Widely considered one of Isaac Bashevis Singer's most notable works of short fiction, "Gimpel the Fool" was originally written in Yiddish. It was later translated into English by Saul Bellow and appeared inthe 1953 edition of Partisan Review. The story, a parable, tells of a foolish, unlucky baker named Gimpel, who isconstantly tricked and heckled by other villagers. His follies ultimately reveal a moral lesson.

This short story from the collection Gimpel the Fool, and Other Stories is infused with the wit and imagination, the humor and wisdom, that characterizes all of Isaac Bashevis Singer's work. Theodore Bikel reads this tale in classic Yiddish storyteller cadence, injecting special warmth and resonance.

In this mystical short story, the author recalls frequenting a Broadway cafeteria where he would meet other Polish and Russian immigrants. In the fifties, a woman named Esther became part of their group. Although she had been in a Russian prison camp and now had taken a menial job to support her cripple father, she was cheerful and outgoing. She and the author became good friends, but each time he saw her, she looked more disenchanted; her father died, she was often ill, and she worried about her sanity.

This short story from the collection Gimpel the Fool, and Other Stories is infused with the wit and imagination, the humor and wisdom, that characterizes all of Isaac Bashevis Singer's work. Theodore Bikel reads this tale in classic Yiddish storyteller cadence, injecting special warmth and resonance.

These 4 stories are infused with the wit and imagination, the humor and wisdom, that characterizes all of Isaac Bashevis Singer's work. Theodore Bikel reads these wise and funny tales in classic Yiddish storyteller cadence, injecting special warmth and resonance. The tales include "Gimpel the Fool," "Esther Kreindel the Second," "The Spinoza of Market Street," and "The Black Wedding."

The Magician can dazzle the crowds with his sleight of hand, climb to any height, open any lock. Fearlessly, he does death-defying tricks in theaters all over Poland. At home, his sweet Jewish wife waits for him to return from the city. In the city, his adoring mistresses wait for him to return from home. He holds the key to all hearts, but his own is beset with confusion.

When Caroline Daniels takes a deadly fall in front of a train and her lover fails to turn up at the funeral, Zoë Boehm wants nothing to do with the case. But Caroline's boss is persistent, and as Zoë attempts to unlock the secrets of a woman she's never met while in search of a man who could be anywhere, she starts to wonder if he's found her first. And if he has, will that make her the next victim?

H.H. Munro (Saki) is one of the undisputed masters of the short story. In this complete compendium, the full gamut of his subjects and themes is experienced. His stories are imbued with humorous satire, biting irony, and often the macabre, all of which have one target: the stupidities and hypocrisies of Edwardian upper-class society.

Twenty-six-year-old Maggie Barnes is someone you would never look at twice. Living alone in a month-to-month sublet in the huge city of London, with no family but an estranged sister, no boyfriend or partner, and not much in the way of friends, Maggie is just the kind of person who could vanish from the face of the earth without anyone taking notice. Or just the kind of person MI5 needs to infiltrate the establishment and thwart an international plot that puts all of Britain at risk. Now one young woman has the chance to be a hero - if she can think quickly enough to stay alive.

Ibn Khaldun (1332-1406) is generally regarded as the greatest intellectual ever to have appeared in the Arab world - a genius who ranks as one of the world's great minds. Yet the author of the Muqaddima, the most important study of history ever produced in the Islamic world, is not as well known as he should be, and his ideas are widely misunderstood. In this groundbreaking intellectual biography, Robert Irwin provides an engaging and authoritative account of Ibn Khaldun's extraordinary life, times, writings, and ideas.

At the end of the 19th century, Jewish writers began writing in Yiddish and creating for the first time popular literature that brought alive the small dramas, struggles, and joys of ordinary life. Sholem Aleichem was one of the very few modern writers who spoke for an entire people. This collection of stories includes the title piece and seven other tales.

This is the story of Jim Dixon, a hapless lecturer in medieval history at a provincial university who knows better than most that “there was no end to the ways in which nice things are nicer than nasty ones.” Kingsley Amis’s scabrous debut leads the audience through a gallery of emphatically English bores, cranks, frauds, and neurotics with whom Dixon must contend in one way or another in order to hold on to his cushy academic perch and win the girl of his fancy.

I.L. Peretz, the acknowledged "Father of Yiddish Literature", captured the essence of Eastern European Jewish life. He wrote of the magical quality of kindness, and the bitter fruits of blind faith.

The internationally renowned star of Fiddler on the Roof brings the original stories of Tevye to life! Tevye personified the dreams not only of Russian Jews but of people everywhere when he sang "If I Were a Rich Man." Now hear the original stories of Tevye, as written by Sholem Aleichem (pen name of Sholem Rabinovich): "Today's Children," "Hodl," "Chava," and "Lekh-Lekho," the stories which were the basis for Fiddler, plus "Tevye Strikes It Rich" and "Tevye Blows a Small Fortune."

After an unremarkable interview, Circus agent George Smiley determines the subject of a standard security check—a civil servant in the Foreign Office named Samuel Fennan—poses no threat, nor presents any reason for suspicion of espionage. Hours later, Samuel Fennan is found dead by suicide. Suddenly finding himself under intense scrutiny, Smiley realizes the Circus intends to blame him for Fennan's death. Rather than remain idle, Smiley begins his own investigation into the nature of the man's demise.