
Sweet Tooth
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Narrated by:
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Juliet Stevenson
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By:
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Ian McEwan
About this listen
Winner of such prestigious honors as the Booker Prize and Whitbread Award, Ian McEwan is justifiably regarded as a modern master. Set in 1972, Sweet Tooth follows Cambridge student Serena Frome, whose intelligence and beauty land her a job with England's intelligence agency, MI5. In an attempt to monitor writers' politics, MI5 tasks Serena with infiltrating the literary circle of author Tom Healy. But soon matters of trust and identity subvert the operation.
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New York Times best-selling author Ian McEwan's novels have inspired sweeping critical acclaim and won such prestigious awards as the Booker Prize for Amsterdam and the National Book Critics Circle Award for his modern masterpiece, Atonement. With Saturday, McEwan has crafted perhaps his most unique achievement to date.
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Extraordinary
- By Madrid on 04-25-05
By: Ian McEwan
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The Cockroach
- By: Ian McEwan
- Narrated by: Bill Nighy
- Length: 2 hrs and 13 mins
- Unabridged
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Jim Sams has undergone a metamorphosis. In his previous life he was ignored or loathed, but in his new incarnation he is the most powerful man in Britain - and it is his mission to carry out the will of the people. Nothing must get in his way; not the opposition, nor the dissenters within his own party. Not even the rules of parliamentary democracy. In this bitingly funny Kafkaesque satire, Ian McEwan engages with scabrous humor a very recognizable political world and turns it on its head.
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An excellent parody on life during Brexit
- By Kate Juliff on 11-28-19
By: Ian McEwan
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Night and Day
- By: Virginia Woolf
- Narrated by: Juliet Stevenson
- Length: 18 hrs and 57 mins
- Unabridged
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Written before she began her experiments in the writing of fiction, Virginia Woolf's second novel, Night and Day, is a story about a group of young people trying to discover what it means to fall in love. It asks all the big questions: What does it mean to fall in love? Does marriage grant happiness? What is happiness? Night and Day is a conventional novel; however, it maps out for us the world of Virginia Woolf in its wondrous prose: For her it was the beginning, leading on to a prolonged engagement with her search for the means to express the "inner life".
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"After all, what is love?"
- By Eman Abd Allah on 12-13-16
By: Virginia Woolf
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The Paying Guests
- By: Sarah Waters
- Narrated by: Juliet Stevenson
- Length: 21 hrs and 29 mins
- Unabridged
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It is 1922, and London is tense. Ex-servicemen are disillusioned; the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa, a large silent house now bereft of brothers, husband, and even servants, life is about to be transformed, as impoverished widow Mrs. Wray and her spinster daughter, Frances, are obliged to take in lodgers.
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Difference of Opinion
- By Mel on 12-17-14
By: Sarah Waters
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The Angel Tree
- By: Lucinda Riley
- Narrated by: Juliet Stevenson
- Length: 19 hrs and 46 mins
- Unabridged
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Thirty years have passed since Greta left Marchmont Hall, a grand and beautiful house nestled in the hills of rural Monmouthshire. But when she returns to the Hall for Christmas she has no recollection of her past association with it – the result of a tragic accident that has blanked out more than two decades of her life. Then, during a walk through the wintry landscape, she stumbles across a grave in the woods and the weathered inscription on the headstone tells her that a little boy is buried here.
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Incredible story
- By PegCot on 03-05-23
By: Lucinda Riley
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The Beauty of Falling
- A Life in Pursuit of Gravity
- By: Claudia de Rham
- Narrated by: Juliet Stevenson
- Length: 7 hrs and 39 mins
- Unabridged
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This audiobook narrated by Juliet Stevenson shares the story of a world-renowned physicist who seeks gravity’s true nature and finds wisdom in embracing its force in her life.
By: Claudia de Rham
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The Comfort of Strangers
- By: Ian McEwan
- Narrated by: Simon Prebble
- Length: 4 hrs and 9 mins
- Unabridged
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New York Times best-selling author Ian McEwan has won the Booker Prize, Whitbread Award, and the National Book Critics Circle Award for his masterfully accomplished fiction. The Comfort of Strangers is an exquisitely crafted gothic novella. On holiday, Colin and Maria wander the ancient streets of Venice and frequently lose their way. When they are accosted by a man with a strange and alluring story to tell, they soon become entwined in a fantasy of violence and erotic obsession.
