"The Spinoza of Market Street" is yet another masterful short story from literary great Isaac Bashevis Singer. The story is set in Warsaw in the days leading up to World War I. There Dr. Nahum Fischelson lives alone in an attic room overlooking Market Street. From on high he observes the crowd below, showing equal disdain for merchants and thieves alike. Rather than mingle with the people, he devotes his time and energy to explicating the philosophical works of Benedict de Spinoza.

This short story from the collection Gimpel the Fool, and Other Stories is infused with the wit and imagination, the humor and wisdom, that characterizes all of Isaac Bashevis Singer's work. Theodore Bikel reads this tale in classic Yiddish storyteller cadence, injecting special warmth and resonance.

Widely considered one of Isaac Bashevis Singer's most notable works of short fiction, "Gimpel the Fool" was originally written in Yiddish. It was later translated into English by Saul Bellow and appeared inthe 1953 edition of Partisan Review. The story, a parable, tells of a foolish, unlucky baker named Gimpel, who isconstantly tricked and heckled by other villagers. His follies ultimately reveal a moral lesson.

In this mystical short story, the author recalls frequenting a Broadway cafeteria where he would meet other Polish and Russian immigrants. In the fifties, a woman named Esther became part of their group. Although she had been in a Russian prison camp and now had taken a menial job to support her cripple father, she was cheerful and outgoing. She and the author became good friends, but each time he saw her, she looked more disenchanted; her father died, she was often ill, and she worried about her sanity.

Singer's famous and never-before-recorded novel about a passionate, forbidden love affair between Jew and Gentile in 17th century Poland.

Timothy and Jonah, wealthy entrepreneurs with a spoiled son, hide sins from their past—one involving a death on a cruise, the other a crime in Bali. Nathan and Samantha, the hot ex-nanny turned trophy wife, grapple with infertility and a shocking paternity secret. Bartosz and Angelika (he’s a chef, she’s a former sex worker) carry debts to the other couples they don’t even realize they owe. Over fourteen days, the couples bond—but their pasts are too deeply intertwined to stay hidden. The sly concierge, Putu, knows more than he lets on.

Annie has always had high hopes for her future. But the reality of her life just isn’t measuring up. She loves her fiancé, Greg–doesn’t she? She’s going to get her degree and open her own business–won’t she? Then, a strange old woman shows up outside her house, and she seems to know a lot about Annie. An awful lot. Annie could tell the old woman to get lost. Yet there’s something about her Annie just can’t shake. And what she learns could change her life forever–but is it the life she envisioned?

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.