"The Classic Collection of Franz Kafka. Novellas and Stories" brings together a selection of extraordinary works by Franz Kafka, one of the most influential writers of the 20th century. This collection showcases Kafka's unique literary style and his exploration of existential themes, alienation, and the human condition. "The Metamorphosis" is a haunting novella that follows the bizarre transformation of Gregor Samsa into a giant insect, exploring themes of identity, isolation, and the absurdity of human existence.

On his deathbed, Franz Kafka asked that all his unpublished manuscripts be burned. Fortunately, his request was ignored, allowing such works as The Trial to earn recognition among the literary masterpieces of the 20th century. This brilliant new translation of The Castle captures comedic elements and visual imagery that earlier interpretations missed.

If Max Brod had obeyed Franz Kafka's dying request, Kafka's unpublished manuscripts would have been burned, unread. Fortunately, Brod ignored his friend's wishes and published The Trial, which became the author's most famous work. Now Kafka's enigmatic novel regains its humor and stylistic elegance in a new translation based on the restored original manuscript.

The story of K - the unwanted land surveyor who is never to be admitted to the Castle and yet cannot go home - seems to depict, like a dream from the deepest recesses of consciousness, an inexplicable truth about the nature of existence. A perpetual human condition lies at the heart of this labyrinthine world: dualities of certainty and doubt, hope and fear, reason and nonsense, harmony and disintegration.

A terrifying psychological trip into the life of one Joseph K., an ordinary man who wakes up one day to find himself accused of a crime he did not commit, a crime whose nature is never revealed to him. Once arrested, he is released, but must report to court on a regular basis - an event that proves maddening, as nothing is ever resolved. As he grows more uncertain of his fate, his personal life - including work at a bank and his relations with his landlady and a young woman who lives next door - becomes increasingly unpredictable.

“One morning, as Gregor Samsa was waking up from anxious dreams, he discovered that in bed he had been changed into a monstrous verminous bug.” With this startlingly bizarre sentence, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young traveling salesman who, transformed overnight into a giant, beetle-like insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. Rather than being surprised at the transformation, the members of his family despise it as an impending burden upon themselves.

A land-surveyor, known only as K., arrives at a small village permanently covered in snow and dominated by a castle to which access seems permanently denied. K.'s attempts to discover why he has been called constantly run up against the peasant villagers, who are in thrall to the absurd bureaucracy that keeps the castle shut, and the rigid hierarchy of power among the self-serving bureaucrats themselves.

By day Franz Kafka worked as a lawyer for an insurance company, but he spent his nights writing visionary stories and novels exploring bureaucracy, power and alienation – iconic fiction that gave the world the adjective ‘Kafkaesque’. This BBC anthology showcases his most famous works, dealing with ordinary men caught up in impossible situations.

Harry Haller is a sad and lonely figure, a reclusive intellectual for whom life holds no joy. He struggles to reconcile the wild primeval wolf and the rational man within himself without surrendering to the bourgeois values he despises. His life changes dramatically when he meets a woman who is his opposite, the carefree and elusive Hermine.

Josef K. is an ordinary man who is arrested on his 30th birthday. He is prosecuted by a remote, inaccessible authority, yet the nature of his crime is never revealed to him. One year after his arrest he is executed. His last words describe his own death: "Like a dog!"