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Stoner
- Narrated by: Robin Field
- Length: 9 hrs and 46 mins
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Publisher's summary
William Stoner is born at the end of the 19th century into a dirt-poor Missouri farming family. Sent to the state university to study agronomy, he instead falls in love with English literature and embraces a scholar's life, far different from the hardscrabble existence he has known. And yet as the years pass, Stoner encounters a succession of disappointments: marriage into a "proper" family estranges him from his parents; his career is stymied; his wife and daughter turn coldly away from him; a transforming experience of new love ends under threat of scandal. Driven ever deeper within himself, Stoner rediscovers the stoic silence of his forebears and confronts an essential solitude.
John Williams's luminous and deeply moving novel is a work of quiet perfection. William Stoner emerges from it not only as an archetypal American, but as an unlikely existential hero, standing, like a figure in a painting by Edward Hopper, in stark relief against an unforgiving world.
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Not bad
- By A. Sosa on 07-24-18
By: John Saul
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The Chosen
- By: Chaim Potok
- Narrated by: Jonathan Davis
- Length: 10 hrs and 37 mins
- Unabridged
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Though they've lived their entire lives less than five blocks from each other, Reuven Malter and Danny Saunders exist in very different worlds. Reuven blends easily into both his secular Jewish faith and his typical American teen life, while Danny's conservative Hasidic clothes and appearance make him stick out in any crowd. Their improbable friendship teaches them that the differences separating people through cultures and generations are never as great as they seem.
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truly rates overused "classic" label
- By connie on 11-05-08
By: Chaim Potok
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The Last Summer
- By: Judith Kinghorn
- Narrated by: Jane Wymark
- Length: 13 hrs and 28 mins
- Unabridged
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Clarissa is almost 17 when the spell of her childhood is broken. It is 1914, the beginning of a blissful, golden summer - and the end of an era. Deyning Park is in its heyday, the large country house filled with the laughter and excitement of privileged youth preparing for a weekend party. When Clarissa meets Tom Cuthbert, home from university and staying with his mother, the housekeeper, she is dazzled.
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The Last Summer Delivers
- By Carmen dela Cruz on 05-22-16
By: Judith Kinghorn
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In Malice, Quite Close
- By: Brandi Lynn Ryder
- Narrated by: Michael Kramer
- Length: 16 hrs and 58 mins
- Unabridged
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French ex-pat Tristan Mourault is the wealthy, urbane heir to a world-renowned collection of art - and an insatiable voyeur enamored with Karen Miller, a 15-year-old from a working-class family in San Francisco. Deciding he must 'rescue' Karen from her unhappy circumstances, Tristan kidnaps her and stages her death to mask his true crime.
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In malice,Quite close
- By Wendy on 09-06-11
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Reflection
- By: Diane Chamberlain
- Narrated by: Erin Bennett
- Length: 15 hrs and 15 mins
- Unabridged
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Twenty years ago, a terrible tragedy shattered the tranquility of the small Pennsylvania Dutch town of Reflection. The residents of the village have never forgiven the one woman they blamed for what happened - Rachel Huber. After the incident, Rachel left the town and cut off all ties there. But when Rachel receives the news that her estranged grandmother, Helen, is ill and needs her care, she returns to Reflection.
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How did I ever miss this book!!
- By joni on 04-16-16
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A Great Deliverance
- Inspector Lynley, Book 1
- By: Elizabeth George
- Narrated by: Donada Peters
- Length: 11 hrs and 2 mins
- Unabridged
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Into Keldale's pastoral web of old houses and older secrets comes Scotland Yard Inspector Thomas Lynley, the eighth earl of Asherton. Along with the redoubtable Detective Sergeant Barbara Havers, Lynley has been sent to solve a savage murder that has stunned the peaceful countryside. For fat, unlovely Roberta Teys has been found in her best dress, an ax in her lap, seated in the old stone barn beside her father's headless corpse. Her first and last words were "I did it. And I'm not sorry".
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good debut novel
- By Stevon on 11-11-19
By: Elizabeth George
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The Magus
- By: John Fowles
- Narrated by: Nicholas Boulton
- Length: 26 hrs and 19 mins
- Unabridged
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John Fowles’s The Magus was a literary landmark of the 1960s. Nicholas Urfe goes to a Greek island to teach at a private school and becomes enmeshed in curious happenings at the home of a mysterious Greek recluse, Maurice Conchis. Are these events, involving attractive young English sisters, just psychological games, or an elaborate joke, or more? Reality shifts as the story unfolds. The Magus reflected the issues of the 1960s perfectly, and it continues to create tension and concern today.
