The Driver: Ahead he could see only the stretch of unending road, on either side brown-scorched plains of dirt and scrub, above it all a soaring blue sky and blinding sun. The Hitchhiker: Have you ever done something bad? The question was like a clawed hand seizing his guts. The Fugitive: She’d made a mistake. Wasn’t the first time and wouldn’t be the last. Ever since she’d left, all she’d found was more trouble.

Ryan and Sophie are a golden couple in Melbourne, the charming, salt-of-the-earth country boy and the charismatic, gorgeous social butterfly. When Ryan’s father dies, leaving them the family farm, it seems like a chance for Ryan to get back to his roots and for Sophie to embrace the bucolic country life she always dreamed of. But reality proves very different, and years spent struggling against an implacable drought have pushed their marriage – and finances – to the absolute limit.

For years, Aidan Cullen has dreamed of becoming a successful crime writer. When his hard work finally pays off and his first book is published, what should have been a night of celebration unravels into an evening of horror. Left for dead after a brutal attack, trauma leaves him paranoid and reclusive, and he retreats to the remote countryside with only his dog Nanook for company. With the world kept at arm’s length, he begins to feel safe. That is, until a woman is murdered at the end of his road.

I know all about being afraid of the dark. Like my uncle, in my thirties I found my way into my own dark forest, face-to-face with the big bad wolf. He was so close to me the whole time, I could taste the blood on his breath. Meeting him felt like a fairytale. I fact, I met him at a bar called the Wolf's Lair. A sensational trial for an historic serial murder. A missing woman with a trail of secrets. A top lawyer famous for defending notorious criminals. A retired homicide cop hunting for the truth.

On the first day of her new job, Harris is called to the scene of a brutal murder at the heart of Surrey society. A shocking crime, with a meticulous killer: the victim’s eyes have been removed and the body drained of blood, with no forensic evidence left at the scene. Her boss insists it must be the return of a killer who escaped justice several years ago, leaving a trail of bloody ritualistic killings. Harris isn’t so sure: both sets of victims have had their eyes removed, but other details are significantly different.

Stan Weir is mourning a tragic loss when he meets a mysterious nine-year-old girl, who claims to be the reincarnated spirit of his late wife. Marcy Keef is a single mother trying to make ends meet when her daughter Erin starts describing ‘past life memories’. Neither wants to believe Erin, but as violent secrets are revealed, the truth becomes harder to deny.

Death is a topic Bradford Douglas is intimately familiar with. The young attorney is on a crusade against capital punishment. He’s saved a number of death row inmates, but none of his cases has been as tough as the one he now faces: Henry Combs, a vicious serial killer, has only hours to live when Douglas is summoned for a Hail Mary attempt to have the man’s sentence commuted to life imprisonment. As Douglas races to pursue whatever strategies he can think of, he finds his passion for justice giving way to something altogether different. An obsession.

Adam Turner works the mid-dawn shift at his local radio station. From 12am to 6am, it’s his job to fill the airtime with old songs, inane chatter, and the occasional talkback caller. It’s a long way from his prime-time slot from over a decade ago, when he was a star in the making. Now there’s no producers, no billboards, no stakes, and not many listeners. His frequent callers are drunk students headed home from a night out, or long-range truck drivers. He is completely alone in the studio from midnight until dawn every night. And then one night at 12:45am, he gets a different kind of call.

Gabby Ashford has just survived an attempt on her life. Detectives have connected her story to two other cases in the area: Professional women drugged at a bar, brought to their homes, and drowned in their bathtubs. Gabby, who miraculously woke up in her own bathtub unharmed, could be the key to finding a serial killer on the loose - but she has no memory of the attack. Gabby admits herself to a high-end rehabilitation center to recover, and to seek the help of a psychiatrist renowned for his work with memory recovery.

Every object has a ghost. There is a small yellow backpack - half unzipped, mouth yawning to the pavement, contents strewn around it (a banana, an exercise book, a pair of scissors) - abandoned on a suburban footpath. Ten feet away, the rubber stamp of tyres, resisting clamped brakes, mount the curb and cut across the path. The tracks come to an end at a crippled stop sign. The street, a tree-lined suburban road dappled in late-afternoon sunlight, is calm. But anyone walking past can feel the ghosts: the prickle on the back of their necks that tells them something happened here.

Welcome to Barton Mallet, a remote village in the Midlands that has been chosen as the unlikely location for a new feature film from Hollywood producer Max Crow. Teenagers from the local drama group are encouraged to audition for a story about the trials and tribulations of growing up. Benjamin Knot, the CEO of a well-known architecture firm, discovers that his children, Lily and Nathan, have each been offered a role. But Barton Mallet has a deep wound that has never truly healed.

Part dark romance, part fairy tale, DISORDER marks the arrival of bestselling Italian author Rokia, available for the first time in English, in a vibrant translation by Beth Hickling-Moore. The production is voiced by an all-star cast: Diane Guerrero (Orange is the New Black), William Gao (Heartstopper), Freya Allan (The Witcher) and Connor Swindells (Sex Education.)

In this gripping prequel to the blockbuster best seller and Reese Witherspoon Book Club pick The Last Mrs. Parrish, listeners will discover exactly how Amber Patterson transformed from small-town girl to master manipulator - after all, practice makes perfect.

Styvie Savard was a damn good cop - before she made a mistake that cost her everything. Now she lives in her car, works a dead-end job, and scrapes by on the fumes of a dwindling savings account. Life couldn’t get much worse, until it does. One morning on the way to work, Styvie hits a 16-year-old, Dharma, with her car. When the injured girl flees the scene, Styvie finds that she can’t leave well enough alone.

A broken family. Skeletons in the closet. Lives in danger. When Eva’s brother Ben announces he has found their mother, Eva is determined to have nothing to do with the woman who abandoned them 18 years ago to a traumatic childhood in foster care. Eva is happy now, in a loving relationship with rich and dependable Jim, and she is pregnant. Nothing can change Eva’s mind. Her eyes are firmly on the future. But when her baby is born with a serious hereditary illness, she is forced to confront both her mother and her past.