Stein on Writing
A Master Editor Shares His Craft, Techniques, and Strategies
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Narrated by:
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Christopher Lane
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By:
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Sol Stein
About this listen
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David Foster Wallace was the leading literary light of his generation, a man who not only captivated readers with his prose but also mesmerized them with his brilliant mind. In this, the first biography of the writer, D. T. Max sets out to chart Wallace’s tormented, anguished, and often triumphant battle to succeed as a novelist as he fights off depression and addiction to emerge with his masterpiece, Infinite Jest.
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Max avoids hagiography or a sycophant's biography
- By Darwin8u on 06-11-13
By: D. T. Max
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Process
- The Writing Lives of Great Authors
- By: Sarah Stodola
- Narrated by: Andi Arndt
- Length: 7 hrs and 4 mins
- Unabridged
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Ernest Hemingway, Zadie Smith, Joan Didion, Franz Kafka, David Foster Wallace, and more. In Process, acclaimed journalist Sarah Stodola examines the creative methods of literature's most transformative figures. Each chapter contains a mini biography of one of the world's most lauded authors, focused solely on his or her writing process.
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Excellent!
- By Davina Rush on 04-10-15
By: Sarah Stodola
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The Stephen King Companion
- Four Decades of Fear from the Master of Horror
- By: George Beahm
- Narrated by: Fleet Cooper, Claire Christie
- Length: 24 hrs and 21 mins
- Unabridged
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The Stephen King Companion is an authoritative look at horror author King's personal life and professional career, from Carrie to The Bazaar of Bad Dreams. King expert George Beahm, who has published extensively about Maine's main author, is your seasoned guide to the imaginative world of Stephen King, covering his varied and prodigious output: juvenalia, short fiction, limited edition books, best-selling novels, and film adaptations.
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A Kingopedia: Books, Movies, Bio and Art
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By: George Beahm
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The Enchanted Hour
- The Miraculous Power of Reading Aloud in the Age of Distraction
- By: Meghan Cox Gurdon
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A Wall Street Journal writer’s conversation-changing look at how reading aloud makes adults and children smarter, happier, healthier, more successful, and more closely attached, even as technology pulls in the other direction.
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advice to take to heart
- By Brian on 04-30-20
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My Life with Bob
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- By: Pamela Paul
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- Length: 6 hrs and 55 mins
- Unabridged
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Pamela Paul has kept a single book by her side for 28 years - carried throughout high school and college, hauled from Paris to London to Thailand, from job to job, safely packed away and then carefully removed from apartment to house to its current perch on a shelf over her desk - reliable if frayed, anonymous-looking yet deeply personal. This book has a name: Bob. Bob is Paul's Book of Books, a journal that records every book she's ever read.
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An uncanny mirror and a celebration of book love
- By Cherilyn Parsons on 07-28-19
By: Pamela Paul
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Poetry in Person
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- By: Lucille Clifton, Alexander Neubauer - editor, Eamon Grennan, and others
- Narrated by: Alexander Neubauer
- Length: 5 hrs and 55 mins
- Unabridged
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This first audio edition of Poetry in Person: 25 Years of Conversation with America’s Poets (Knopf, 2010), invites listeners into an intimate classroom with eight acclaimed poets. Full of compelling, in-depth conversation about manuscripts and drafts by the poets themselves, plus readings of the finished poems, these historic recordings offer one of the most detailed portraits ever produced of how poems are actually made.
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Fascinating
- By d on 08-28-16
By: Lucille Clifton, and others
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Where the Past Begins
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- By: Amy Tan
- Narrated by: Amy Tan
- Length: 14 hrs and 32 mins
- Unabridged
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Moving from her childhood in Oakland and growing up with her Chinese parents through her success as a novelist, Amy Tan delves into her creative interests in music, the paralysis of beginning a new project, journal writing, and travelling. Where the Past Begins chronicles the making of a writer. With characteristic humor and poignant observation, Tan weaves a nontraditional introspective narrative that is as complex and vibrant as this beloved American novelist's fiction.
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Narration Issues
- By Sara on 12-14-17
By: Amy Tan
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Save the Cat!
