Meryl Streep’s performance of Colm Tóibín's acclaimed portrait of Mary is hailed by the New York Times Book Review as “an ideal audiobook,” presenting the three-time Academy Award-winner in “yet another great role.” Shortlisted for the Man Booker Prize, Colm Tóibín's The Testament of Mary presents Mary as a solitary older woman still seeking to understand the events that become the narrative of the New Testament and the foundation of Christianity. In the ancient town of Ephesus, Mary lives alone, years after her son's crucifixion. She has no interest in collaborating with the authors of the Gospel. They are her keepers, providing her with food and shelter and visiting her regularly. She does not agree that her son is the Son of God; nor that his death was "worth it"; nor that the "group of misfits he gathered around him, men who could not look a woman in the eye," were holy disciples. This woman who we know from centuries of paintings and scripture as the docile, loving, silent, long-suffering, obedient, worshipful mother of Christ becomes a tragic heroine with the relentless eloquence of Electra or Medea or Antigone, in a portrait so vivid and convincing that our image of Mary will be forever transformed.

The only mortal in a family of gods, Medusa is the youngest of the Gorgon sisters. Unlike her siblings, Medusa grows older, experiences change, feels weakness. Her mortal lifespan gives her an urgency that her family will never know.

The ancient city of Troy has withstood a decade under siege of the powerful Greek army, who continue to wage bloody war over a stolen woman - Helen. In the Greek camp, another woman watches and waits for the war's outcome: Briseis. She was queen of one of Troy's neighboring kingdoms until Achilles, Greece's greatest warrior, sacked her city and murdered her husband and brothers. Briseis becomes Achilles' concubine, a prize of battle, and must adjust quickly in order to survive a radically different life, as one of the many conquered women who serve the Greek army.

Ariadne, Princess of Crete, grows up greeting the dawn from her beautiful dancing floor and listening to her nursemaid’s stories of gods and heroes. But beneath her golden palace echo the ever-present hoofbeats of her brother, the Minotaur, a monster who demands blood sacrifice. When Theseus, Prince of Athens, arrives to vanquish the beast, Ariadne sees in his green eyes not a threat but an escape. Defying the gods, betraying her family and country, and risking everything for love, Ariadne helps Theseus kill the Minotaur.

In the middle of the night, a woman wakes to find her beloved city engulfed in flames. Ten seemingly endless years of conflict between the Greeks and the Trojans are over. Troy has fallen. From the Trojan women whose fates now lie in the hands of the Greeks, to the Amazon princess who fought Achilles on their behalf, to Penelope awaiting the return of Odysseus, to the three goddesses whose feud started it all, these are the stories of the women whose lives, loves, and rivalries were forever altered by this long and tragic war.

For millennia, men have told the legend of the woman whose face launched a thousand ships - but now it's time to hear her side of the story. Daughters of Sparta is a tale of secrets, love, and tragedy from the women behind mythology's most devastating war, the infamous Helen and her sister, Klytemnestra.

The tellers of Greek myths—historically men—have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil—like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over.

Beautiful and profoundly moving, The Master tells the story of Henry James, a man born into one of America’s first intellectual families who leaves his country in the late 19th century to live in Paris, Rome, Venice, and London among privileged artists and writers. With stunningly resonant prose, “The Master is unquestionably the work of a first-rate novelist: artful, moving, and very beautiful” (The New York Times Book Review). The emotional intensity of this portrait is riveting.

When Clytemnestra marries Agamemnon, she ignores the insidious whispers about his family line, the House of Atreus. But when, on the eve of the Trojan War, Agamemnon betrays Clytemnestra in the most unimaginable way, she must confront the curse that has long ravaged their family. In Troy, Princess Cassandra has the gift of prophecy, but carries a curse of her own: No one will ever believe what she sees. When she is shown what will happen to her beloved city when Agamemnon and his army arrives, she is powerless to stop the tragedy from unfolding.

