It’s the mid-'90s. Grunge and flannel are fading as the Spice Girls and Hot Topic conquer the malls. Cherry gloss glistens on the lips of the youth. Modems hiss as America comes online. And in a fog-drenched cove at the edge of New England, something terrible awakens when a fisherman reels in a gruesome catch: the remains of a young woman. Remains still pulsing with furious life.

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.

Jenn didn't know that the cottage held arcane secrets, mysteries long hidden and best left alone. She didn't realize until it was too late that the old books and Ouija board she found there really do hold great power. And it was only after her friend's headless body was discovered that she knew the legend of the local bogeyman was no mere legend at all. An evil has been unleashed, a terrifying figure previously only spoken of in whispers. But now the whispers will become screams. Beware...the Pumpkin Man.

When two teenagers go missing from the small, rural town of Sallow Bend, the residents come together to search for them. Little do they suspect that finding the wayward girls will be the start of their problems. An old evil is rising, and only one man seems to realize that everyone is in danger and this is not the first time it’s happened. With the carnival in town, people want to have a good time, but for many, this will be the worst time of their lives.

Billy Silver, a low-life, self-downtrodden junkie, needs some cash to get his next fix.

A beautiful forest. A terrifying legend. It’s 1986. Two strangers, hundreds of miles apart, grapple with disturbing incidents in a one-of-a-kind quaking aspen forest.

Corey is falling in love with his co-worker Quinn. This is a problem. Not only because Quinn is married, but because her husband is a serial killer known as the Toledo Trasher, who has been forcing her to participate in his savage crimes.

Odessa Hardwicke's life is derailed when she's forced to turn her gun on her partner, Walt Leppo, a decorated FBI agent who turns suddenly, inexplicably violent while apprehending a rampaging murderer. The shooting, justified by self-defense, shakes the young FBI agent to her core. Devastated, Odessa is placed on desk leave pending a full investigation. But what most troubles Odessa isn't the tragedy itself - it's the shadowy presence she thought she saw fleeing the deceased agent's body after his death.

Oliver Fitch has a troubling issue: He lives in a state of constant terror. After purchasing a convenience store in a once civil society, the streets around him have rapidly devolved into utter lawlessness. They're now festering with sinister gutter scum that live only to harass and intimidate him. His pathetic profits are gouged under the threat of violence, and there isn't a damn thing he can do about it. Because in a city with no rules, where the sun never shines, the authorities are no help. In fact, they're an equal part of the problem.

In April 1982, ethnobotanist Wade Davis arrived in Haiti to investigate two documented cases of zombies - people who had reappeared in Haitian society years after they had been officially declared dead and had been buried. Drawn into a netherworld of rituals and celebrations, Davis penetrated the vodoun mystique deeply enough to place zombification in its proper context within vodoun culture. In the course of his investigation, Davis came to realize that the story of vodoun is the history of Haiti.