Abbey has barely arrived in the quaint, quiet town of Hideaway Grove before things turn from blissful to bloody—as the new librarian is mowed down by a car. The only witness on the scene isn’t much help, aside from handing Abbey the bag of books dropped by the victim. Even worse, the sheriff’s office seizes Abbey’s car because of a suspicious dent in the right front fender.

In the seaside town of Lighthouse Cove, everyone knows the best man for the job is actually a woman - contractor Shannon Hammer. But while Shannon can do wonders with a power drill and a little elbow grease, her love life needs work. On a blind date with real estate agent Jerry Saxton, she has to whip out a pair of pliers to keep Jerry from getting too hands on.Shannon is happy to put her rotten date behind her, but when Jerry's found dead in a run-down Victorian home that she's been hired to restore, the town's attractive new police chief suspects that her threats may have laid the foundation for murder.

Lindsey is getting into her groove as the director of the Briar Creek Public Library when a New York editor visits town, creating quite a buzz. Lindsey's friend Beth wants to sell the editor her children's book, but Beth's boyfriend, a famous author, gets in the way. When they go to confront him, he's found murdered - and Beth is the prime suspect. Lindsey has to act fast - before they throw the book at the wrong person.

Cooper Lee is at a crossroads. Her boyfriend of five years just left her for another woman, she's living in an apartment above her parents' garage, and her job as a copier repairperson is feeling a little, well, repetitious. Hoping for a fresh start and a new outlook on life, she joins the Bible study group at Hope Street Church. The last thing she expects while studying the Bible is a lesson in murder.

Few can compete with the Natasha Smith when it comes to entertaining, but her childhood rival, Sophie Winston, certainly tries. While Natasha is known for her intricate centerpieces and painstakingly prepared gourmet meals, Sophie likes to keep things simple...real simple.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Abbey has barely arrived in the quaint, quiet town of Hideaway Grove before things turn from blissful to bloody—as the new librarian is mowed down by a car. The only witness on the scene isn’t much help, aside from handing Abbey the bag of books dropped by the victim. Even worse, the sheriff’s office seizes Abbey’s car because of a suspicious dent in the right front fender.

When Gemma finds a rare and potentially valuable magazine hidden in the bookshop, she and her friend Jayne set off to find the owner, only to stumble upon a dead body. The highly perceptive Gemma is the police's first suspect, so she puts her consummate powers of deduction to work to clear her name, investigating a handsome rare books expert, the dead woman's suspiciously unmoved son, and a whole family of greedy characters desperate to cash in on their inheritance.

Recently widowed and looking for a fresh start away from city life, Sarah Vane moves into a lovely little cottage by the sea. The rustic charm is everything she hoped it would be, but her new home doesn’t quite have enough space for her things. Her old friend Daphne offers to store Sarah’s boxes in her messy beach hut, but while clearing it out, they are shocked to find a heavy trunk… containing a dead body. They immediately recognise the poor man as pub landlord Gus Trubshaw.

It isn't how chef Bridget "Bunny" MacBride imagined her own cooking show unfolding. But, if preparing historic meals with a modern flair is what it takes to get her cooking on the air, she can deliver, even if her dinner guest is a ghost. For their first episode, the Food & Spirits team sets off to investigate Bramsford Manor, a historic house turned famously haunted hotel, in picturesque Hampshire, England. The sprawling estate is said to be home to the Mistletoe Bride, a young woman who died in the eighteenth century, the victim of a tragic accident on her Christmas wedding night.

When Anais receives a near-derelict Paris hotel in her divorce settlement, her first thought is to tidy it up and sell it immediately. All she wants is to move on and forget her disaster of a marriage ever happened. But selling it proves impossible, so she has only one option: to make it gorgeous and open by Christmas… when her funds will almost certainly run out. She’s not counting on the grumpy American bar-owner next door, Noah, coming and interfering at every moment though.