When Princess Atalanta is born, a daughter rather than the son her parents hoped for, she is left on a mountainside to die. But even then, she is a survivor. Raised by a mother bear under the protective eye of the goddess Artemis, Atalanta grows up wild and free, with just one condition: if she marries, Artemis warns, it will be her undoing. Although she loves her beautiful forest home, Atalanta yearns for adventure. When Artemis offers her the chance to fight in her name alongside the Argonauts, the fiercest band of warriors the world has ever seen, Atalanta seizes it.

Seventeen years ago, King Odysseus sailed to war with Troy, taking with him every man of fighting age from the island of Ithaca. None of them has returned, and the women of Ithaca have been left behind to run the kingdom. Penelope was barely into womanhood when she wed Odysseus. While he lived, her position was secure. But now, years on, speculation is mounting that her husband is dead, and suitors are beginning to knock at her door. No one man is strong enough to claim Odysseus' empty throne—not yet.

A landslide has closed the Korowai Pass on New Zealand’s South Island, cutting off the town of Thorndike and leaving a sizable farm abandoned. The disaster presents an opportunity for Birnam Wood, an undeclared, unregulated, sometimes-criminal, sometimes-philanthropic guerrilla gardening collective that plants crops wherever no one will notice. For years, the group has struggled to break even. To occupy the farm at Thorndike would mean a shot at solvency at last. But the enigmatic American billionaire Robert Lemoine also has an interest in the place.

You are born to a king, but marry a tyrant. You stand helplessly as he sacrifices your child to placate the gods. You watch him wage war on a foreign shore and you comfort yourself with violent thoughts of your own. You play the part, fooling enemies who deny you justice. And slowly, you plot. But when your husband returns in triumph, what then? Acceptance or vengeance—death follows both. So you bide your time and force the gods' hands in a wretched game of vengeance.

After losing her fiancé in a shocking tragedy, Alex Morris moves from London to Edinburgh to make a break with the past. Formerly an actress, Alex accepts a job teaching drama therapy at a school commonly referred to as "The Unit," a last-chance learning community for teens expelled from other schools in the city. Her students have troubled pasts and difficult personalities, and Alex is an inexperienced teacher, terrified of what she's taken on and drowning in grief. Her most challenging class is an intimidating group of teenagers who have been given up on by everyone before her.

This is the way the world ends...for the last time. It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester. This is the Stillness, a land long familiar with catastrophe, where the power of the earth is wielded as a weapon. And where there is no mercy.

At the age of nine, Finnikin is warned by the gods that he must sacrifice a pound of flesh to save his kingdom. He stands on the rock of the three wonders with his friend Prince Balthazar and Balthazar’s cousin, Lucian, and together they mix their blood to safeguard Lumatere. But all safety is shattered during the five days of the unspeakable, when the king and queen and their children are brutally murdered in the palace.

One bitter Midwinter's Eve, everything changes when Bridei finds a child on their doorstep - a child abandoned by the Fair Folk. It is the height of ill fortune to have truck with the Fair Folk, and all in the area counsel the babe's death. But Bridei sees an old and precious magic at work and, heedless of the danger, fights to save the child. Broichan is wary but relents, for Bridei must grow to be his own man and make his own decisions.

Sharon Shinn's Twelve Houses books have fascinated fans and critics alike with their irresistible blend of fantasy, romance, and adventure. Now in Quatrain, she weaves compelling stories in four of the worlds that fans love in "Flight", "Blood", "Gold", and "Flame".

In a small village in the nation of Droevinka, orphaned sisters Cline and Amelie Fawe scrape out a living selling herbal medicines in their apothecary shop. Cline earns additional money by posing as a seer and pretending to read people's futures. But they exist in a land of great noble houses, all vying for power, and when the sisters refuse the orders of a warlord prince, they must flee and are forced to depend on the warlord prince's brother, Anton, for a temporary haven.

A bonus never-before-released short story by best-selling author Isobelle Carmody. Before the apocolyptic Great White - and the regressive theology that ruled the decimated population in its wake - the city of Uropa is a gleaming metropolis devoted wholly to materialistic consumption.

Since the days of Isaiah, two families have been charged with safeguarding the brass plates containing the history of God's works among his people - one to preserve them and the other to protect them at all costs. But these are dark times. Having spent the last decade apprenticing in the closely guarded secrets of steel making, Zoram anxiously returns to his childhood home of Jerusalem to fulfill his destiny and take his place as the new Keeper of the Sword.