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One of the best novels that I really think I hate.
- By Darwin8u on 01-29-14
By: John Fowles
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Domina
- By: Barbara Wood
- Narrated by: Marion Castle
- Length: 20 hrs and 21 mins
- Unabridged
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Performance
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Story
Beautiful and courageous, Samantha Hargrave dares to dream that she will become one of the first female doctors - and surgeons - in America. Born in the slums of London and possessing a special gift for healing, Samantha struggles to enter the all-male medical profession. When her ambition encounters hostile rejection in England, she sails to America, where she meets an eccentric doctor who takes her on as an apprentice.
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Really bad.
- By Anonymous User on 12-29-17
By: Barbara Wood
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The Ambassador's Daughter
- By: Pam Jenoff
- Narrated by: Joanna Daniel
- Length: 11 hrs and 41 mins
- Unabridged
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Overall
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Performance
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Brought to the peace conference by her father, a German diplomat, Margot Rosenthal initially resents being trapped in the congested French capital, where she is still looked upon as the enemy. But as she contemplates returning to Berlin and a life with Stefan, the wounded fiancé she hardly knows anymore, she decides that being in Paris is not so bad after all. Bored and torn between duty and the desire to be free, Margot strikes up unlikely alliances: with Krysia, an accomplished musician with radical acquaintances and a secret to protect; and with Georg, the handsome, damaged naval officer who gives Margot a job.
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Book 0 in the series
- By Stevon on 12-12-17
By: Pam Jenoff
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The Distant Hours
- By: Kate Morton
- Narrated by: Caroline Lee
- Length: 22 hrs and 31 mins
- Unabridged
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Story
Edie Burchill and her mother have never been close, but when a long lost letter arrives one Sunday afternoon with the return address of Milderhurst Castle, Kent, printed on its envelope, Edie begins to suspect that her mother’s emotional distance masks an old secret.
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Right Mood At The Right Time
- By Simone on 11-13-12
By: Kate Morton
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What listeners say about Stoner
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall
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- Dan Harlow
- 10-01-14
A distant closeness
Any additional comments?
"I thought I could do it quietly without upsetting anyone."
How much of life do you lose if you never impose on anyone else? How much selfishness should you indulge in, drag others into? Can you ever really be alive by always being polite, never being a bother, letting life carry you along like driftwood? These were some of the questions, and hard truths I had to face while reading this remarkable novel. And I use the word remarkable not because I want to toss a superlative around, but because the book is remarkable. In fact I think a case could be made for this almost forgotten novel to be considered in the conversation of Great American Novels.
Stoner is a unique literary 'hero'. He is an American mid-western farm boy from a hardworking, moral farm family. In a Steinbeck novel the Stoner's would be backdrop, the sort of family he'd mention in passing as being one of the unspoken for millions America is made up of: the hard working, quiet, self sufficient, good and decent Americans who are the salt of the earth. Yet William Stoner is different; he's a man apart. Though he knows farm life, he's not particularly attracted to or interested in it, he only does it because life has, until yet, not offered him anything else. But when he's given the chance to go to college he discovers he has a passion you wouldn't normally attribute to the farm: a love of literature. He discovers he is not a man meant to bend his back all day, but to use his mind instead.
This discovery occurs suddenly, without warning and from a man long dead. It is William Shakespeare who almost literally speaks to him. "Do you hear him?" Professor Sloane asks him in class. Shakespeare speaks to you across three centuries. Shakespeare has imposed himself on Stoner, has grabbed hold of him, and changed his life.
But this is not the story of a man necessarily bettered by the experience of discovering education and art. Though Stoner decides to pursue a life of education and teaching, you sometimes wonder what his life would have been like had he not made this discovery. Would he have wound up like his parents, perhaps, but when WW1 broke out he may have gone over to France and not come back, or come back a changed man. There's a lot of potential 'what ifs' at the beginning of one's life.
And this book is all about potential.
