Today, "Hallelujah" is one of the most-performed rock songs in history. It has become a staple of movies and television shows as diverse as Shrek and The West Wing, of tribute videos and telethons. It has been covered by hundreds of artists, including Bob Dylan, U2, Justin Timberlake, and k.d. lang, and it is played every year at countless events - both sacred and secular - around the world. Yet when music legend Leonard Cohen first wrote and recorded "Hallelujah", it was for an album rejected by his longtime record label.

From our talent-rich neighbor to the north comes this biography of one of the most successful Canadian rock bands, The Tragically Hip, which announced a year-long tour after sharing the news of lead singer Gord Downie’s inoperable cancer. Now available to US listeners, The Never-Ending Present details what led up to the memorable night when music fans all over the world watched Downie’s heroic final performance.

More than 30 years after disbanding in 1980, Led Zeppelin continues to be celebrated for its artistic achievements, broad musical influence, and commercial success. The band's notorious exploits have been chronicled in bestselling books; yet none of the individual members of the band has penned a memoir nor cooperated to any degree with the press or a biographer.

Ben Greenman, New York Times best-selling author, contributing writer to The New Yorker, and owner of thousands of recordings of Prince and Prince-related songs, knows intimately that there has never been a rock star as vibrant, mercurial, willfully contrary, experimental, or prolific as Prince. Uniting a diverse audience while remaining singularly himself, Prince was a tireless artist, a musical virtuoso and chameleon, and a pop-culture prophet.

Through such hits as "The Sound of Silence", "Bridge Over Troubled Water", "Still Crazy After All These Years", and "Graceland", Paul Simon has spoken to us in songs for a half-century about alienation, doubt, resilience, and empathy in ways that have established him as one of the most honored and beloved songwriters in American pop music history. His music has gone beyond the sales charts into our cultural consciousness. He was the first songwriter awarded the Gershwin Prize by the Library of Congress and is a member of the Rock and Roll Hall of Fame and the Songwriters Hall of Fame.

George Harrison and Eric Clapton shared a legendary and tumultuous friendship that shaped not only their respective lives and careers, but the shifting face of rock itself in the early 1970s. All Things Must Pass Away traces that friendship from its earliest roots in 1964, when Beatles-averse blues-rocker Eric met George backstage at the Hammersmith Odeon, through the messy trials of Clapton's affair with Harrison's wife, Pattie Boyd, to the turn of the century, as the two elder statesmen of rock traded honors during Harrison's final days.

Ever since Pearl Jam first blasted onto the Seattle grunge scene three decades ago with their debut album, Ten, they have sold 85M+ albums, performed for hundreds of thousands of fans around the world, and have even been inducted into the Rock and Roll Hall of Fame. In Long Road: Pearl Jam and the Soundtrack of a Generation, music critic and journalist Steven Hyden celebrates the life, career, and music of this legendary group, widely considered to be one of the greatest American rock bands of all time.

The first book dedicated solely to exploring his creative work, Man in the Music guides us through an unparalleled analysis of Jackson’s recordings, album by album, from his trailblazing work with Quincy Jones to his later collaborations with Teddy Riley, Jimmy Jam, Terry Lewis, and Rodney Jerkins. Drawing on rare archival material and on dozens of original interviews with many who helped bring the artist’s music into the world, Jackson expert and acclaimed cultural critic Joseph Vogel reveals what gave rise to an immortal body of work.

Edward Kennedy "Duke" Ellington was the greatest jazz composer of the twentieth century - and an impenetrably enigmatic personality whom no one, not even his closest friends, claimed to understand. The grandson of a slave, he dropped out of high school to become one of the world's most famous musicians, a showman of incomparable suavity who was as comfortable in Carnegie Hall as in the nightclubs where he honed his style.

Joni Mitchell is a cultural touchstone for generations of Americans. In her heyday she released 10 experimental, challenging, and revealing albums; her lyrics captivated people with the beauty of their language and the rawness of their emotions, both deeply personal to Mitchell and universally relatable to her audience. In this intimate biography, composed of dozens of in-person interviews with Mitchell, David Yaffe reveals the backstory behind the famous songs.

In Corporate Rock Sucks, music journalist Jim Ruland relays the unvarnished story of SST Records, from its remarkable rise in notoriety to its infamous downfall. With records by Black Flag, Minutemen, Hüsker Dü, Bad Brains, Sonic Youth, Dinosaur Jr., Screaming Trees, Soundgarden, and scores of obscure yet influential bands, SST was the most popular indie label by the mid-80s - until a tsunami of legal jeopardy, financial peril, and dysfunctional management brought the empire tumbling down. This investigative deep-dive leads listeners through SST’s tumultuous history.

This book not only covers the highlights of Lou Reed's career but explores lesser-known facets of his work, such as his first recordings with doo-wop group the Jades, his key literary influences, the impact of Judaism upon his work, and his engagement with the LGBT movement.

Nearly 20 years in the making, Can't Buy Me Love is a masterful work of group biography, cultural history, and musical criticism. That the Beatles were an unprecedented phenomenon is a given. Here Jonathan Gould seeks to explain why, placing the Fab Four in the broad and tumultuous panorama of their time and place, rooting their story in the social context that girded both their rise and their demise.

On May 8, 1977, at Barton Hall, on the Cornell University campus, in front of 8,500 eager fans, the Grateful Dead played a show so significant that the Library of Congress inducted it into the National Recording Registry. The band had just released Terrapin Station and was still finding its feet after an extended hiatus. In 1977, the Grateful Dead reached a musical peak, and their East Coast spring tour featured an exceptional string of performances. Many Deadheads claim that the quality of the live recording of the show made by Betty Cantor-Jackson elevated its importance.

The author of the critically acclaimed Your Favorite Band Is Killing Me offers an eye-opening and frank assessment of the state of classic rock, assessing its past and future, the impact it has had, and what its loss would mean to an industry, a culture, and a way of life.