- The Last Book on Screenwriting You'll Ever Need
- By: Blake Snyder
- Narrated by: George Newbern
- Length: 5 hrs and 22 mins
- Unabridged
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Here's what started the phenomenon: This book has been a best seller for over 15 years and has been used by screenwriters around the world! Blake Snyder tells all in this fast, funny, and candid look inside the movie business. Save the Cat is just one of many ironclad rules for making your ideas more marketable and your script more satisfying.
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Don't waste your time
- By Amazon Customer on 02-05-20
By: Blake Snyder
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The keys to success as a writer are yours for the thinking! All success begins in the mind. For writers, the mind fuels the imagination and creates stories. But for authors who are productive and resilient, and see a good return on their efforts, there is another factor at work. They are winning the mental game of writing. Successful writers have the ability to inspire themselves to produce consistently, improve systematically, overcome obstacles and keep up a positive mental attitude. In this book, #1 bestselling writing teacher James Scott Bell takes you through the mental landscape of ...
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good practical advice
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The Secrets of Story is a revolutionary and comprehensive writing guide for the 21st century, focused on clever ways to get an audience to fully identify with an all-too-human hero. Authors will learn to how to cut through pop culture noise and win over a jaded modern audience by rediscovering the heart of writing: shaping stories that ring true to our shared understanding of human nature.
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The keys to success as a writer are yours for the thinking! All success begins in the mind. For writers, the mind fuels the imagination and creates stories. But for authors who are productive and resilient, and see a good return on their efforts, there is another factor at work. They are winning the mental game of writing. Successful writers have the ability to inspire themselves to produce consistently, improve systematically, overcome obstacles and keep up a positive mental attitude. In this book, #1 bestselling writing teacher James Scott Bell takes you through the mental landscape of ...
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Here is an entirely new side of Kurt Vonnegut, Vonnegut as a teacher of writing. Of course he's given us glimpses before, with aphorisms and short essays and articles and in his speeches. But never before has an entire book been devoted to Kurt Vonnegut the teacher. Here is pretty much everything Vonnegut ever said or wrote having to do with the writing art and craft, altogether a healing, a nourishing expedition.
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Unlistenable
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A creative writer's shelf should hold at least three essential books: a dictionary, a style guide, and Writing Fiction. Janet Burroway's best-selling classic is the most widely used creative writing text in America, and for more than three decades, it has helped hundreds of thousands of students learn the craft.
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Great content!
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The craft of writing offers countless potential problems: The story is too long; the story's too short; revising presents a huge hurdle; writer's block is rearing its ugly head. In Help! For Writers, Roy Peter Clark presents an "owner's manual" for writers, outlining the seven steps of the writing process, and addressing the 21 most urgent problems that writers face. In his trademark engaging and entertaining style, Clark offers 10 short solutions to each problem.
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UPDATED 2022 EDITION! These two bestselling writing and editing handbooks, “The Writer’s Guide to Character Emotion” and “The Writer’s Guide to Character Expression” have been updated and combined to create one remarkable single volume! This comprehensive edition contains descriptive writing tools to help writers craft a riveting novel that instantly grabs a reader’s attention. Writers will gain the essential skills needed to craft realistic emotions, visceral responses, and body language to deepen characterization that you can easily and quickly apply to your own writing. ...
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Awesome
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Early in the history of English, glamour and grammar were the same word, linked to enchantment and magical spells. Now grammar brings to mind language bullies and bored-out-of-their-skulls students. Roy Peter Clark, one of America’s most influential writing teachers, wants to change that by putting the glamour back into grammar.
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Wasteful
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Writing Creative Nonfiction
- By: Tilar J J. Mazzeo, The Great Courses
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Bringing together the imaginative strategies of fiction storytelling and new ways of narrating true, real-life events, creative nonfiction is the fastest-growing part of the creative writing world. It's a cutting-edge genre that's reshaping how we write (and read) everything from biographies and memoirs to blogs and public speaking scripts to personal essays and magazine articles.
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Not what I expected but useful
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In How to Write Short , Roy Peter Clark turns his attention to the art of painting a thousand pictures with just a few words. Short forms of writing have always existed - from ship logs and telegrams to prayers and haikus. But in this ever-changing Internet age, short-form writing has become an essential skill. Clark covers how to write effective and powerful titles, headlines, essays, sales pitches, Tweets, letters, and even self-descriptions for online dating services.
