Cornell '77
The Music, the Myth, and the Magnificence of the Grateful Dead's Concert at Barton Hall
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Narrated by:
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Johnny Heller
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By:
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Peter Conners
About this listen
On May 8, 1977, at Barton Hall, on the Cornell University campus, in front of 8,500 eager fans, the Grateful Dead played a show so significant that the Library of Congress inducted it into the National Recording Registry. The band had just released Terrapin Station and was still finding its feet after an extended hiatus. In 1977, the Grateful Dead reached a musical peak, and their East Coast spring tour featured an exceptional string of performances, including the one at Cornell.
Many Deadheads claim that the quality of the live recording of the show made by Betty Cantor-Jackson (a member of the crew) elevated its importance. Once those recordings-referred to as "Betty Boards" - began to circulate among Deadheads, the reputation of the Cornell '77 show grew exponentially. With time the show at Barton Hall acquired legendary status in the community of Deadheads and audiophiles.
Rooted in dozens of interviews - including a conversation with Betty Cantor-Jackson about her recording - Cornell '77 is about far more than just a single Grateful Dead concert. It is a social and cultural history of one of America's most enduring and iconic musical acts, their devoted fans, and a group of Cornell students whose passion for music drove them to bring the Dead to Barton Hall. Peter Conners has intimate knowledge of the fan culture surrounding the Dead, and his expertise brings the show to life. He leads listeners through a song-by-song analysis of the performance, from "New Minglewood Blues" to "One More Saturday Night," and conveys why, 40 years later, Cornell '77 is still considered a touchstone in the history of the band.
As Conners notes in his Prologue: "You will hear from Deadheads who went to the show. You will hear from non-Deadhead Cornell graduates who were responsible for putting on the show in the first place. You will hear from record executives, academics, scholars, Dead family members, tapers, traders, and trolls. You will hear from those who still live the Grateful Dead every day. You will hear from those who would rather keep their Grateful Dead passions private for reasons both personal and professional. You will hear stories about the early days of being a Deadhead and what it was like to attend, and perhaps record, those early shows, including Cornell '77."
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From behind the walls of a handful of well-hidden, unlikely recording studios in the Los Angeles area, legends-in-waiting created masterpiece albums. It was a time of astonishing creativity and unprecedented fame and fortune. It was also a time of unfettered excess that threatened to unravel everything along the way. With access that only a longtime music business insider can provide, Kent Hartman packs Goodnight, L.A. with never-before-told stories about the most prolific time and iconic place in rock 'n' roll history.
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great stories and insight into a miraculous time
- By RWM on 05-27-22
By: Kent Hartman
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Fornication
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- By: Jeff Apter
- Narrated by: Adrian Mulraney
- Length: 15 hrs and 30 mins
- Unabridged
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Despite an epic reputation for exhibitionism, drug taking, and drunkenness, through it all the Chili Peppers have continued to produce records that shock, challenge, and intrigue their fans. Jeff Apter tells the complete Red Hot Chili Peppers story, from their first meeting at a Los Angeles high school to the creation of such career-defining albums as BloodSugarSexMagik, Californication and By The Way.
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Cabron
- By Amazon Customer on 10-02-19
By: Jeff Apter
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Fire and Rain
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- By: David Browne
- Narrated by: Sean Runnette
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January 1970: the Beatles assemble one more time to put the finishing touches on Let It Be; Crosby, Stills, Nash & Young are wrapping up Déjà Vu; Simon and Garfunkel are unveiling Bridge Over Troubled Water; James Taylor is an upstart singer-songwriter who's just completed Sweet Baby James. Over the course of the next twelve months, their lives---and the world around them---will change irrevocably.
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Fascinating information, easy to listen
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By: David Browne
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The Ballad of Bob Dylan
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- Narrated by: Bronson Pinchot
- Length: 15 hrs and 26 mins
- Unabridged
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The Ballad of Bob Dylan is a vivid, full-bodied portrait of one of the most influential artists of the 20th-century - a man widely regarded as the most important lyricist America has ever produced. Acclaimed poet and biographer Daniel Mark Epstein frames Dylan against the backdrop of four seminal concerts - all of which he attended. Beautifully written, The Ballad of Bob Dylan is a unique, eye-opening portrait of an artist who has transformed generations and continues to inspire and surprise today.
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Excellent book, excellent narration
- By L chandler on 12-22-11
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The Wrecking Crew
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- By: Kent Hartman
- Narrated by: Dan John Miller
- Length: 9 hrs and 41 mins
- Unabridged
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If you were a fan of popular music in the 1960s and early '70s, you were a fan of the Wrecking Crew - whether you knew it or not. On hit record after hit record by everyone from the Byrds, the Beach Boys, and the Monkees to the Grass Roots, the 5th Dimension, Sonny & Cher, and Simon & Garfunkel, this collection of West Coast studio musicians from diverse backgrounds established themselves as the driving sound of pop music - sometimes over the objection of actual band members....
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Left Guessing
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By: Kent Hartman
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Everybody Wants Some
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- Narrated by: Fred Berman
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- Unabridged
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How did a pair of little Dutch boys trained in classical music grow up to become the nucleus of the most popular heavy metal band of all time? What's the secret behind Eddie Van Halen's incredible fast and furious guitar solos? What makes David Lee Roth and Sammy Hagar so wacky? And, are all those stories about groupies, booze bashes, and contract riders true? The naked truth is laid bare in Everybody Wants Some - the real-life story of a rock 'n' roll fantasy come true.
