For the first time ever, the H.P. Lovecraft Historical Society has produced an audio recording of all of Lovecraft's stories. These are not dramatizations like our Dark Adventure Radio Theatre - rather, this is an audiobook of the original stories, in all-new, never-before-heard recordings made by the HPLHS' own Andrew Leman and Sean Branney exclusively for this collection. This collection spans his entire career from his earliest surviving works of childhood to stories completed shortly before his death. All tales include original music by HPLHS composer Troy Sterling Nies.

A random murder in a public park. An artist wracked by fantastical and haunting dreams. A police inspector confronting the depraved rites of a voodoo cult. Intrepid sailors pitted against a diabolical monstrosity risen from the bottom of the sea. And one man, doomed to understand that such things foretell madness and the end of mankind.

Between 1925-27, H.P. Lovecraft wrote Supernatural Horror in Literature, an extended essay about about the history of the weird tale. In it he describes supernatural horror from its earliest manifestations up to the 1920s. Lovecraft offers his own candid opinions on the merits (and deficiencies) of the world's canon of strange literature. The H.P. Lovecraft Historical Society recorded the essay as an audiobook. Read by society founders Sean Branney and Andrew Leman, the recording is approximately three hours long.

An escaped madman. Unspeakable research into the blackest depths of the occult. Shadowy figures ruthlessly pursuing unholy secrets. Will a young man’s thirst for knowledge push him over the brink to madness, or will it lead him to a fate far, far worse?

Richard Upton Pickman is a Bostonian painter, notorious for creating horrifying paintings. His ghoulish works are brilliant, but they're so graphic that his membership in the Boston Art Club is revoked and he finds himself shunned by his fellow artists. Then Pickman mysteriously disappears, and his friend finds himself on a mission of horror and evil to discover the truth.

Surely it is possible to outlive the past. Surely it is possible to outrun one's ancestors, to outrun history, to outrun fate. Surely a man's destiny lies in his own hands, and not in the misdeeds of men a hundred generations dead. Beware, England. The last Delapore has come home. This is a full-cast, soundscaped audio dramatization of a classic work by one of the masters of horror, featuring the voice of Harlan Ellison as Delapore.

In a small village a cruel elderly couple are killing their neighbor's pets with gleeful abandon. When an orphan traveling with a band of gypsies has his beloved kitten killed by the weird old couple, he retaliates in a horrifying act of supernatural revenge.

This is the completionist's edition of the work of H.P. Lovecraft! Literally every single weird-fiction story he wrote, revised, or collaborated on - to the best of our knowledge - is in this one enormous volume. The stories are arranged chronologically and contextualized with a brief running biography of the life of this fascinating author.

This is one of Lovecraft's most beautifully written and frightening stories. It is written from the perspective of a surveyor, who, while surveying a rural area that is to be flooded near the town of Arkham, comes across a mysterious, abandoned farmstead, which is completely devoid of all life. At the center of the farmstead is an old well. The site fills him with an unnatural sense of dread, and, as it turns out, there is good reason for that feeling.

During a time of political and social unrest in Egypt, a god-like force, Nyarlathotep, emerges. He travels the land dazzling people with electricity and psychology. While witnesses of this god-like creature encourage others to see him, afterwards, people seem terrified. As the narrator recounts his experiences, he becomes disoriented. By the end of the story, the narrator and the other viewers of Nyarlathotep begin to lose touch with reality.

As science advances, we are finding that the universe is far larger and more complex than we ever imagined, and mysterious beings like our visitors, which we dismissed as imaginary, are turning out to be real. This is calling to all of us to find a new life - a new world - in which they play a part.

One of the most highly acclaimed and best-selling authors of our time now gives us a book that charts the history of his own enchantment with story - from his own books to those of Blake, Milton, Dickens, and the Brothers Grimm, among others - and delves into the role of story in education, religion, and science. At once personal and wide-ranging, Daemon Voices is both a revelation of the writing mind and the methods of a great contemporary master and a fascinating exploration of storytelling itself.

The groundbreaking trans-genre work of Argentinian writer Jorge Luis Borges (1899-1986) has been insinuating itself into the structure, stance, and very breath of world literature for well over half a century. Multi-layered, self-referential, elusive, and allusive writing is now frequently labelled Borgesian.

James Gleick's story begins at the turn of the 20th century, with the young H. G. Wells writing and rewriting the fantastic tale that became his first book, an international sensation: The Time Machine. A host of forces were converging to transmute the human understanding of time, some philosophical and some technological - the electric telegraph, the steam railroad, the discovery of buried civilizations, and the perfection of clocks.

A study of the spiritual provocations to be found in the work of Philip K. Dick, Terence McKenna, and Robert Anton Wilson, High Weirdness charts the emergence of a new psychedelic spirituality that arose from the American counterculture of the 1970s. These three authors changed the way millions of readers thought, dreamed, and experienced reality - but how did their writings reflect, as well as shape, the seismic cultural shifts taking place in America?