Why did the flushing toilet take two centuries to catch on? Why did medieval people sleep sitting up? When were the two "dirty centuries?" Why did gas lighting cause Victorian ladies to faint? Why, for centuries, did rich people fear fruit?In her brilliantly and creatively researched book, Lucy Worsley takes us through the bedroom, bathroom, living room, and kitchen.

Why did Agatha Christie spend her career pretending that she was "just" an ordinary housewife, when clearly she wasn't? Lucy Worsley's biography is not just of a massively, internationally successful writer. It's also the story of a person who, despite the obstacles of class and gender, became an astonishingly successful working woman. With access to rarely seen personal letters and papers, Lucy Worsley's biography is both authoritative and entertaining and makes us realize what an extraordinary pioneer Agatha Christie was—truly a woman who wrote the twentieth century.

Take a trip back to Jane Austen's world and the many places she lived as historian Lucy Worsley visits Austen's childhood home, her schools, her holiday accommodations, the houses - both grand and small - of the relations upon whom she was dependent, and the home she shared with her mother and sister towards the end of her life.

Perhaps one of the best known of the English monarchs, Queen Victoria forever shaped a chapter of English history, bequeathing her name to the Victorian age. In Queen Victoria, Lucy Worsley introduces this iconic woman in a new light. Going beyond an exploration of the queen merely as a monarch, Worsley considers Victoria as a woman leading a truly extraordinary life in a unique time period.

Clever, headstrong Elizabeth Rose Camperdowne knows her duty. As the sole heiress to an old but impoverished noble family, Eliza must marry a man of wealth and title - it's the only fate for a girl of her standing. But when a surprising turn of events lands her in the royal court as a maid of honor to Anne of Cleves, Eliza is drawn into the dizzying, dangerous orbit of Henry the Eighth and struggles to distinguish friend from foe.

No single invention epitomizes the Victorian era more than the black cast-iron range. Aware that the 21st-century has reduced it to a quaint relic, Ruth Goodman was determined to prove that the hot coal stove provided so much more than morning tea: It might even have kick-started the Industrial Revolution. Wielding the wit and passion seen in How to Be a Victorian, Goodman traces the tectonic shift from wood to coal in the mid-16th century - from sooty trials and errors during the reign of Queen Elizabeth I to the totally smog-clouded reign of Queen Victoria.

The village of Badger's Drift is the essence of tranquillity. But when resident and well-loved spinster Miss Simpson takes a stroll in the nearby woods, she stumbles across something she was never meant to see, and there's only one way to keep her quiet. Miss Simpson's death is not suspicious, say the villagers. But Miss Lucy Bellringer refuses to rest: her friend has been murdered. She is sure of it.

In the latest volume of his celebrated series of Time Traveler's Guides, Ian Mortimer turns to what is arguably the most-loved period in British history—the Regency, or Georgian England. A time of exuberance, thrills, frills, and unchecked bad behavior, it was perhaps the last age of true freedom before the arrival of the stifling world of Victorian morality. At the same time, it was a period of transition. Conveying the sights, sounds, and smells of the Regency period, this is history at its most exciting—the past not as something to be studied, but as lived experience.

Miss Marple: The Complete Story Collection gathers together in one magnificent volume all of Agatha Christie’s short stories featuring her beloved intrepid investigator, Miss Marple. It’s an unparalleled compendium of murder, mayhem, mystery, and detection that represents some of the finest short form fiction in the crime fiction field, and is an essential omnibus for Christie fans.

On the heels of her triumphant How to Be a Victorian, Ruth Goodman travels even further back in English history to the era closest to her heart, the dramatic period from the crowning of Henry VII to the death of Elizabeth I. Drawing on her own adventures living in re-created Tudor conditions, Goodman serves as our intrepid guide to 16th-century living. Proceeding from daybreak to bedtime, this charming, illustrative work celebrates the ordinary lives of those who labored through the era.

