among the most joyful parts of the evening. But never before have they been available in print. Now, in Theft by Finding, Sedaris brings us his favorite entries. From deeply poignant to laugh-out-loud funny, these selections reveal with new intimacy a man longtime fans only think they know.

Doug Stanhope is one of the most critically acclaimed and stridently unrepentant comedians of his generation. What will surprise some is that he owes so much of his dark and sometimes uncomfortably honest sense of humor to his mother, Bonnie.

John Hodgman - New York Times best-selling author, semifamous personality, deranged millionaire, increasingly elderly husband, father, and human of Earth - has written a memoir about his cursed travels through two wildernesses: from the woods of his home in Massachusetts, birthplace of rage, to his exile on the coast of Maine, so-called Vacationland, home to the most painful beaches on Earth.

Meet Maggie Fortenberry, a still beautiful former Miss Alabama. To others, Maggie’s life seems practically perfect - she’s lovely, charming, and a successful real estate agent at Red Mountain Realty. Still, Maggie can’t help but wonder how she wound up in her present condition....

Picking up her story in the late '60s at age 21, Cathy whisks through seven years and three countries. Whether reciting verse in the classrooms of the University of Oxford, arranging a date with Jimi Hendrix, teaching inner-city kids literature, rooming with a major drug dealer, falling in love, or working in a psychiatric hospital, Cathy determinedly blazes her own trail through all the passion and uncertainty that comes with the cusp of adulthood.

Everybody knows that Patricia Heaton plays the hilarious, wise, and tempestuous married-with-kids everywoman on Everybody Loves Raymond. What they might not know is that in real life, she is married, has four boys under eight years old, and is just as funny offscreen as on. Motherhood and Hollywood is Patricia Heaton’s humorous and poignant collection of essays on life, love, marriage, child-rearing, show business, having parents, being a parent, spousal rage, surviving fame, success, and the shame of underarm flab. She is warm, witty, and refreshingly irreverent.

In a strange world where Rose McGowan was continually on display, stardom soon became a personal nightmare of constant exposure and sexualization. Rose escaped into the world of her mind, something she had done as a child, and into high-profile relationships. Every detail of her personal life became public, and the realities of an inherently sexist industry emerged with every script, role, public appearance, and magazine cover. The Hollywood machine packaged her as a sexualized bombshell, hijacking her image and identity and marketing them.