That's why it's so startling at the end of the novel when he realizes he's 60 years old. Though we've lived his life through the course of the novel through all his failures, and modest successes, we are hit with the cold reality that there is just not anymore time left. He's made all his choices and, as he keeps repeating "What did you expect?"
Yet this is not a cynical or angry novel. Even in moments of quiet, suffocating despair, of years of a failed marriage, failed relationships, failed career opportunities, this is not a book about a man who is just a sad case for us to pity. William Stoner is like so many very real people, he's a person trying to get by in the world, trying to do some good, but not quite able to bridge the gap between his own internal passions and heat with other people's heart and their warmth. He's closed off, he lives in his own mind, and he always looks for reasons why he can't act, why he shouldn't say or do a thing because he doesn't feel it's right, or his place to do so. He is not a bold man, but rather a man who works hard, does the best he can with what he has, and then, in the end, must accept those choices.
Artistically the novel is a marvel. From the sparse and clear writing, to the near meta-fictional exploration of how literature and books can help us explore the human condition while at the same time needing to withdraw from humanity to experience these books. In the end he holds his own book in his hands and though the contents of that book might not paint a clear picture of the author, it does, as least, offer proof that he existed and contributed even just a little bit to the human species. Or in the dedication of Katherine's book, the initials W.S. are all that is left between the two of them, a fragment, but at least something.
There is continually subtle word play, the use of a line such as "He felt a distant closeness to her", distant closeness in opposition but right next to each other, or him describing his marriage as a stalemate, is he the mate who is stale, is she, are they both? There is the repeated imagery of masks and mask like faces, which in less talented hands would have been a bit heavy handed, but here fits the characters and the tone. Even when the novel pushes the boundaries of imagery, such as with his description of the poignancy of a lone grave enhanced by the vastness of a desert, it never feels out of place or forced. Every word is necessary.
And structurally the novel is near perfect in that this is a first person account written in the third person. We are close to Stoner but never too close, we are always kept at a distance. The narrator is most likely Stoner himself since only twice do we ever get a POV shift, both times with his wife in acts of self discovery, as if their will and imposition spills over into the narration and forces us to have to come to terms with another human being.
This is the true art of the novel, the life we live with Stoner, the slow wearing down upon him, his reasoning for acting, or more often not acting, and the understanding we get of this person who to an outsider would seem a cantankerous and impossible man to know. We learn a little about what it means to be William Stoner, and perhaps, to better see the world through the intentions of the people around us.
The novel is sad but never pessimistic - it's realistic in the best possible use of the word. This is the sort of book a writer like Raymond Carver would immediately relate to and even write about. William Stoner is a sort of mythical American every-man, a man of the earth who is also educated, a man of many faces whose expression never changes, a man never quite sure of his place in the world but is willing to work damn hard to keep what he does have. Stoner was remarkable in that he was completely unremarkable.
We even get in the end the book's, and perhaps our own culture's unspoken philosophy about the meaning of life when he is with the doctor, "it was foolishness, he knew, but he did not protest, it would have been unkind for him to do so."
Stoner is very much a book that will appeal to people who love books and love book learning, however, there is a warning here I believe, and that is the more we learn, the more we try to know, the more we will discover how little we actually known and understand and that there will never be enough time to read and to learn all we need to know because the rabbit hole never ends. Perhaps we would be better off putting the books down and going outside and imposing ourselves on the world. Perhaps Stoner could be read as the great anti-book, or, at least in a meta sense, a slight nod towards American anti-intellectualism; too much knowledge could be bad for you.
At the very least, the book is pretty clear about never being able to ever understand another human being by just reading books about them. Stoner read his whole life away and barely made an impression on any human he ever met aside from his wife, Finch, Lomax, and Katherine Driscoll. Perhaps if he'd found a place to put down his cap and gown from his college graduation he might have lived more.
Yet in the end these are the choices of his life and we are reminded of our own choices, our own mortality and our potential. It would be easy to feel a bit defeated at the end of the novel, to think life is just sort of pointless and full of misery, and in a way it is, but it isn't, too. In the final pages we watch Stoner hearing the teenagers laughing as they walk across his lawn, barely touching the ground, and we long to be with them, not him. We long to live better, but we also understand our limitations.