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From drawing a map of a remembered neighborhood to signing a form releasing yourself to take risks in your work, Roorbach offers innovative techniques that will trigger ideas for all writers. Writing Life Stories is a classic text that appears on countless creative nonfiction and composition syllabi the world over. This updated 10th anniversary edition gives you the same friendly instruction and stimulating exercises along with updated information on current memoir writing trends, ethics, internet research, and even marketing ideas.
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Over time, literary agent Elizabeth Kracht noticed that many submissions had similar problems, so she began to make a list of the pitfalls. She knew that even excellent projects could be rejected based on these surmountable issues because those on the receiving end of proposals most often don’t have the time to walk writers through needed adjustments. The checklist Kracht has created helps writers make their manuscripts good to go. It offers short, easy-to-implement bites of advice, illustrated by inspiring - and cautionary - real-world examples.
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They say writing is rewriting. So why does the second part get such short shrift? Refuse to Be Done will guide you through every step of the novel writing process, from getting started on those first pages to the last tips for making your final draft even tighter and stronger.
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many great tips
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Effective Editing
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Book coach and editor Molly McCowan takes you through the self-editing process in 13 detailed lessons, using a step-by-step method designed to reduce overwhelm and to structure the revision process in the most productive way possible. Working from the big to the little picture of your work, Molly shows you how to strengthen character development, find and fix plot holes, build stronger scenes, focus on smooth pacing and point-of-view issues, elevate your language, and much more.
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This is excellent
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Zen in the Art of Writing
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"Every morning I jump out of bed and step on a land mine. The land mine is me. After the explosion, I spend the rest of the day putting the pieces back together. Now, it's your turn. Jump!" Zest. Gusto. Curiosity. These are the qualities every writer must have, as well as a spirit of adventure. In this exuberant book, the incomparable Ray Bradbury shares the wisdom, experience, and excitement of a lifetime of writing. Here are practical tips on the art of writing from a master of the craft - everything from finding original ideas to developing your own voice and style.
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Evocative fuel for any Muse!
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What listeners say about Stein on Writing
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall
- David
- 04-04-09
Must Have
Now that I have listened to this book I will have to buy a hard copy. There was not enough room on my MP3 player for all of the bookmarks. This is a book you will want to dog ear.
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10 people found this helpful
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- Sil A.
- 07-29-18
A Classic
Sol Stein’s On Writing is a classic that still speaks. Sol shares his experiences as a successful editor in a clear, methodical, and applicable manner. Though primarily written for fiction authors, the book is also relevant for non-fiction authors. In fact, he points out at the beginning what chapters apply to each group. Even though I am primarily interested in non-fiction, I found the entire book very interesting, filled with great examples, analyses based on published texts, many of which were edited by Sol himself. Listening to the insights of an editor with his experience is priceless info. If you are serious about writing, this book is a must. Narration is exceptional and easy to follow.
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2 people found this helpful
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- TC Austin
- 05-25-17
must have for the would be author
If you aspire to be a published author or already are, this book and audio is an absolute necessity. Solstien shares his wisdom and experiences as one of the most renowned editor and successful author of our time.
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1 person found this helpful
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- Christos
- 07-28-19
Stein On Writing
The man knows the writers trade as editor and author. He delivers useful techniques wrapped in a flu9d narration that has enough humor folded in to move the narrative along at a nice pace.
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1 person found this helpful
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- michael
- 04-02-12
Essential book for any writer
Would you consider the audio edition of Stein on Writing to be better than the print version?
I enjoy the audio version because I can listen to it on my iPod while doing chores. I am beginning my second pass through the book right now!
Have you listened to any of Christopher Lane’s other performances before? How does this one compare?
I have not heard Christopher Lane before but he is a fine a voice performer as you can get! His reading of this book was perfect, in my estimation.
What’s an idea from the book that you will remember?
I found his application of fiction writing techniques to non-fiction a revelation. I am a documentary filmmaker and often write the voice over for my films. This book has transformed the way I view that task.
Any additional comments?
