If you want to understand the daily life and psychology of the late Middle Ages, Ronald Ecker’s classic translation of The Canterbury Tales provides one of the very best means of doing so. Within its audio is to be found a broad range of society - high and low, male and female, rich and poor - who express their innermost beliefs and extravagant fantasies in a series of stories they tell as they make their way to Canterbury Cathedral.

Chaucer’s The Canterbury Tales, a collection of narratives written between 1387 and 1400, tells of a group of 30 people from all layers of society who pass the time along their pilgrimage to Canterbury by telling stories to one another, their interaction mediated (at times) by the affable host - Chaucer himself. Naxos AudioBooks’ third volume presents the tales of six people, here in an unabridged modern verse translation (by Frank Ernest Hill, 1935).

The Canterbury Tales, written near the end of Chaucer's life and hence towards the close of the 14th century, is perhaps the greatest English literary work of the Middle Ages: yet it speaks to us today with almost undimmed clarity and relevance.

The Knight's Tale of medieval wars and chivalry is the first tale told to the pilgrims as they set out to Canterbury. It concerns Theseus, returning from fighting at Thebes, and two brother knights Palamon and Arcite, imprisoned but yearning for their loves. But the real hero of this recording is Richard Bebb who, with the help of Professor Derek Brewer, the leading expert on Chaucerian pronunciation, make the original Middle English not only comprehensible to the modern ear, but exciting.

Three tales from The Canterbury Tales, read in the original Middle English by Richard Bebb under the direction of Britain's foremost Chaucer scholar, Derek Brewer.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

When I was a little girl, I dreamed a handsome knight would come and rescue me from my wretched mother. He'd ride up on his white steed and break the curse I've been fated to carry since the day I was born. Funny how things changed over time, how the fairytale twisted into something far more crooked—and darker—than I ever imagined. In reality, my knight is scarred and broken, living alone in a castle of bones that overlooks the sea. He isn’t searching for me. He never was.

Academy Award nominee Rachel McAdams stars in Mary Jane, a poignant and intimate drama following a single mother’s journey caring for her chronically ill young son. Set in New York City, the play unfolds in two parts—Mary Jane's small Queens apartment and a pediatric hospital. With unflinching honesty and unexpected humor, we witness Mary Jane's tireless devotion, her interactions with medical professionals, and her struggle to maintain her sense of self.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

Original cast members from the beloved TV series, Buffy the Vampire Slayer, reunite for an all-new adventure about connections that never die—even if you bury them. A decade has passed since the epic final battle that concluded Buffy the Vampire Slayer (TV). The game-changing spell that gave power to all potential Slayers persists. With new Slayers constantly emerging, things are looking grim for the bad guys.

Chaucer's greatest work, written towards the end of the fourteenth century, paints a brilliant picture of medieval life, society and values. The stories range from the romantic, courtly idealism of "The Knight's Tale" to the joyous bawdy of the Miller's; all are told with a freshness and vigor in this modern verse translation that make them a delight to hear.

Chaucer’s The Canterbury Tales, a collection of narratives written between 1387 and 1400, tells of a group of 30 people from all layers of society who pass the time along their pilgrimage to Canterbury by telling stories to one another, their interaction mediated (at times) by the affable host - Chaucer himself. Naxos AudioBooks’ third volume presents the tales of six people, here in an unabridged modern verse translation (by Frank Ernest Hill, 1935).

The Canterbury Tales, written near the end of Chaucer's life and hence towards the close of the 14th century, is perhaps the greatest English literary work of the Middle Ages: yet it speaks to us today with almost undimmed clarity and relevance.

The Knight's Tale of medieval wars and chivalry is the first tale told to the pilgrims as they set out to Canterbury. It concerns Theseus, returning from fighting at Thebes, and two brother knights Palamon and Arcite, imprisoned but yearning for their loves. But the real hero of this recording is Richard Bebb who, with the help of Professor Derek Brewer, the leading expert on Chaucerian pronunciation, make the original Middle English not only comprehensible to the modern ear, but exciting.

Read in a mixture of Middle-English and modern English, The Canterbury Tales is a collection of stories written by Geoffrey Chaucer at the end of the 14th century. The tales are told as part of a story-telling contest by a group of pilgrims as they travel together on a journey from Southwark to the shrine of Saint Thomas Becket at Canterbury Cathedral.