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Good details of albums and post-1984 career
- By IndyMATT on 12-30-18
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So Many Roads
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No longer dismissed as relics of the hippie era, a new generation has lionized the Dead for creating a culture that paved the way for social networking, free music swapping, and the uncompromising anticorporate attitude of indie rock. Now, fifty years after the band first began changing rock 'n' roll both sonically and psychically, So Many Roads paints the most vivid portrait yet of the Grateful Dead, one of the most enduring institutions in American music and culture.
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Great first book on the Dead
- By robert on 10-30-15
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Outlaw
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Waylon Jennings. Willie Nelson. Kris Kristofferson. Three renegade musicians. Three unexpected stars. Three men who changed Nashville and country music forever. Streissguth's new book brings to life an incredible chapter in musical history and reveals for the first time a surprising outlaw zeitgeist in Nashville. Based on extensive research and probing interviews with key players, what emerges is a fascinating glimpse into three of the most legendary artists of our times and the definitive story of how they changed music in Nashville and everywhere.
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Revealing little-known Details does Captivate!
- By Cody Meyer on 11-20-17
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Unchained
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From the moment their hugely influential 1978 debut landed, Van Halen set a high bar for the rock 'n' roll lifestyle, creating an entirely new style of post-'60s hard rock and becoming the quintessential rock band of the 1980s. But the high-flying success was fraught with difficulty, as Eddie struggled with alcohol and drug addiction while simultaneously battling David Lee Roth over the musical direction of the band, eventually taking the band in an entirely new direction with Sammy Hagar and scaling new heights, before that iteration of Van Halen disintegrated.
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Please don't read other audible books
- By Mike on 02-01-22
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When Giants Walked the Earth
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- By: Mick Wall
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They were the last great band of the '60s and the first great band of the '70s. They rose, somewhat unpromisingly, from the ashes of the Yardbirds to become one of the biggest-selling rock bands of all time - and eventually paid the price for it, with disaster, drug addiction, and death.
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Very annoying but tolerable for serious fans.
- By M. Allen on 08-14-19
By: Mick Wall
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High Voltage
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The first biography to focus exclusively on Angus Young - from his remarkable rise from working-class Glasgow and Sydney to the biggest stages in the world. Angus Young, the cofounder and the last remaining original member of AC/DC, has for more than 40 years been the face, the sound and sometimes the exposed backside of the trailblazing rock band.
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Excellent book
- By Anonymous User on 09-21-18
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Paul McCartney
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The best-selling author of the definitive biography of former Beach Boy Brian Wilson offers new insight into the life and music of Paul McCartney, one of the world's most popular and influential musicians. Informed by new, exclusive interviews with friends, bandmates, and collaborators, the book describes McCartney's many triumphs as well as his failures, from the Beatles era through his decade with Wings and his subsequent solo career.
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Great...But
- By Diego on 05-02-10
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Walk This Way
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- By: Geoff Edgers
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Washington Post staff writer Geoff Edgers takes a deep dive into the story behind "Walk This Way", Aerosmith and Run-DMC's legendary, groundbreaking mashup that forever changed music.
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A MUST LISTEN/READ
- By Aron Teo Lee on 05-17-19
By: Geoff Edgers
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What listeners say about Cornell '77
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Jonathan
- 05-29-23
Well written and fun
Great background on the dead and just enough history to put this epic concert in historical perspective- made me go back to my dead colllection and relisten again to my old tapes
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- David L.
- 01-11-19
Amazing
I thought I new everything about the Grateful Dead but boy was I wrong. Peter Conners tells not only the story of Cornell '77 but also tells the story of the Grateful Dead. I recommend this book to anyone that calls themselves a Dead Head or anyone wanted to learn more about the Dead.
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- Mina
- 12-25-18
Great Album....
...Great book. very unique perspective over a short period of time. buy it, read it
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- Bk
- 10-03-20
this should be made as a film.
this is a well put together audiobook rock doc, lots of neat little facts about the show. it's no long strange trip, but it's very focused on the Cornell show and does add a lot of little stories to the dead lore.
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- Jonathan Golden
- 10-25-24
So-so
I’d agree with Gans. There is no “best concert.” There are only “favorite concerts.” While it’s good, Cornell 77 isn’t one of my favorites.
De gustibus non est disputandum.
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- Charles A. Prince, Jr
- 06-17-21
Great Show to Start Of With
Just finishing this rockling,throughly entertaining audiobook, in the world of Deadheads, this show is spoken in hush tones as the best show that the band ever played, as a Deadhead whose first show was the also epic 11-17-73 UCLA Pauley Pavilion,
I have to have my say, that it's among the best shows that the Dead played, I mean c'mon it's like whose sibling is the best? It's an awesome show, but we are speaking about a group who each night inspires each other in playing improvisation, different time signatures for songs,slow or fast and play what they feel like, unlike rock groups who are forever tied to playing their greatest hits, The Dead celebrate the way music is played, heard and felt. Indeed Cornell '77 sails into the heavens with playing singing and just being in the moment, The NOW, like jazz musicians it's the call of the moment and oh how the Gods answered back.
I do agree that for a novice to hear Cornell '77 and just get the idea that this why we follow this band for decades and after Jerry's passings,the Dead and Company are taking up the torch and lead newbies and the tie died followers into new interpolations of the Dead's repertoire.
Indeed they're a band beyond of description like Jehovah's favorite choir and this book excels in describe this moment in time. Thank You Mr. Connors and Mr. Heller.
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- Mike Simonsen
- 10-23-24
Great curated tour.
One reason I love art museums is that I enjoy the context that went into the art almost as much as the art itself. That’s true with this book too. I was never a super deadhead. I saw maybe a dozen shows in the 80s and 90s. I don’t really listen much to the Dead today. But I love the history of the art, the context around which it was made. I’m a voracious consumer of rock ‘n’ roll memoirs. This book hits on all those aspects that I love.
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