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Mysterious, bizarre
- By EVERETT on 07-21-07
By: Ian McEwan
What listeners say about Sweet Tooth
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- barbara
- 08-26-13
Definitely in my top 5 all-time great audiobooks
Any additional comments?
This audiobook was compelling, riveting, beautifully written, and expertly narrated. It is an intriguing tour-de-force. I highly recommend it.
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4 people found this helpful
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- Brian Mead
- 06-23-17
Boring
somehow Ian McEwan manages to make a spy thriller boring.
The prose is excellent and the descriptions of people and places are evocative. The characters are fully realises and complex.
the problem is the pacing overall arc. I was left bored and impatient for a climax that never fully arrives.
the reader was superb, the perfect voice to go with the narrator.
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- Peggy
- 01-02-13
Good old dependable Ian!
Would you consider the audio edition of Sweet Tooth to be better than the print version?
I haven't read the print book but the audible version was fantastic! The lovely voice of Juliet Stevenson added to the beautiful prose of Ian McEwan... can't think of a better combination. Pure music.
What was one of the most memorable moments of Sweet Tooth?
The end. I was prepared to be sad by the ending but now I have hope. Wish he would write a sequel but that would probably be disappointing.
Which character – as performed by Juliet Stevenson – was your favorite?
Definitely the female lead. (Already I've lost her name). Sympathetic, empathetic and believable. I would have had a hard time with the decisions too.
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8 people found this helpful
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- Kristy Madden
- 09-18-23
A Riveting Spy Story
I thoroughly enjoyed this book. It is beautifully written and has such interesting characters. It doesn’t read like a traditional spy story because it’s told from the point of view of a young woman in the sixties. The way she’s treated seems genuine from those days. And her character really came alive for me. I heartily recommend this one.
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2 people found this helpful
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- Waterman
- 11-17-19
Juliet came to the rescue
The idea for the story is good. The actual story as it is heard is a let down, mired by excessive f- bombs and sexual interludes. The only reason that I kept listening was the masterful narration by Juliet Stevenson.
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1 person found this helpful
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- Olivia
- 05-26-17
Slow and a little boring but a good story
It takes a lot to get into this story but the writing is good and it ends up being a good story.
I've now listened to it 1 1/2 times and I just can't stay focused. A lot of extra info that doesn't seem to matter at all. If you're going to read any of this author's books, pick Atonement. And then see the movie. That's a great story. This one is just kinda boring.
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- Amazon Customer
- 02-23-23
Another good Ian McEwan book
McEwan's books can start out slow, but they're always a great read. This is the first one I've listened to, engaging and well written.
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- LM
- 12-14-12
Stunningly fantastic!
Every moment of this book is an entirely pleasurable, satisfying and intelligent listen. It was such a quenching experience that it's hard to identify a comparison. From fascinating, complex characters to cold war spy intrigue to sexy swinging London, written in unrelenting gorgeous prose. This isn't a just good story, it's an AMAZING work of literature — and you, dear reader, are implicated in this tale!
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13 people found this helpful
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- A
- 01-07-13
Juliet Stevenson could read the phone book
. . . And keep me enthralled. Ms. Stevenson narration aside, Ian McEwen's writing is smooth, rich and evocative. The story is set in a time in history, 1970's London, that interests me as a baby boomer. Serena, our Sweet Tooth, is both smart and naive. I cheered her on from beginning to end. I was left wondering how a male author could capture a women's interior so well.
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7 people found this helpful
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- MidwestGeek
- 06-30-13
An uninteresting story, told boringly.
As usual, McEwan makes great use of language, however, this book is short on plot. He has about enough material for a novella, a story about half as long. The protagonist and narrator, Serena, is not stupid nor intellectually shallow, but she continually defines herself by whatever man she happens to have latched on to. The story goes through a succession of her lovers but focuses primarily on an author and poet. It is hard to understand why he loves her. I'm not saying there are not people like Serena, but I don't find their story or plight interesting. The story drags with long asides and excursions. I cannot say more without spoiling the plot, but I found the way in which the ending is handled really lame--a real cop-out by McEwan.
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5 people found this helpful