-
The Complete Talking Heads
- The Classic BBC Radio 4 Monologues Plus A Woman of No Importance
- Narrated by: Alan Bennett, Patricia Routledge
- Length: 7 hrs and 19 mins
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Publisher's summary
The complete audio collection of Alan Bennett's celebrated monologues, published together for the first time and performed by some of Britain's best actors.
The Talking Heads monologues are widely regarded as one of Alan Bennett's finest dramatic achievements. First broadcast on BBC TV and BBC Radio 4 in the 1980s and 1990s, they won a host of awards and huge popular acclaim and remain among his most admired works today.
This collection includes all twelve Talking Heads, plus the precursor of that series, 'A Woman of No Importance'.
Beautifully crafted and full of compassion and wry observation, each tale is ripe with the quirky, insightful detail that has become Bennett's trademark. The monologues are: 'A Woman of No Importance' (Patricia Routledge); 'A Chip in the Sugar' (Alan Bennett); 'A Lady of Letters' (Patricia Routledge); 'Bed Among the Lentils' (Anna Massey); 'Soldiering On' (Stephanie Cole); 'Her Big Chance' (Julie Walters); 'A Cream Cracker Under the Settee' (ThoraHird); 'Miss Fozzard Finds Her Feet' (Patricia Routledge); 'The Hand of God' (Eileen Atkins); 'Playing Sandwiches' (David Haig); 'The Outside Dog' (Julie Walters); 'Nights in the Gardens of Spain' (Penelope Wilton) and 'Waiting for the Telegram' (Thora Hird).
Intensely moving, deeply engrossing and highly entertaining, these spellbinding soliloquies are essential listening.
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After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”
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The ending
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By: James Patterson, and others
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The Women
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Overall
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Women can be heroes. When twenty-year-old nursing student Frances “Frankie” McGrath hears these words, it is a revelation. Raised in the sun-drenched, idyllic world of Southern California and sheltered by her conservative parents, she has always prided herself on doing the right thing. But in 1965, the world is changing, and she suddenly dares to imagine a different future for herself. When her brother ships out to serve in Vietnam, she joins the Army Nurse Corps and follows his path.
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Great story
- By AJ Frithiof on 02-08-24
By: Kristin Hannah
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None of This Is True
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- By: Lisa Jewell
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Celebrating her forty-fifth birthday at her local pub, popular podcaster Alix Summer crosses paths with an unassuming woman called Josie Fair. Josie, it turns out, is also celebrating her forty-fifth birthday. They are, in fact, birthday twins. A few days later, Alix and Josie bump into each other again, this time outside Alix’s children’s school. Josie has been listening to Alix’s podcasts and thinks she might be an interesting subject for her series. She is, she tells Alix, on the cusp of great changes in her life.
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Victim shaming a teen girl?
- By Lisa & Travis on 08-11-23
By: Lisa Jewell
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Tom Lake
- A Novel
- By: Ann Patchett
- Narrated by: Meryl Streep
- Length: 11 hrs and 22 mins
- Unabridged
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Performance
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In the spring of 2020, Lara’s three daughters return to the family's orchard in Northern Michigan. While picking cherries, they beg their mother to tell them the story of Peter Duke, a famous actor with whom she shared both a stage and a romance years before at a theater company called Tom Lake. As Lara recalls the past, her daughters examine their own lives and relationship with their mother, and are forced to reconsider the world and everything they thought they knew.
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So incredibly boring
- By Rhonda Morrison on 08-05-23
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The Subtle Art of Not Giving a F*ck
- A Counterintuitive Approach to Living a Good Life
- By: Mark Manson
- Narrated by: Roger Wayne
- Length: 5 hrs and 17 mins
- Unabridged
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For decades we've been told that positive thinking is the key to a happy, rich life. "F*ck positivity," Mark Manson says. "Let's be honest, shit is f*cked, and we have to live with it." In his wildly popular Internet blog, Manson doesn't sugarcoat or equivocate. He tells it like it is - a dose of raw, refreshing, honest truth that is sorely lacking today. The Subtle Art of Not Giving a F*ck is his antidote to the coddling, let's-all-feel-good mind-set that has infected modern society and spoiled a generation, rewarding them with gold medals just for showing up.
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A book for 20-somethings, but not me
- By Bonny on 09-22-16
By: Mark Manson
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What listeners say about The Complete Talking Heads
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall
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Performance
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Story
- Eric Norton
- 09-05-18
Truly superb drama
Alan Bennett's "Talking Heads" series deserves every ounce of praise possible. In each story we become acquainted with a heroine (on rare occasion, hero) in the midst of a personal struggle of one sort or another, and over the course of the monologue we learn through what is - and isn't - said just as much about the mental state of the storyteller as the events transpiring themselves. Each character, of course, sees things her (or his) own way, but unexpected revelations abound, and whether, by the end, the storyteller has understood the full impact of what's been happening is largely up to the audience to determine. "Talking Heads" was originally written for television, and was a unique proposition at the time, and later produced for radio (what we hear here), followed in book form, and each format excellently conveys Bennett's unique skills at observing, writing, and carrying his audience along throughout the course of the plot. These stories are meant to be enjoyed time and again, and something new is undoubtedly to be gleaned with each new visit.
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- Cookie
- 09-19-16
Depressing
The performances on these plays are top notch, every one.
The stories themselves are depressing and sad. The characters are wonderfully fleshed out and real but maybe a little too real.
I'll only listen to the rest if I need a good cry.
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5 people found this helpful