Two men, each handsome and unusually adept at his chosen work, embodied an element of the great dynamic that characterized America’s rush toward the twentieth century. The architect was Daniel Hudson Burnham, the fair’s brilliant director of works and the builder of many of the country’s most important structures, including the Flatiron Building in New York and Union Station in Washington, D.C. The murderer was Henry H. Holmes, a young doctor who, in a malign parody of the White City, built his “World’s Fair Hotel” just west of the fairgrounds.

An approved textbook at Hogwarts School of Witchcraft and Wizardry since its first publication, Fantastic Beasts and Where to Find Them is an indispensable guide to the magical beasts of the wizarding world. It showcases a menagerie of magical creatures, explained enchantingly by noted magizoologist, Newt Scamander, who you may remember from the film series of the same name.

England's Tudor monarchs - Henry VII, Henry VIII, Edward VI, Mary I, and Elizabeth I - are perhaps the most celebrated and fascinating of all royal families in history. Their love affairs, their political triumphs, and their overturning of the religious order are the subject of countless works of popular scholarship. But for all we know about Henry's quest for male heirs or Elizabeth's purported virginity, the lives of the Tudor monarchs away from the public eye remain largely beyond our grasp, mostly not chronicled by previous historians.

Until the mass hysteria of the seventeenth century, accusations of witchcraft in England were rare. However, four royal women, related in family and in court ties - Joan of Navarre, Eleanor Cobham, Jacquetta of Luxembourg, and Elizabeth Woodville - were accused of practicing witchcraft in order to kill or influence the king. In Royal Witches, Gemma Hollman explores the lives and the cases of these so-called witches, placing them in the historical context of 15th-century England, a setting rife with political upheaval and war.

Berkeley, California, 1933. In a lab filled with curiosities - beakers, microscopes, Bunsen burners, and hundreds upon hundreds of books - sat an investigator who would go on to crack at least 2,000 cases in his 40-year career. Known as the "American Sherlock Holmes", Edward Oscar Heinrich was one of America's greatest - and first - forensic scientists, with an uncanny knack for finding clues, establishing evidence, and deducing answers with a skill that seemed almost supernatural.

Murder in the 19th century was rare. But murder as sensation and entertainment became ubiquitous, with cold-blooded killings transformed into novels, broadsides, ballads, opera, and melodrama - even into puppet shows and performing-dog acts. Detective fiction and the new police force developed in parallel, each imitating the other - the founders of Scotland Yard gave rise to Dickens's Inspector Bucket, the first fictional police detective, who in turn influenced Sherlock Holmes and, ultimately, even P. D. James and Patricia Cornwell.

A real-life detective story, investigating how Agatha Christie and colleagues in a mysterious literary club transformed crime fiction, writing books casting new light on unsolved murders whilst hiding clues to their authors' darkest secrets. This is the first book about the Detection Club, the world's most famous and most mysterious social network of crime writers. Drawing on years of in-depth research, it reveals the astonishing story of how members such as Agatha Christie and Dorothy L. Sayers reinvented detective fiction.

To judge by the worldwide success of Arthur Conan Doyle's Sherlock Holmes and Agatha Christie's Poirot, it is not only the Anglo-Saxons who have an appetite for mystery and mayhem. Talking about the craft of detective writing and sharing her personal thoughts and observations on one of the most popular and enduring forms of literature, P. D. James examines the challenges, achievements and potential of a genre which has fascinated her as a novelist for nearly 50 years.

Vain and charismatic Walter Sickert made a name for himself as a painter in Victorian London. But the ghoulish nature of his art - as well as extensive evidence - points to another name, one that's left its bloody mark on the pages of history: Jack the Ripper. Cornwell has collected never-before-seen archival material - including a rare mortuary photo, personal correspondence and a will with a mysterious autopsy clause - and applied cutting-edge forensic science to open an old crime to new scrutiny.