Young Magdalen and Jesus, brimming with youthful charm and arrogance, find each other and fall in love, forging a bond that is stronger than death. Their pleasure is overshadowed by a brilliant but unbalanced druid who knows a perilous secret about Maeve's past. The prequel to The Passion of Mary Magdalen.

For generations the misty Shadowline has marked the boundary between the lands of men and the lost northern lands that are the lair of their inhuman enemies, the ageless Qar. But now that boundary line is moving outward, threatening to engulf the northernmost land in which humans still live - the kingdom of Southmarch.

USA Today hails Steven Saylor as a “modern master of historical fiction.” Rich in intrigue and period detail, his novels set in ancient Rome have garnered acclaim the world over. A prequel to his epic Roma Sub Rosa series, The Seven Wonders follows series star Gordianus the Finder as an 18-year-old traveling the Mediterranean to witness the wonders of that fabled age. At each stop, the young investigator finds a beguiling mystery that pushes his powers of deduction to the limit.

Wayétu Moore’s powerful debut novel, She Would Be King, reimagines the dramatic story of Liberia’s early years through three unforgettable characters who share an uncommon bond. Gbessa, exiled from the West African village of Lai, is starved, bitten by a viper, and left for dead, but still she survives. June Dey, raised on a plantation in Virginia, hides his unusual strength until a confrontation with the overseer forces him to flee. Norman Aragon, the child of a white British colonizer and a Maroon slave from Jamaica, can fade from sight when the earth calls him.

From the small coastal town of Senjan, notorious for its pirates, a young woman sets out to find vengeance for her lost family. That same spring, from the wealthy city-state of Seressa, famous for its canals and lagoon, come two very different people: a young artist traveling to the dangerous east to paint the grand khalif at his request - and possibly to do more - and a fiercely intelligent, angry woman posing as a doctor's wife but sent by Seressa as a spy.

In an ancient land in a time foretold by prophets, a babe was born beneath a shining star. Thirty years later, Jesus of Nazareth began teaching a message of hope, peace, and love. He claimed to be the Son of God, and his words - and his life - would change the world. Though David ben Joseph is quick to accept Jesus as the Messiah, the rest of his family is more cautious.

For fifteen years FitzChivalry Farseer has lived in self-imposed exile, assumed to be dead by almost all who once cared about him. But now, into his isolated life, visitors begin to arrive: Fitz's mentor from his assassin days; a hedge-witch who foresees the return of a long-lost love; and the Fool, the former White Prophet, who beckons Fitz to fulfill his destiny. Then comes the summons he cannot ignore. Prince Dutiful, the young heir to the Farseer throne, has vanished.

Ragnvald Eysteinsson, the son and grandson of kings, grew up believing that he would one day take his dead father's place as chief of his family's lands. But, sailing home from a raiding trip to Ireland, the young warrior is betrayed and left for dead by men in the pay of his greedy stepfather, Olaf. Rescued by a fisherman, Ragnvald is determined to have revenge for his stepfather's betrayal, claim his birthright and the woman he loves, and rescue his beloved sister, Svanhild.

Defying their Black King in order to rally an attack on the peaceful Blue Isle, warrior-prince Rugar and his fearless daughter, Jewel, do not suspect that the islanders, under young prince Nicholas, have prepared to defend themselves.

In 1950, Katherine Proctor leaves Ireland for Barcelona, determined to escape her family and become a painter. There she meets Miguel, an anarchist veteran of the Spanish Civil War, and begins to build a life with him. But Katherine cannot escape her past, as Michael Graves, a fellow Irish émigré in Spain, forces her to reexamine all her relationships: to her lover, her art, and the homeland she only thought she knew. The South is a novel of classic themes - of art and exile, and of the seemingly irreconcilable yearnings for love and freedom - to which Colm Tóibín brings a new, passionate sensitivity.

Eamon Redmond is a judge in Ireland’s high court, a completely legal creature who is just beginning to discover how painfully unconnected he is from other human beings. With effortless fluency, Colm Tóibín reconstructs the history of Eamon’s relationships - with his father, his first "girl", his wife, and the children who barely know him - and he writes about Eamon’s affection for the Irish coast with such painterly skill that the land itself becomes a character. The result is a novel of stunning power.

