President Truman is nearing the end of his term in office, and Great Britain has a new queen. It is 1952; the Cold War is beginning to heat up, and vital Western military secrets are falling into Soviet hands. The CIA is faced with a delicate dilemma, for the source of the leaks to the KGB has been traced directly to the Queen's chambers.

In a half century on the national stage, William F. Buckley Jr. achieved unique stature as a polemicist and the undisputed godfather of modern American conservatism. He knew everybody, hosted everybody at his East 73rd Street maisonette, skewered everybody who needed skewering, and in general lived life on a scale, and in a swashbuckling manner, that captivated and inspired countless young conservatives across that half century.

In this autobiography, woven from personal pieces composed over the course of a celebrated writing life of more than 50 years, you'll meet William Buckley the boy, growing up in a family of 10 children; Buckley the daring young political enfant terrible, whose debut book, God and Man at Yale, was a shocking New York Times best seller; Buckley the editor of National Review, widely hailed as the founder of the modern conservative movement; and Buckley the husband and father.

William F. Buckley Jr.'s first political book in nearly two decades is a revealing memoir of the first champion of the conservative movement. If any two people can be called indispensable in launching the conservative movement in American politics, they are William F. Buckley Jr. and Barry Goldwater. Buckley's National Review was at the center of conservative political analysis from the mid-50s onward.

Based on the NPR series of the same name, This I Believe features 80 Americans—from the famous to the unknown—completing the thought that begins with the book's title. The pieces that make up the program compel listeners to re-think not only what and how they have arrived at their own personal beliefs, but also the extent to which they share them with others.

Homicide is always an abomination, but there is something exceptionally disturbing about the victim discovered in a high, lonely place: a corpse with a mouth full of sand, abandoned at a crime scene seemingly devoid of tracks or useful clues. Though it goes against his better judgment, Navajo tribal police lieutenant Joe Leaphorn cannot help but suspect the hand of a supernatural killer.

Despair, suicide, and obsessive hatred, mixed well with humor, love, and horses, brew up into the story of a battle between one man's nerve and another man's cunning. Robert Finn, steeplechase jockey, finds himself the focus of a malicious campaign, which is also afflicting his friends. He sets out to discover its source and remove it.

It is 997 CE, the end of the Dark Ages. England is facing attacks from the Welsh in the west and the Vikings in the east. Those in power bend justice according to their will, regardless of ordinary people and often in conflict with the king. Without a clear rule of law, chaos reigns. In these turbulent times, three characters find their lives intertwined.

The last place veteran horseman Randall Drew wanted to go was Moscow. But when his royal highness the prince asks a favor, one doesn’t refuse. The Royal Family is worried about the prince’s brother in law, who aims to make the Olympics. Unfortunately a jealous Russian rider has sworn to kill him if he sets one hoof in Moscow. So Randall leaves his thoroughbred horses and loving girlfriend to investigate. But what he finds is more than jealousy. It’s a terrifying track of sabotage and murder. And now that he knows, the killer is after him.

Agatha Christie's first two Poirot novels, narrated with a general-American accent. The Mysterious Affair at Styles: Someone has poisoned wealthy Emily Inglethorp. But who? And how? Everyone suspects Emily's young husband, Alfred...and Alfred seems to be actually trying to get arrested and charged.... The Murder on the Links: Poirot comes to France in response to a desperate plea for help to find his client already murdered - stabbed in the back and lying in an open grave. Brusque, arrogant Inspector Giraud thinks he knows who did it.

Jesse Braddock is trapped in a tiny cabin deep in the Everglades with her infant daughter and her ex-boyfriend, a wannabe reality TV star who turned out to be a lot prettier on the outside than on the inside. Broke and desperate for a way out, Jesse stumbles across a long-lost treasure, which could solve all her problems—if she can figure out how to keep it. The problem is some very bad men are also looking for the treasure, and they know Jesse has it.

Ken Follett's World Without End was a global phenomenon, a work of grand historical sweep beloved by millions of readers and acclaimed by critics. Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families - American, German, Russian, English, and Welsh - as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.

William Lowell Kane and Abel Rosnovski, one the son of a Boston millionaire, the other a penniless polish immigrant-born on the same day near the turn of the century on opposite sides of the world-are brought together by fate and the quest of a dream. Two men - ambitious, powerful, ruthless - are locked in a relentless struggle to build an empire, fueled by their all-consuming hatred.

Buried deep within the consciousness of Sergeant Raymond Shaw is the mechanism of an assassin, a time bomb ticking toward explosion, controlled by the delicate skill of its Communist masters. Shaw returns from the Korean War to an idolizing and unsuspecting country. What follows is at once a spy story, a love story, and a sobering, yet outrageously funny satire on demagoguery in American politics.

Paris in 1895: Alfred Dreyfus, a young Jewish officer, has just been convicted of treason, sentenced to life imprisonment at Devil's Island, and stripped of his rank in front of a baying crowd of 20,000. Among the witnesses to his humiliation is Georges Picquart, the ambitious, intellectual, recently promoted head of the counterespionage agency that Dreyfus had passed secrets to the Germans. At first, Picquart firmly believes in Dreyfus' guilt. But it is not long after Dreyfus is delivered to his desolate prison that Picquart stumbles on information that leads him to suspect that there is still a spy at large in the French military.