Lana Fleming’s sister has vanished from the set of TV’s hottest show, and no one seems to care. Desperate for answers, Lana sneaks in as an extra, only to get stranded with Griffin Hart, an A-list action star with a reputation for good abs and bad decisions. Though Griffin didn’t expect to be cast as a librarian’s sidekick in a real-life thriller, he’s weirdly into it—and into her. Even more unsettling—she sees right through his playboy persona. But their meet-cute soon turns deadly when they uncover a Hollywood scandal for the ages.

It’s Valentine’s Day weekend, and Charlotte and Seth are not looking for romance. Armed with emotional-support bear spray, Charlotte is in self-imposed isolation and on guard from men. Having a stalker can do that to a person’s nerves. Just across the hall and giving off woodsy vibes is Seth, a recently divorced arborist. As in today recently. Heights, he’s fine with. Trust? Not so much.

Meet Randi Burnett—she’s brilliant, she’s beautiful, and she works for the bride. Missing groom? Intoxicated in-laws? Crying ring-bearer? You name it, she wrangles it. Too bad her personal life isn’t thriving like her side gig as a bridesmaid for hire. Recently dumped, Randi throws herself into her biggest challenge yet when she’s hired as a maid of honor and pretend best friend for an ice queen bride. There’s just one problem—the best man is infuriating, overprotective, and anti-marriage.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Hattie Murton never dreamed of TV stardom. A straight-from-a-fairytale encounter with a casting agent somehow landed her a part on what she’d thought would be a one-off pilot for Leicester Square…

The young ladies of the Fairchild family have just learned that their stepfather has absconded with their late mother's fortune. Ava, the eldest, decides to take matters into her own hands and hunts down the notoriously wealthy rakehell Jared Broderick, the Marquis of Middleton and heir to a dukedom. Much to her shock and delight, the marquis sweeps her into a whirlwind romance and proposes marriage. But after their passionate wedding night, Ava discovers Jared has ulterior motives of his own.

Elizabeth Bennet has a secret. The finances of Longbourn are more dire than is generally known, and she has been forced by necessity to help keep food on the table of her family home. Her secret is safe. Until the night, the handsome face and kind attentions of Fitzwilliam Darcy lay claim to her affections.

Miss Amelia Fleming has a very good reason to hate the Earl of Langley. A year ago, her father drowned in the Thames after losing a fortune to Langley at cards. Now her family is broke, her fiance has broken their engagement, and the debt still hasn't been paid. Someone has to deal with the earl, but Amelia's brother doesn't have the nerve and her mother has fled to France. It's no business for a gently bred young lady, but the Earl of Langley is about to learn that Amelia Fleming is not your typical young lady . . .

Lover of the Gothic craze sweeping the nation, Miss Georgiana Spence only has one thing on her mind this summer—the Eglinton tournament: three full days of knights and ladies, dazzling jousting, and succulent feasts. The medieval era will come back to life in Scotland. Not even the fact that her obscenely rich father is trying to sell her off for a title can ruin it for her. Well, it’s almost ruining it for her.

Elizabeth Bennet loathes insufferable Mr. Darcy. When a series of mishaps repeatedly throws them into each other’s company—first with her unconscious at Netherfield, then him injured at Rosings—Elizabeth begins to see a different side of the proud man she thought she knew. This tender, low-angst Regency variation of Jane Austen’s Pride & Prejudice proves that pride does indeed come before a fall…and that, in this case, love always comes after.