Beautiful and profoundly moving, The Master tells the story of Henry James, a man born into one of America’s first intellectual families who leaves his country in the late 19th century to live in Paris, Rome, Venice, and London among privileged artists and writers. With stunningly resonant prose, “The Master is unquestionably the work of a first-rate novelist: artful, moving, and very beautiful” (The New York Times Book Review). The emotional intensity of this portrait is riveting.

Widowed at forty, with four children and not enough money, Nora has lost the love of her life, Maurice, the man who rescued her from the stifling world to which she was born. And now she fears she may be drawn back into it. Wounded, strong-willed, clinging to secrecy in a tiny community where everyone knows your business, Nora is drowning in her own sorrow and blind to the suffering of her young sons, who have lost their father.

Meryl Streep’s performance of Colm Tóibín's acclaimed portrait of Mary is hailed by the New York Times Book Review as “an ideal audiobook,” presenting the three-time Academy Award-winner in “yet another great role.” Shortlisted for the Man Booker Prize, Colm Tóibín's The Testament of Mary presents Mary as a solitary older woman still seeking to understand the events that become the narrative of the New Testament and the foundation of Christianity. In the ancient town of Ephesus, Mary lives alone, years after her son's crucifixion. She has no interest in collaborating with the authors of the Gospel. They are her keepers, providing her with food and shelter and visiting her regularly. She does not agree that her son is the Son of God; nor that his death was "worth it"; nor that the "group of misfits he gathered around him, men who could not look a woman in the eye," were holy disciples. This woman who we know from centuries of paintings and scripture as the docile, loving, silent, long-suffering, obedient, worshipful mother of Christ becomes a tragic heroine with the relentless eloquence of Electra or Medea or Antigone, in a portrait so vivid and convincing that our image of Mary will be forever transformed.

The Magician opens in a provincial German city at the turn of the 20th century, where the boy, Thomas Mann, grows up with a conservative father, bound by propriety, and a Brazilian mother, alluring and unpredictable. Young Mann hides his artistic aspirations from his father and his homosexual desires from everyone. He is infatuated with one of the richest, most cultured Jewish families in Munich, and marries the daughter Katia. They have six children. On a holiday in Italy, he longs for a boy he sees on a beach and writes the story Death in Venice.

During the winter solstice, on the shortest day and longest night of the year, the ancient burial chamber at Newgrange is empowered. Its mystifying source is a haunting tale told by locals. Professor O’Kelly believes an archaeologist’s job is to make known only what can be proved. He is undeterred by ghost stories, idle speculation, and caution. Much to the chagrin of the living souls in County Meath. As well as those entombed in the sacred darkness of Newgrange itself. They’re determined to protect the secret of the light, guarded for more than 5,000 years.

In the captivating stories that make up The Empty Family, Colm Tibn delineates with a tender and unique sensibility, lives of unspoken or unconscious longing, of individuals often willingly cast adrift from their history. From the young Pakistani immigrant who seeks some kind of permanence in a strange town, to the Irish woman reluctantly returning to Dublin and discovering a city that refuses to acknowledge her long absence, each of Tibn's stories manage to contain whole worlds.

This beautifully written, intensely intimate collection explores a subject of nearly universal experience: the psychological push and pull between a mother and a son.

“IT ALL STARTED WITH MY BALLS.” So begins Colm Tóibín’s fabulously compelling essay, laced with humor, about his diagnosis and treatment for cancer. Tóibín survives, but he has entered, as he says, “the age of one ball.” Tóibín describes his education by priests, several of whom were condemned years later for abuse. He writes about Irish history and literature, and about the long, tragic journey toward legal and social acceptance of homosexuality. A Guest at the Feast is both an intimate encounter with a creative artist and a glorious celebration of writing.

First published in 1900, when Thomas Mann was 25, Buddenbrooks is a minutely imagined chronicle of four generations of a North German mercantile family - a work so true to life that it scandalized the author’s former neighbours in his native Lübeck.