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The City of Dreadful Night
- Narrated by: Tom McLean, Ghizela Rowe
- Length: 1 hr and 1 min
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Publisher's summary
James Thomson was born in Port Glasgow, Scotland, on the 23rd November 1834.
At the age of 8 his sister died and his father suffered a stroke. Thomson was now sent south to be raised in a London orphanage, the Royal Caledonian Asylum, on Chalk near Holloway. Shortly thereafter he was given the news that his mother had also now died. It was a bleak beginning to the next chapters of his life and would undoubtedly go a long way towards shaping both his character and his future.
Thomson trained as an army schoolmaster at the Royal Military Asylum in Chelsea and served in Ireland. After a decade of Army life, he left the military and moved to London to find work as a clerk.
What Thomson also possessed was a powerful and unique writing gift. Unfortunately, his own demons curtailed him from leaving a larger literary legacy. But what he did leave are works that can be difficult but very rewarding, allowing us to observe, to understand and make sense of themes and issues that we might at first shy away from. He also used the suffix B V (Bysshe – taken from Percy Bysshe Shelley and Novalis – the pseudonym of Georg Philipp Friedrich Freiherr von Hardenberg); this was to avoid confusion with the earlier Scottish poet of the same name. For Thomson life always had a complication.
Stories, essays and poems were submitted to various publications during his life and undoubtedly the creative high point of his life is ‘The City of Dreadful Night’. Within its bleak verse are the struggles of Thomson’s own chaotic tortures with depression, insomnia and alcoholism in the uncaring world that surrounded him. It was published to favourable reviews from the critics but by now Thomson’s health was rapidly declining.
James Thomson B V died, in London, at the age of 47, on 3rd June 1882, from a broken blood vessel in his bowel.
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The Arthurian legend of Camelot has been told many times, but never better than by Alfred Tennyson. Employing some of the most stirring and beautiful blank verse ever written, Tennyson crafted his version of the Knights of the Round Table over the course of nearly fifty years, completing it in 1885. Despite the length of time, Tennyson managed to maintain a high level of style and continuity throughout.
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Beautiful poetry
- By Roger on 01-15-08
By: Alfred Tennyson
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The Gods of Pegana
- By: Lord Dunsany
- Narrated by: Ritchard Milton
- Length: 1 hr and 35 mins
- Unabridged
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" The Gods of Pegana" is the first book by Lord Dunsany, published in 1905. The book is a series of short stories linked by Dunsany's invented pantheon of deities who dwell in Pegana.
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Dunsany is great. This reader/performance is...
- By Advocatus Peregrini on 06-23-18
By: Lord Dunsany
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The Last Man
- By: Mary Wollstonecraft Shelley
- Narrated by: Matt Bates, Anna Bentinck
- Length: 19 hrs and 59 mins
- Unabridged
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The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late 21st century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.
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A great book, with a great story.
- By Stephen P. Suelzle on 10-01-16
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Phantastes
- A Faerie Romance for Men and Women
- By: George MacDonald
- Narrated by: Rebecca K. Reynolds
- Length: 7 hrs and 7 mins
- Unabridged
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The classic fantasy that influenced C. S. Lewis and Tolkien, considered one of George MacDonald's most important works, is the story of the young man, Anodos, and his adventures in fairyland which ultimately reveal the human condition. "I write, not for children," wrote George MacDonald, "but for the child-like, whether they be of five, or 50, or 75." All-at-once written with an innocent whimsy and soulful yearning, the heart of Anodos' journey through fairyland reveals a spiritual quest that requires a surrender of the self.
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Finally
- By Aaron Elrod on 04-12-21
By: George MacDonald
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The End of the Story
- By: Clark Ashton Smith
- Narrated by: Josh Greenwood
- Length: 44 mins
- Unabridged
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In “The End of the Story” by Clark Ashton Smith, mysterious passion and ardor lead us through forbidden manuscripts, mystical encounters, and matters of the heart. Set in 17th-century France, young law student Christophe Morand discovers the tale of Gerard de Venteillon, a knight seduced by a lamia dwelling in the ruins of Chateau des Faussesflammes near Perigon. Will Morand share his fate? The choice between heart and the abbot’s counsel becomes pivotal, and the enigmatic woman continues to tempt.
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Poems of Emily Dickinson: Series 1
- By: Emily Dickinson, Thomas W. Higginson - editor, Mabel Loomis Todd - editor
- Narrated by: Kendra Murray, Nancy Beard, Jennifer Fournier, and others
- Length: 1 hr and 18 mins
- Unabridged
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Emily Dickinson was one of the most reclusive of all poets. She spent much of her life in seclusion in her father’s house in Amherst, and only a handful of her 1800 poems were published in her lifetime. Credit for the posthumous publication of her work must be given to her editor and friend Thomas W. Higginson, who reported that, in spite of the voluminous correspondence which passed between himself and Dickinson, he only met her twice in person.
By: Emily Dickinson, and others
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Sappho
- A New Rendering
- By: Sappho, Henry de Vere Stacpoole - translator
- Narrated by: Leanne Yau
- Length: 39 mins
- Unabridged
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Sappho was a female poet who was well known in ancient Greece and Rome for her lyrical poetry. She was most famous for her poems involving women who loved women, and it is from her name that sapphic, a term referring to sexual relations between women, originated. This is a compendium of her surviving work, a collection of 54 fragments translated by Henry de Vere Stacpoole.
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This book is essentially all poetry.
- By AudioBookRomance on 08-09-17
By: Sappho, and others
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Leaves of Grass
- 1855 Edition
- By: Walt Whitman
- Narrated by: Edoardo Ballerini
- Length: 4 hrs and 19 mins
- Unabridged
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In 1855, Walt Whitman published, at his own expense, the first edition of Leaves of Grass, a visionary volume of 12 poems. Showing the influence of a uniquely American form of mysticism known as Transcendentalism, the writing is distinguished by an explosively innovative free-verse style and previously unmentionable subject matter. Exalting nature, celebrating the human body, and praising the senses and sexual love, this monumental work, now a classic of American poetry, was condemned as immoral upon publication.
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password “primaeval”
- By Chas Carner on 05-28-20
By: Walt Whitman