In June of 1860 three-year-old Saville Kent was found at the bottom of an outdoor privy with his throat slit. The crime horrified all England and led to a national obsession with detection. At the time, the detective was a relatively new invention; there were only eight detectives in all of England and rarely were they called out of London, but this crime was so shocking that Scotland Yard sent its best man to investigate, Inspector Jonathan Whicher.

Since its publication in 1925, The Great Gatsby has become one of the world's best-loved books, delighting audiences across the world. Careless People tells the true story behind F. Scott Fitzgerald's masterpiece, exploring in newly rich detail the relation of Fitzgerald's classic to the chaotic world he in which he lived. Fitzgerald set his novel in 1922, and Careless People carefully reconstructs the crucial months during which Scott and Zelda Fitzgerald returned to New York in the autumn of 1922.

In Queer City, the acclaimed Peter Ackroyd looks at London in a whole new way - through the complete history and experiences of its gay and lesbian population. In Roman Londinium, the city was dotted with lupanaria (“wolf dens” or public pleasure houses), fornices (brothels), and thermiae (hot baths). Then came the Emperor Constantine, with his bishops, monks, and missionaries. And so began an endless loop of alternating permissiveness and censure.

A grisly book dedicated to the crimes, perversions and outrages of Victorian England, covering high-profile offences - such as the murder of actor William Terriss, whose stabbing at the stage door of the Adelphi Theatre in 1897 filled the front pages for many weeks - as well as lesser-known transgressions that scandalised the Victorian era. The tales include murders and violent crimes but also feature scandals that merely amused the Victorians.

Dozens of theories have attempted to resolve the mystery of the identity of Jack the Ripper, the world's most famous serial killer. Ripperologist Robert House contends that we may have known the answer all along. The head of Scotland Yard's Criminal Investigation Department at the time of the murders thought Aaron Kozminski was guilty, but he lacked the legal proof to convict him. By exploring Kozminski's life, Robert House here builds a strong circumstantial case against him.

Most of us today rarely see a dead body. In 19th-century Sydney, when health was precarious and workplaces and the busy city streets were often dangerous, witnessing a death was rather common. And any death that was sudden or suspicious would be investigated by the coroner. Henry Shiell was the Sydney city coroner from 1866 to 1889. In the course of his unusually long career, he delved into the lives, loves, crimes, homes, and workplaces of colonial Sydneysiders.

When you think of serial killers throughout history, the names that come to mind are ones like Jack the Ripper, John Wayne Gacy, and Ted Bundy. But what about Tillie Klimek, Moulay Hassan, Kate Bender? The narrative we’re comfortable with is the one where women are the victims of violent crime, not the perpetrators. In fact, serial killers are thought to be so universally, overwhelmingly male that in 1998, FBI profiler Roy Hazelwood infamously declared in a homicide conference, “There are no female serial killers.”

As America was stepping into the modern era, one great beauty became the artist's model of choice. Her perfect form became the emblem of the Gilded Age and appears on the greatest monuments of New York and the nation. Supermodel, actress, icon - her beauty paved the way for a life of glamour, passion, and ultimately tragedy. Her name is Audrey Munson.

A tour de force of black humor and imaginary erudition, Nazi Literature in the Americas presents itself as a biographical dictionary of writers who espoused extreme right-wing ideologies in the 20th and 21st centuries.

The Sinner and the Saint is the deeply researched and immersive tale of how Dostoevsky came to write this great murder story - and why it changed the world. As a young man, Dostoevsky was a celebrated writer, but his involvement with the radical politics of his day condemned him to a long Siberian exile. There, he spent years studying the criminals that were his companions. Upon his return to St. Petersburg in the 1860s, he fought his way through gambling addiction, debilitating debt, epilepsy, the deaths of those closest to him, and literary banishment.

Heiresses: Surely they are among the luckiest women on earth. Are they not to be envied, with their private jets and Chanel wardrobes and endless funds? Yet all too often those gilded lives have been beset with trauma and despair. Before the 20th century a wife’s inheritance was the property of her husband, making her vulnerable to kidnap, forced marriages, even confinement in an asylum. And in modern times, heiresses fell victim to fortune-hunters who squandered their millions.

