A short ghost story from the best-selling author of Abbot's Keep. A photographer reluctantly agrees to take images of an abandoned manor house on the Dorset clifftops only to find the building is not completely empty.

Out of the Silent Planet is the first novel of the Cosmic Trilogy, considered to be C.S. Lewis' chief contribution to the science fiction genre.

To the Lighthouse is Virginia Woolf’s arresting analysis of domestic family life, centering on the Ramseys and their visits to the Isle of Skye in Scotland in the early 1900s. Nicole Kidman (Moulin Rouge, Eyes Wide Shut), who won an Oscar for her portrayal of Woolf in the film adaptation of Michael Cunningham’s Pulitzer Prize-winning novel

The Hours, brings the impressionistic prose of this classic to vibrant life.

Cadfael's return to his Welsh homeland for a visit proves a rather discomfiting homecoming when an honorable nobleman turns up in a patch of forest with an arrow embedded in his chest. There are questions about the arrow, the man's daughter needs Cadfael's help, and a very odd burial takes place.

In this Hugo Award-winning classic, Enoch Wallace is an ageless hermit, striding across his untended farm as he had done for over a century, still carrying the gun with which he had served in the Civil War. But what his neighbors must never know is that, inside his unchanging house, he meets with a host of unimaginable friends from the farthest stars.

As the climate veers toward catastrophe, the innumerable losses cascading through the biosphere make vividly evident the need for a metamorphosis in our relation to the living land. For too long we've inured ourselves to the wild intelligence of our muscled flesh, taking our primary truths from technologies that hold the living world at a distance. This audiobook subverts that distance, drawing listeners ever deeper into their animal senses in order to explore, from within, the elemental kinship between the body and the breathing Earth.

Fantasy, love and an exuberant celebration of English life and literature, Orlando is a uniquely entertaining story. Originally conceived by Virginia Woolf as a playful tribute to the family of her friend and lover, Vita Sackville-West, Orlando's central character, a fictional embodiment of Sackville-West, changes sex from a man to a woman and lives throughout the centuries, whilst meeting historical figures of English literature.

Assembled from notes and jottings left unpublished at the time of the author’s death, The Book of Disquiet is a collection of aphoristic prose-poetry musings on dreams, solitude, time and memory. Credited to Pessoa’s alter ego, Bernardo Soares, who chronicles his contemplations in this so-called "factless" autobiography, the work is a journey of one man’s soul and, by extension, of all human souls that allow their minds and hearts to roam far and free.

Many of us feel trapped in a grind of constant change: rolling news cycles, the chatter of social media, our families split along partisan lines. We feel fearful and tired, on edge in our bodies, not quite knowing what has us perpetually depleted. For Katherine May, this low hum of fatigue and anxiety made her wonder what she was missing. Could there be a different way to relate to the world, one that would allow her to feel more rested and at ease, even as seismic changes unfold on the planet?

The Waves traces the lives of six friends from childhood to old age. It was written when Virginia Woolf was at the height of her experimental powers, and she allows each character to tell their own story, through powerful, poetic monologues. By listening to these voices struggling to impose order and meaning on their lives, we are drawn into a literary journey that stunningly reproduces the complex, confusing and contradictory nature of human experience. It is read with affection and skill by Frances Jeater.

When a star dies, a new one must be born. The Sun God chooses the village of Endwever to provide a mortal womb. The birthing of a star is always fatal for the mother, and Ceris Wenden, who considers herself an outsider, sacrifices herself to secure her family’s honor and take control of her legacy. But after her star child is born, Ceris does what no other star mother has: she survives. When Ceris returns to Endwever, however, it’s not nine months later—it’s seven hundred years later.

Tuscany, 1943. Stranded in war-ravaged Italy, Beatrice’s dream of an escapist year teaching English is shattered. Granted shelter at the Villa delle Colombe, she seeks refuge in Francesca and Edoardo’s beautiful walled garden, hidden from the outside world, with an elaborate cypress maze at its heart. But Beatrice is not the only one seeking an escape here. Francesca has brought children to the safety of the house, as well as other adults, all of them seeking sanctuary on the estate with its mysterious maze.

In this first draft of the world, a woman named Mira leaves home to study. There, she meets Annie, whose tremendous power opens Mira’s chest like a portal—to what, she doesn’t know. When Mira is older, her beloved father dies, and his spirit passes into her.

In Praise of Shadows is an eloquent tribute to the austere beauty of traditional Japanese aesthetics. Through architecture, ceramics, theatre, food, women, and even toilets, Tanizaki explains the essence of shadows and darkness, and how they are able to augment beauty. He laments the heavy electric lighting of the West and its introduction to Japan, and shows how the artificial, bright, and polished aesthetic of the West contrasts unfavorably with the moody and natural light of the East.

One of the great, but often unmentioned, causes of both happiness and misery is the quality of our environment: the kinds of chairs, walls, buildings, and streets that surround us. And yet, a concern for architecture is too often described as frivolous, even self-indulgent. Alain de Botton starts from the idea that where we are heavily influences who we can be, and argues that it is architecture's task to stand as an eloquent reminder of our full potential.