Every writer MUST read this! Even if you do not aspire to become a writer, listening to this book will enhance your enjoyment of good writing.
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1 person found this helpful
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- S. Taylor
- 06-03-14
A master communicator
What made the experience of listening to Stein on Writing the most enjoyable?
Solid stories about the real world.
Who was your favorite character and why?
Sol, of course.
What about Christopher Lane’s performance did you like?
Didn't get tired of his voice. Listened on a three hour drive, back and forth.
Was there a moment in the book that particularly moved you?
no
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- Amazon Customer
- 02-20-12
You go, Sol!
Would you listen to Stein on Writing again? Why?
I most certainly will listen to this book again. Stein has enlightened me on what makes a great book great.
What was one of the most memorable moments of Stein on Writing?
Stein makes it personal, using stories from his own experience. He also uses examples from literature, which are readily known and/or accessible. He shows instead of tells, which is one of the basic premises.
Which character ??? as performed by Christopher Lane ??? was your favorite?
This is not fiction. The only
What???s an idea from the book that you will remember?
That's just it...this entire book is worth remembering. When I think I'm starting to forget, I will re-listen.
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- Amazon Customer
- 09-14-21
great
I have been going through a dry spell and this is what I needed
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- RNS
- 12-25-20
Great resource!
Spell-binding, with deep insight into the human condition; valuable resources for the aspiring writer. Thank you!
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- Jane
- 06-22-12
Excellent advice and examples for better writing.
Stein is an author, editor, and publisher. His advice is geared toward fiction, with some thoughts for nonfiction. I am a reader and reviewer of books, not a writer. I have strong likes and dislikes about books I’ve read. I’m reading some “how to write books” to see if I agree with the experts. I’m delighted to say that writers who follow Stein’s advice will very likely make me happy when reading their books. I am more liberal than Stein in two areas: the first three pages of a book and his fifth commandment. Scenes that end prematurely are a subject Stein did not discuss, but I believe he would agree with me.
ADJECTIVES, ADVERBS, & FLAB:
For a while now I have been confused when I hear people say “cut adverbs.” I’ve loved some colorful writing that adverbs produce. I made a list of wonderful sentences with adverbs written by J.K. Rowling, John Grisham, and Georgette Heyer. I recently read three Hemingway short stories and noticed a lot of adjectives and adverbs in two of them. That intrigued me because he is famous for concise writing. Stein is the first expert who explains this subject to my satisfaction. Although he recommends cutting most adjectives and adverbs, he gives examples showing when they are valuable. I like his view. Stein and I both like the following paragraph which is full of adjectives and adverbs. Although a novel filled with this should probably be labeled poetry rather than fiction. Still it shows the emotional and sensual ability of adjectives and adverbs. Stein calls it “a nearly perfect paragraph.” It was written by a student of his, Linda Katmarian.
“Weeds and the low hanging branches of unpruned trees swooshed and thumped against the car while gravel popped loudly under the car’s tires. As the car bumped along, a flock of startled blackbirds exploded out of the brush. For a moment they fluttered and swirled about like pieces of charred paper in the draft of a flame and then were gone. Elizabeth blinked. The mind could play such tricks.”
Stein says “She’s breaking rules. Adjectives and adverbs which normally should be cut are all over the place. They’re used to wonderful effect because she uses the particular sound of words ‘the low hanging branches swooshed and thumped against the car. Gravel popped. Startled blackbirds exploded out of the brush. They fluttered and swirled.’ We experience the road the car is on because the car ‘bumped’ along. What a wonderful image. ‘The birds fluttered and swirled about like pieces of charred paper in the draft of a flame.’ And it all comes together in the perception of the character ‘Elizabeth blinked. The mind could play such tricks.’ Many published writers would like to have written a paragraph that good. That nearly perfect paragraph was ...”
Another example. Stein does not like the sentence “What a lovely, colorful garden.” Lovely is too vague. Colorful is specific therefore better; but lovely and colorful don’t draw us in because we expect a garden to be lovely or colorful. There are several curiosity provoking adjectives you might use. If we hear that a garden is curious, strange, eerie, remarkable, or bizarre, we want to know why. An adjective that piques the reader’s curiosity helps move the story along.
