Miller, through Keats’s poetry, brilliantly resurrects and brings vividly to life, the man, the poet in all his complexity and spirit, living dangerously, disdaining respectability and cultural norms, and embracing subversive politics. Keats was a lower-middle-class outsider from a tragic and fractured family, whose extraordinary energy and love of language allowed him to pummel his way into the heart of English literature; a freethinker and a liberal at a time of repression, who delighted in the sensation of the moment.

How can we look afresh at Shakespeare as a writer of sonnets? What new light might they shed on his career, personality, and sexuality? Shakespeare wrote sonnets for at least 30 years, not only for himself, for professional reasons, and for those he loved, but also in his plays, as prologues, as epilogues, and as part of their poetic texture.

1599 was an epochal year for Shakespeare and England. During that year, Shakespeare wrote four of his most famous plays: Henry the Fifth, Julius Caesar, As You Like It, and, most remarkably, Hamlet; Elizabethans sent off an army to crush an Irish rebellion, weathered an Armada threat from Spain, gambled on a fledgling East India Company, and waited to see who would succeed their aging and childless queen.

The 15th century saw the longest and bloodiest series of civil wars in British history. The crown of England changed hands five times as two branches of the Plantagenet dynasty fought to the death for the right to rule. Now, celebrated historian Dan Jones describes how the longest reigning British royal family tore itself apart until it was finally replaced by the Tudors. Some of the greatest heroes and villains in history were thrown together in these turbulent times.

A work of gripping nonfiction, North by Shakespeare presents the twinning narratives of rogue scholar Dennis McCarthy, called "the Steve Jobs of the Shakespeare community", and Sir Thomas North, an Elizabethan courtier whom McCarthy believes to be the undiscovered source for Shakespeare's plays.

January, 1649. After seven years of fighting in the bloodiest war in Britain’s history, Parliament faced a problem: what to do with a defeated king who refused to surrender? Parliamentarians resolved to do the unthinkable, to disregard the Divine Right of Kings and hold Charles I to account for the suffering and slaughter endured by his people. On a winter’s day outside Whitehall, the king of England was executed. When the king’s son, Charles II, was restored to the throne, he set about enacting a deadly wave of retribution against all those responsible for his father’s death.

A collection of BBC Radio 3's iconic Shakespeare productions: six tragedies with all star casts including Michael Sheen, Juliet Stevenson, Kenneth Cranham, Corin Redgrave, Ken Stott, Geraldine James, Bill Wallis, Siân Phillips and Sophie Dahl.

This magisterial history - sure to become the definitive work on the subject - recasts the Enlightenment as a period not solely consumed with rationale and reason, but rather as a pursuit of practical means to achieve greater human happiness.

Ariadne, Princess of Crete, grows up greeting the dawn from her beautiful dancing floor and listening to her nursemaid’s stories of gods and heroes. But beneath her golden palace echo the ever-present hoofbeats of her brother, the Minotaur, a monster who demands blood sacrifice. When Theseus, Prince of Athens, arrives to vanquish the beast, Ariadne sees in his green eyes not a threat but an escape. Defying the gods, betraying her family and country, and risking everything for love, Ariadne helps Theseus kill the Minotaur.

In 1929, nearly 400 years after the deaths of Saints Thomas More and John Fisher, G.K. Chesterton observed in words equally attributable to Fisher, “Blessed Thomas More is more important at this moment than at any moment since his death, even perhaps the great moment of his dying; but he is not quite so important as he will be in a hundred years.” Robert J. Conrad, Jr. anticipates Chesterton’s 100-year mark in a collection of stories from the lives of More and Fisher, demonstrating how their sanctity and integrity carried them and those who loved them through tumultuous times.

As an aging, tenacious Elizabeth I clung to power, a talented playwright probed the social causes, the psychological roots, and the twisted consequences of tyranny. In exploring the psyche (and psychoses) of the likes of Richard III, Macbeth, Lear, Coriolanus, and the societies they rule over, Stephen Greenblatt illuminates the ways in which William Shakespeare delved into the lust for absolute power and the catastrophic consequences of its execution.

William Shakespeare may have been the greatest playwright in the English language, but how does he measure up as a historian? In this brilliant comparison between the events and characters in Shakespeare's history plays and the actual events that inspired them, acclaimed historian John Julius Norwich examines the nine works that together amount to an epic masterpiece on England's most fascinating period.

Nearly six hundred years ago, a short, genial, cannily alert man in his late 30s took a very old manuscript off a library shelf, saw with excitement what he had discovered, and ordered that it be copied. That book was the last surviving manuscript of an ancient Roman philosophical epic by Lucretius—a beautiful poem containing the most dangerous ideas: that the universe functioned without the aid of gods, that religious fear was damaging to human life, and that matter was made up of very small particles.

In this grand and thrilling narrative, the acclaimed biographer of Magellan, Columbus, and Marco Polo brings alive the singular life and adventures of Sir Francis Drake, the pirate/explorer/admiral whose mastery of the seas during the reign of Queen Elizabeth I changed the course of history.

In the years leading up to 1606, since the death of Queen Elizabeth and the arrival in England of her successor, King James of Scotland, Shakespeare's great productivity had ebbed, and it may have seemed to some that his prolific genius was a thing of the past. But that year, at age 42, he found his footing again, finishing a play he had begun the previous autumn - King Lear - then writing two other great tragedies, Macbeth and Antony and Cleopatra.