Why did Agatha Christie spend her career pretending that she was "just" an ordinary housewife, when clearly she wasn't? Lucy Worsley's biography is not just of a massively, internationally successful writer. It's also the story of a person who, despite the obstacles of class and gender, became an astonishingly successful working woman. With access to rarely seen personal letters and papers, Lucy Worsley's biography is both authoritative and entertaining and makes us realize what an extraordinary pioneer Agatha Christie was—truly a woman who wrote the twentieth century.

Why did the flushing toilet take two centuries to catch on? Why did medieval people sleep sitting up? When were the two "dirty centuries?" Why did gas lighting cause Victorian ladies to faint? Why, for centuries, did rich people fear fruit?In her brilliantly and creatively researched book, Lucy Worsley takes us through the bedroom, bathroom, living room, and kitchen.

Kensington Palace is now most famous as the former home of Diana, Princess of Wales, but the palace's glory days came between 1714 and 1760, during the reigns of George I and II. In the eighteenth century, this palace was a world of skulduggery, intrigue, politicking, etiquette, wigs, and beauty spots, where fans whistled open like switchblades and unusual people were kept as curiosities.

Clever, headstrong Elizabeth Rose Camperdowne knows her duty. As the sole heiress to an old but impoverished noble family, Eliza must marry a man of wealth and title - it's the only fate for a girl of her standing. But when a surprising turn of events lands her in the royal court as a maid of honor to Anne of Cleves, Eliza is drawn into the dizzying, dangerous orbit of Henry the Eighth and struggles to distinguish friend from foe.

Perhaps one of the best known of the English monarchs, Queen Victoria forever shaped a chapter of English history, bequeathing her name to the Victorian age. In Queen Victoria, Lucy Worsley introduces this iconic woman in a new light. Going beyond an exploration of the queen merely as a monarch, Worsley considers Victoria as a woman leading a truly extraordinary life in a unique time period.

This telling of the story of Jane's life shows us how and why she lived as she did, examining the places and spaces that mattered to her. It wasn't all country houses and ballrooms, but a life that was often a painful struggle. Jane famously lived a 'life without incident', but with new research and insights Lucy Worsley reveals a passionate woman who fought for her freedom. A woman who far from being a lonely spinster in fact had at least five marriage prospects, but who in the end refused to settle for anything less than Mr Darcy.

Miss V. Conroy is good at keeping secrets. She likes to sit as quiet as a mouse, neat and discreet. But when her father sends her to Kensington Palace to become the companion to Princess Victoria, Miss V soon finds that she can no longer remain in the shadows. Her father is Sir John Conroy, confidant and financial advisor to Victoria's mother, and he has devised a strict set of rules for the young princess that he calls the Kensington System.

Agatha Christie is the bestselling novelist of all time, and nearly every story she ever wrote involves one—or, more commonly, several—dead bodies. Christie wouldn't have talked of "forensics" as it is understood today—most of her work predates the modern developments of forensics science—but in each tale she harnesses the power of human observation, ingenuity, and scientific developments of the era. A fascinating deep dive, The Science of Murder examines the use of fingerprints, firearms, handwriting, blood spatter analysis, toxicology, and more in Christie's works.

It has been one hundred years since Agatha Christie wrote her first novel and created the formidable Hercule Poirot. A brilliant and award-winning biographer, Laura Thompson now turns her sharp eye to Agatha Christie. Arguably the greatest crime writer in the world, Christie’s books still sell over four million copies each year - more than thirty years after her death - and it shows no signs of slowing.

From the Queen of Mystery, The Man in the Brown Suit, in which a young woman makes a dangerous decision to investigate a shocking “accidental” death she witnesses at a London tube station, and in 4:50 From Paddington, a woman in one train witnesses a murder occurring in another passing one…and only Miss Marple believes her story.