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11 people found this helpful
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- David P
- 08-23-15
Deeply Moving
This book was recommended by several people whose opinions I respect. For the first third, I wasn't sure. A quiet book about an unassuming man whose life is plagued by disappointment. By the end, I was so gripped I couldn't stop listening, and was moved to tears. In fact, the last chapter is one of the most powerful I can think of, all in its quiet way. The narrator is perfect, and he reads with a subtle dignity that matches the character and the novel. HIGHLY RECOMMENDED.
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- James
- 12-12-10
Extraordinarily Ordinary
It is not a spoiler to reveal that Professor William Stoner, the eponymous main character, dies at the end of this novel since that fact is revealed to us at the outset. His demise, as described there, causes so few ripples, such a small wake (and I use the word purposefully), that we must wonder if the narrative of his life can be worth reading. But it is--because this terribly, achingly ordinary life is made to sound extraordinary by the power and passion of the writing invested by John Williams in the character. And this is fitting inasmuch as the only real passion--albeit not the only love--in Stoner???s life is literature.
As in the naturalistic novels of the late nineteenth century, our attention is drawn to the harrowing burdens of Stoner???s existence far more than to his very few glories. He is victimized at so many turns that it is hard to consider him a protagonist, and yet, ultimately, his graceful stoicism and kindness gain in us a certain respect--especially in those of us who have ever asked ourselves if our lives will have made any difference to the world. The novel is a painful answer to that question. But if beauty is truth and if the discovery of truth does make live worth living, then this beautifully-crafted work is worth reading.
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- Grace
- 08-27-14
Worth reading
I started this book with doubt -- from description and reviews it sounded underwhelming; and it was banal for the first part of the book. While on the one hand Stoner seems to let life happen to him rather than at least making people and circumstances meet him halfway; he does make decisions that sometimes improve his life, that reflect his principles, that are sensitive to those arround him, that keep life on an even keel which seems to be his preference. In the grand scheme of things, his life did not leave much of a mark, but then, isn't that true for the majority. For at least the last half of the book, I was drawn to listening to the book whenever I could.
The writing is exquisite and crisp. Stoner's inner thoughts, reactions, wishes, emotions were insightful and felt so real.
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- Ronald
- 09-13-14
Life is tough, then you die
I don't mean to suggest the book is without merit. Like Truman Capote's "In Cold Blood", this story is well crafted. While "In Cold Blood" leaves one chilled, Stoner left me lukewarm.
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- J. C. Schaap
- 09-03-12
Remarkable period piece
Would you consider the audio edition of Stoner to be better than the print version?
Not necessarily.
What did you like best about this story?
The almost haunting narration of a man's life, in the style of the American literary naturalists of that era, yet not without compassion. That tone--at once distanced, yet not without compassion--I found compelling.
Which character – as performed by Robin Field – was your favorite?
There really is only one character in this novel--Stoner.
Was this a book you wanted to listen to all in one sitting?
No.
Any additional comments?
It's understandable, to me, why this novel has been historically overlooked. While it is a remarkable piece of fiction, it is going to be vastly more interesting to me, a man who also spent his life teaching literature. English majors--some of them at least--would love this old 1930's novel.
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- Shider
- 01-08-13
Masterfully written!
Would you recommend this audiobook to a friend? If so, why?
Yes. The author's skill permeates every line of it.
What did you like best about this story?
The few characters progress truthfully and despite their small number, the book is never boring. It has so much to teach us.
What does Robin Field bring to the story that you wouldn’t experience if you just read the book?
Robin Field's tone suits the book perfectly - a bit monotonous, even bored at times, dragging his voice - to get the story through to us. All the while it was very easy to listen to and I got through most of it while driving around the city.
Was there a moment in the book that particularly moved you?
Not a particular moment. The entire book is an event in itself.
Any additional comments?
If you like stories that move you deeply in their own way, go ahead!
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- DrK
- 08-29-14
a great American novel, a great American audiobook
There's a reason so many people admire, revere John Williams -- I then went and listened to Butcher's Crossing, so very different and also wonderful.
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- Anja
- 03-11-15
Ok story
This is an OK story. I don't think I would have finished the book if I had to read it myself.
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- Gary
- 04-15-15
Very touching
Born in a time and place when so much of the emotional life lies below any clear awareness and understanding, life empels Stoner into the tragic circumstances he accepts so stoically. He becomes a jewel caught in amber I grew to care for and even love.
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