Billy Summers is a man in a room with a gun. He’s a killer for hire and the best in the business. But he’ll do the job only if the target is a truly bad guy. And now Billy wants out. But first there is one last hit. Billy is among the best snipers in the world, a decorated Iraq war vet, a Houdini when it comes to vanishing after the job is done. So what could possibly go wrong?

In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis' parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there's no window. And outside his door are other doors, behind which are other kids with special talents - telekinesis and telepathy - who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and 10-year-old Avery Dixon.

The Inn at Gloucester stands alone on the rocky shoreline. Its seclusion suits former Boston police detective Bill Robinson, novice owner and innkeeper. As long as the dozen residents pay their rent, Robinson doesn't ask any questions. Neither does Sheriff Clayton Spears, who lives on the second floor. Then Mitchell Cline arrives, with a deadly new way of doing business. His crew of local killers break laws, deal drugs, and bring violence to the doors of the Inn.

Shane Ryan knows all about pain and suffering. A retired Marine gunnery sergeant, Shane has seen the worst humanity has to offer. He survived his ordeal, but his soul has been tainted by the darkness, leaving him with a permanent connection to the world of the supernatural. Shane sees the spirits of the dead. He hears their whispered cries of pain. And it’s a gift he plans to put to good use, when he travels to Detroit to investigate the death of one woman who saw through all the darkness in his heart. A woman who became his lover, many years ago.

Private eye Eddie Valiant doesn't like Toons - those cartoon characters who live side-by-side with humans. But Eddie will work for a Toon if his cash supply is low enough. So he reluctantly agrees when Roger Rabbit, a Toon who plays straight man (or should that be straight rabbit) in the Baby Herman cartoon series, asks him to find out who's been trying - unsuccessfully - to buy his contract from the DeGreasy Brothers syndicate. Then Rocco DeGreasy is murdered - and Roger is the prime suspect!

Spenser earned his degree in the school of hard knocks, so he is ready when a Boston university hires him to recover a rare, stolen manuscript. He is hardly surprised that his only clue is a radical student with four bullets in his chest. The cops are ready to throw the book at the pretty blond coed whose prints are all over the murder weapon but Spenser knows there are no easy answers. He tackles some very heavy homework and knows that if he doesn't finish his assignment soon, he could end up dead.

Ex-St. Paul cop Rushmore McKenzie has more time, and more money, than he knows what to do with. In fact, when he’s willing to admit it to himself (and he usually isn’t), Mac is downright bored. Until he decides to do a favor for a friend facing a family tragedy: Nine-year-old Stacy Carlson has been diagnosed with leukemia, and the only one with the matching bone marrow that can save her is her older sister, Jamie. Trouble is, Jamie ran away from home years ago.

Just back from her second tour in Afghanistan, NYPD Detective Chiara Corelli goes undercover to expose a ring of dirty cops. But when she's ordered to kill to prove her loyalty, she aborts the operation without having identified the leaders. Now, Corelli is the one exposed. With her brothers and sisters in blue ostracizing her, can she trust Detective P. J. Parker to watch her back?

In this gripping adventure - the first V.I. Warshawski mystery - America’s top private eye is tossed into a dangerous adventure when a seemingly straightforward assignment becomes complicated and deadly. Hired by a man who calls himself John Thayer, V.I.’s assignment is to find Thayer’s son Peter’s missing girlfriend. But when V.I. finds young Peter’s dead body instead, her client disappears.

The image of bloodshed in his office remained etched in Mike Hammer's mind forever - his secretary sprawled on the floor and a stranger sitting dead and mutilated at his own desk. In one moment a storm of madness entered the private eye's life. As he starts hunting for the killer, Hammer is haunted by the message left on his desk: "You die for killing me." Suddenly, he is in too deep with a lethal blonde who has big ideas, a CIA secret, and another set of murders.

A dying millionaire hires private eye Philip Marlowe to handle the blackmailer of one of his two troublesome daughters, and Marlowe finds himself involved with more than extortion. Kidnapping, pornography, seduction, and murder are just a few of the complications he gets caught up in.

Clement Mansell knows how easy it is to get away with murder. The seriously crazed killer is already back on the Detroit streets - thanks to some nifty courtroom moves by his crafty looker of a lawyer - and he's feeling invincible enough to execute a crooked Motown judge on a whim. Homicide Detective Raymond Cruz thinks the "Oklahoma Wildman" crossed the line long before this latest outrage, and he's determined to see that the hayseed psycho does not slip through the legal system's loopholes a second time.

Cready Marsen wants two things in life: South Florida sunshine and a mountain of money. Living on his 47-foot trawler at Dinner Key Marina gets him sunshine, and his work as a private investigator who reclaims stolen goods outside the bounds of the law brings in cash, but it requires every bit of Cready’s skill, guts, and questionable morals. When a scummy businessman offers Cready work with a big payout, he happily accepts. The job’s tricky, but nothing he can’t handle. At least, until his client’s daughter gets involved.

The rich history of Pulp stories are pure Americana. Written like a script from Film Noir movie, you are to be transported to a time in the 30's, 40's or 50's, where the liquor flowed freely and there was always a Crosley radio playing in some room off in the distance. Pulp Noir is more about a small slice or life...and usually a dark one.... Pour yourself a nice warm drink, dim the lights...conjure up in your consciousness; Femme Fatales, handguns, seedy bars, bad luck, thieves, scoundrels, a pack of Pall Mall's, low lighting, and definitely everything in glorious black and white.

The men in the tan-and-cream Chrysler came with guns blazing. When Ray Kelly woke up in the hospital, it was a month later, he was missing an eye, and his father was dead. Then things started to get bad. From the mind of the incomparable Donald E. Westlake comes a devastating story of betrayal and revenge, an exploration of the limits of family loyalty and how far a man will go when everything he loves is taken from him.