Stein says when you have two adjectives together with one noun, you should almost always delete one of the adjectives. He also recommends eliminating the following words which he calls flab: had, very, quite, poor (unless talking of poverty), however, almost, entire, successive, respective, perhaps, always, and “there is.” Other words can be flab as well.
PARTICULARITY (attentiveness to detail):
I love the following comparison. “You have an envelope? He put one down in front of her.” This exchange is void of particularity. Here’s how the transaction was described by John LeCarre. “You have a suitable envelope? Of course you have. Envelopes were in the third drawer of his desk, left side. He selected a yellow one A4 size and guided it across the desk but she let it lie there.” Those particularities ordinary as they seem help make what she is going to put into the envelope important. The extra words are not wasted because they make the experience possible and credible. (My favorite part: “Of course you have.”)
FLASHBACKS AND SCENES THAT END PREMATURELY:
Stein discourages flashbacks. He says they break the reading experience. They pull the reader out of the story to tell what happened earlier. Yay! I agree! I don’t like them either.
I don’t recall Stein discussing “ending scenes prematurely,” but I think (or hope) he would agree with me that they also “break the reading experience.” For example, Mary walks into a room, hears a noise, and is hit. The next sentence is about another character in another place. Many authors do this to create artificial suspense. It makes me angry, and my anger takes me out of the story because I’m thinking about the author instead of the characters. You can have great suspense without doing this. Stein says “The Day of the Jackal” is famous for use of suspense. The scenes in that book have natural endings.
FIRST THREE PAGES OF A BOOK MAY NOT BE AS CRITICAL AS THEY USED TO BE:
Stein said a “book must grab the reader in the first three pages or they won’t buy the book.” This was based on studies watching customers in book stores. They looked at the jacket and then the first one to three pages. They either put it back or bought it. I think the internet changed things by providing customer reviews. I buy around 240 books a year. I never buy a book based on the first three pages. My decision to buy is based on customer reviews and/or book jacket summaries. I suppose the first three pages might still be important for customers in physical stores like Barnes & Noble and Walmart. But today we have books that become best sellers as ebooks and subsequently are published in paperback, for example Fifty Shades of Grey. Bloggers and reviewers spread the word, not bookstore visitors.
STEIN’S TEN COMMANDMENTS FOR WRITERS:
I’ve edited for brevity and to remove thou shalt’s.
1. Do not sprinkle characters into a preconceived plot. In the beginning was the character. (I like this, but I also think Stephen King has a good idea - something to try. He creates a “situation” first, then the characters, and last the plot.)
2. Imbue your heroes with faults and your villains with charm. For it is the faults of the hero that bring forth his life, just as the charm of the villain is the honey with which he lures the innocent.
3. Your characters should steal, kill, dishonor their parents, bear false witness, and covet their neighbor’s house, wife, man servant, maid servant, and ox. For readers crave such actions and yawn when your characters are meek, innocent, forgiving, and peaceable. (I love this.)
4. Avoid abstractions, for readers like lovers are attracted by particularity.
5. Do not mutter, whisper, blurt, bellow, or scream. Stein prefers using “he said.” (I’m not sure about this one. I like hearing these words. Maybe in moderation?)
6. Infect your reader with anxiety, stress, and tension, for those conditions that he deplores in life, he relishes in fiction.
7. Language shall be precise, clear, and bear the wings of angels for anything less is the province of businessmen and academics and not of writers. (I assume this includes cutting adjectives, adverbs, and flab - but keep the good ones.)
8. “Thou shalt have no rest on the sabbath, for thy characters shall live in thy mind and memory now and forever.” (I’m not sure how this is advice to writers.)
9. Dialogue: directness diminishes, obliqueness sings.
10. Do not vent your emotions onto the reader. Your duty is to evoke the reader’s emotions.
OTHER IDEAS:
Do not write about wimps. People who seem like other people are boring. Ordinary people are boring.
Cut cliches. Say it new or say it straight.
If not clear who is speaking put “George said” before the statement. If it is clear, put “George said” after or eliminate “George said.”
Don’t use strange spellings to convey dialect or accents.
Book copyright: 1995.
Genre: nonfiction, how to write.
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